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Robert W. Roloson Rowhouses, Chicago, IL (1894) (S.026)
Exterior Photographs by Douglas M. Steiner in March 2010
On a rushed trip to Chicago with my daughter, five year old Grandson and three month old Grand- daughter, we had the opportunity to see the one hundred and sixteen year old Roloson Rowhouse. We flew into Midway Airport and had a few short hours before heading out. We visited the Field Museum for my Grandson and then headed for the Roloson Rowhouses.
       Robert W. Roloson was a successful grain merchant, a member of the Chicago Stock Exchange, and Director of the Diamond Match Company. When he acquired property on Calumet Avenue in 1892 he asked Wright to design the rowhouses.
       Each home was approximately 3,000 square feet. After the turn of the century, the Douglas Community began to decline and after just a few short years, the Roloson Houses were subdivided and used as apartments. Changing neighborhoods, neglect, misuse, and fire greatly altered the interior.
       By the late 30s these houses had long been forgotten as Wright's work. They were rediscovered in 1940 when Grant Manson "happened upon them while driving along Calumet Avenue looking for some early Adler and Sullivan buildings".
       In 1961 as reported in the Chicago Daily News they stood "in the midst of a bad slum marked almost entirely for clearance. Will they too be cleared? Nobody knows."
       Twenty years later, as reported in the Chicago Sun Times,
  1981, they were getting a new lease on life. Dr. Janice Hutchinson and her brother, James J. Hutchinson Jr. were renovating the landmark houses. "A suit in Housing Court once sought to demolish the Roloson houses, which were vacant for years and fell into disrepair. Neighbors described them as a nuisance. Parents from Douglas Elementary School across the street complained that the houses harbored packs of stray dogs that menaced children."
       For five years (1888-93), Wright was Sullivan’s right hand. Sullivanesque details are visible in the three foliated terra-cotta spandrels between the second and third level windows and are similar to the panel in the Winslow front door (1984). The terra-cotta balusters are similar to those used in the Moore residence (1895). But there are other details that are “Wright” designs.
       Designed in a modified Tudor style with triangled English gables. As you approach the homes they grow in height. Five stories tall from ground level to peek (around 48' tall). Solid. Classic. Elegant. Wright may have reduced surface shadows by racking the tinted joints flush with the surface of the brick. The front doors are recessed, almost hidden, and the limestone window casing are very consistent with the Winslow House. Wright anchored the houses to the ground by placing them on an enlarged concrete base.
       Copyright March 2010
 
1: Viewed from the Northwest 116 years after it was designed by Wright.
 

2: Viewed from the Northwest, the homes rise five stories (around 48') from ground level to peeks.
 

3: Designed in a modified Tudor style with triangled English gables. A sky light has been added.
 
3b: Detail of the design encasing the windows on the second and third floors which spans three windows.
 
3c: Detail of the fourth floor window design.
 
3d: Detail of the gable peak.
 
4: Wright was Sullivan’s right hand. Sullivanesque details are visible in the foliated terra-cotta spandrels between the second and third level windows.
 

4b: Detail of the third floor window design.
 
2: Viewed from the West, each home is on a 25 foot wide city lot.
 
5b: Second and third floor windows viewed from the West.
 
6: Central foliated terra-cotta spandrel between the second and third level windows.
 
6b: Detail of the foliated terra-cotta design.
 
7: Detail of the front door, which appears hidden in the shadows.
 

8: Wright may have reduced surface shadows by racking the tinted joints flush with the surface of the brick. Whether this is Wright's original intent or of part of the 1980 remodel is inconclusive at this time.
 
9: Detail of the first floor window design.
 
10: Wright anchored the houses to the ground by placing them on an enlarged concrete base. This concept was prevalent in his prairie styled homes.
 
11: Viewed from the Southwest, the homes rise five stories (around 48') from ground level to peeks.
 
12: The back viewed from the Southeast. Addition on the far right is not original.
 

13: Insets allow light into inner rooms.
 
14: The back viewed from the Northeast. Addition on the far left is not original.
 
15: North end viewed from the Northeast.
 
16: Viewed from the Northwest, the homes rise five stories from ground level to peeks.
 
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