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Banff National Park Pavilion, Banff, Alberta (1911 - S.170)
   
  BANFF 2010    ADDITIONAL WRIGHT STUDIES 
   
Date: 1913

Title: Banff Crag & Canyon - October 11, 1913 (Published weekly by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "Recreation Building. The sealed tenders for the new recreation building to be erected on the south side of the river have been sent to Ottawa, where the decision awarding the contract will be made. Superintendant Clarke hopes to have the building enclosed before cold weather sets in... Work on the recreation grounds has been progressing..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.) 

Size: 2.5 x 4

S#:
0120.05.0910
   
Date: 1913

Title: Banff Crag & Canyon - October 18, 1913 (Published weekly by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "Work is Started - On the New $20,000 Recreation Building. Preliminary work was started... The structure will be of rustic frame, one storey in height, with cement and rubble foundation. The outside dimension will be 50x200 feet... The contract has been awarded to Bennett, Debman & Co., of Calgary, and calls for the completion of the building by the first of May..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)

Size: 2.5 x 6.5

S#:
0120.06.0910
   
Date: 1913

Title: Banff Crag & Canyon - December 6, 1913 (Published weekly by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "It is true a recreation building is now under construction... but the building is only suitable for a very few summer sports, picnicers' lounging place and drinking of afternoon tea, during four months of the year... The original plans, as outlined by men who would use the building as outlined by men who would use the building and presumably know something of what was required, called for a building containing accommodations for curling, hockey and all kinds of winter sports, and would have cost very little if any more than the one now under construction. These plans were sanctioned by the people of Banff at a mass meeting held in the National Park theater, but their wishes and desires were, as usual, ignored by the 'over lords' at Ottawa, who imagine they are wiser as to conditions in Banff than those who live and have their being here." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)  

Size: 2.5 x 4.5

S#:
0120.07.0910
   
Date: 1914

Title: Banff Crag & Canyon - June 13, 1914 (Published weekly by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "Banff Improvements. Sup't Clarke went down to Calgary on Monday night and all the city papers, Tuesday, contained articles on ËœImprovements Projected at Banff"... Just what use the government will make of the pavilion erected at the recreation grounds last winter... neglected to inform the press of Calgary... Crag and Canyon has contended that the present building was utterly useless and the money used in construction wasted..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)

Size: 2.5 x 6.5

S#: 0124.10.0910
   
Date: 1920

Title: Banff Crag & Canyon - July 10, 1920 (Published weekly by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined, to wade out to the building, sit on the steps and fish... They are neither ornamental nor useful except as a standing monument to the incapacity of Parks Commissioner Harkin." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)

Size: 2.5 x 1.75

S#: 0142.07.0910
   
Date: 1964

Title: Banff Crag & Canyon - December 16, 1964 (Published by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "Swamp Swallows Banff Memorial to Frank Lloyd Wright. The inscrutable mire of the Bow River Valley has consumed the remaining traces of what once was a magnificent monument to the genius of one of the world' greatest architect... The building was built on boggy ground and was subject to severe frost and water damage and eventually deteriorated to the point where it was torn down during the second World War..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)

Size: 6 x 6

S#: 1596.17.0910
   
Date: 1979

Title: Frontier Guide to Enchanted Banff and Lake Louise (Published by Frontier Publishing, LTD. Aldergrove, B.C. Canada)

Author: Frontier Publishing, LTD.

Description: "The old tourist pavilion at Banff was a masterpiece of architecture. Designed by Frank Lloyd Wright, and believed to be the first major undertaking in Canada by the celebrated architect..." Original Cover Price $2.50. (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)  (Second Edition) 

Size: 5.5 x 8.5

Pages: Pp 33

ST#: 1979.21.0910
   
Date: 1982

Title: Banff Crag & Canyon - March 10, 1982 (Published by the Banff Crag & Canyon, Banff, Alberta)

Author: Anonymous

Description: "Banff pavilion may rise again. There has been a recent renewal of interest in the pavilion structure which had been located in Banff but was removed in 1938... The committee for the Reconstruction of the Banff Pavilion was formed in late 1981." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.) 

Size: 6 x 6.5

Pages: Pg 2

ST#:
1982.34.0910
   
Date: 1984

Title: A3, Art and Architecture - March 1984 (Published Bi-Monthly by the A3 Partnership, Calgary, Alberta)

Author: Ferrari, Drew

Description: "
Frank Lloyd Wright - The Banff Pavilion. ...Recently, the Banff Pavilion Committee was formed with the goal of the pavilion' reconstruction, to be part of the 1985 centennial celebrations in Banff national Park..." Includes three photographs and one illustration. Original cover price $2. (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)

Size: 11 x 17

Pages: P 5

ST#: 1984.34.0910
   
Date: 1987

Title: The Beaver, Exploring Canada' History. December 1987 - January 1988 (Published bi-monthly by The Governor and Company of Adventurers of England Trading into Hudson' Bay, known as the Hudson' Bay Company, Winnipeg, Manitoba, Canada)

Author: Chisholm, Dorothy

Description: "Francis Conroy Sullivan. An Architect Ahead of His Time... "I am your friend because you have tried hard to do something superior in your work and tried to do it honestly." In these lines from a letter written around 1917 American architect Frank Lloyd Wright paid tribute to a brilliant, eccentric and neglected Canadian architect named Francis Conroy Sullivan... In 1911 they worked together on the Pembroke Public Library project." (Monograph 3, p 235, 1913). "In 1913 Sullivan had collaborated with Wright on a park shelter (Pavilion) at Banff, Alberta." Banff Park Pavilion (Monograph 3, p 194-5, 1911). Note: Also collaborated on Railway Station for Banff National Park Project (Monograph 3, p 196, 1911); and Ladies Kiosk Project, Ottawa (Monograph 4, p 16, 1914). In 1916 "...His first stop was Taliesin where he worked on drawings for the Imperial Hotel project. ...Wright offered Sullivan a job as supervisor of construction in Tokyo." He declined due to health. "In 1928... Wright invited Sullivan to join his staff in Arizona... In March of 1929 Sullivan collapsed... rushed to the hospital in Phoenix... He was dead at the age of 47. Wright himself made the arrangements to return the body to Canada... In 1951... Wright wrote of his Canadian disciple "Fras" - as we called him - was a brave fellow and a competent one. His end was tragic." Includes five photographs. Original cover price $3.50 (Canadian).

Size: 8.25 x 10.75

Pages: Pp 48-54

ST#: 1987.61.0709
   
Date: 1997

Title: APT Journal, Vol. 28, No. 2/3. 1997 (Published by Association for Preservation Technology International, Springfield, IL)

Author: Sinclair, Brian R.; Walker, Terence J.

Description: "Frank Lloyd Wright's Banff Pavilion: Critical Inquiry and Virtual Reconstruction. Using historical research and advanced computer technology, a long-forgotten Canadian structure, demolished in 1938, was described, its design and construction analyzed, and a 2D/3D model created." An in-depth analysis, from original drawings, and creation of a 3D computerized model. The most complete description of the construction of the Pavilion. Includes three photographs and six illustrations. Digital version.

Size: 8.5 x 11.

Pages: Pp 13-21

ST#: 1997.51.0910
   
Date: 1998

Title: A Hostel in the Mountains: Contemporary Construction in the Canadian Rockies. A Master's Degree Project submitted to the Programme of Architecture Faculty of environmental design. The University of Calgary (Published by the National Library of Canada, Ottawa, Ontario)

Author: Howiett, Jeff

Description: "As we re-examine the human presence in our national parks, it is important to consider how the built environment can assist the appreciation and preservation of our natural surroundings." Includes an in-depth analysis of the Banff Pavilion and its site. Includes seven photographs and three illustrations. (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.) 

Size: 8.5 x 11.

Pages: Pp 107

ST#: 1998.63.0910
   
   
   
BANFF NATIONAL PARK PAVILION (2010)
   
Locating Banff National Park Pavilion Site    Locating the Boat Canal    River Forest Tennis Club (1906) 
  Original Perspective 1911-12    Original Floor Plan    Photographs of the Original Site, 2010    Historic Photographs  
  3D Images   
Excitement, Resentment, Disaster, Genius, Resurrection    Wright & Sullivan    Footnote  
   
In 1955, when Wright was asked his opinion on Canadian architecture, he responded, "Just as fossilized as that in the States. These Canadian houses are little boxes for which people pay three times what they are worth. They are a place for making ham and eggs and having a good snore. The only architectural exceptions are found in Montreal, whose buildings are more gracefully human, and a modest little pavilion which I once built in Banff." (Lib p24). This past summer we had the opportunity to visit the town of Banff, Alberta. The goal was to locate the original site of the Banff National Park Pavilion (S.170).
       Although Alberta did not join the Canadian Federation until 1904, a key to Banff's growth was British Columbia and the Canadian Pacific Railroad.
       In July of 1871, British Columbia became the fifth Province to join the Canadian Federation with the promise that the Canadian government would construct a national railway, joining it with the Eastern Provinces. The railway finally passes through the Banff area in 1883. That same year hot springs are discovered in Banff on Sulfur Mountain and railroad workers staked a claim. A year later in 1884, Lord Steven, a former Canadian Pacific Railroad director, christened the area "Banff" after his birthplace, Banffshire in Scotland. In 1885 the Canadian government set aside a reserve in the Banff area. Two years later it established the Rocky Mountain Park, Canada's first National Park. It was not until 1930 that it was renamed the Banff National Park. To encouraged tourism in the area, the Canadian Pacific Railway built the Banff Hot Springs Hotel in 1888, promoted as an international resort and spa. As the area grew as a tourist destination, so did the town of Banff. Support also came from the Canadian Government, and in 1911, Ottawa commissioned a "Park Shelter" in Banff.
       The "Park Shelter" was designed by Wright in association with Francis C. Sullivan for the Department of Public Works and the Banff National Park. Sullivan was born on July 2, 1882 in Kingston, Ontario. He was eighteen, when his family moved to Ottawa, Ontario, the capital of Canada.
       According to Chisholm, in 1903, at 21, Sullivan became a draftsman for Ottawa architect Moses Edey. In 1905 he moved to the office of Alex McDougall, and in 1906 became an architect in the office of E. L. Horwood. A year later, he left Ottawa for California and was in the States for approximately a year. It was most likely during this period that he met Wright. Years later, in 1917, Wright would write, "Francis Conroy Sullivan. An Architect Ahead of His Time... I am your friend because you have tried hard to do something superior in your work and tried to do it honestly."
       In 1908, Sullivan was back in Ottawa working for the Canadian Department of Public Works in the Chief Architect's office where he was employed for three years.
       His connections with the Canadian Public Works Department in Ottawa, the capital of Canada, enabled him, in 1911, to start his own Architectural firm. One of his first commissions was a "Park Shelter" at Banff.
       One question begs to be asked. Why would Sullivan not take the commission solo? It was most likely his admiration for Wright, the opportunity to work with and promote Wright in Canada, and a desire to add weight to his proposal by associating with one of Americas' premier Architects.
       There is no doubt that the design of the Pavilion was Wright's. But he credits the association. Wright's Pavilion drawings read: "Park Shelter At Banff. Frank Lloyd Wright And Francis C. Sullivan, Associate Architects. Ottawa, Canada."
       Two years after the "Shelter" was designed, construction finally began. In an article dated October 18, 1913, the Banff Craig and Canyon reported that "Work was started on the New $20,000 Recreation Building... The structure will be of rustic frame, one story in height, with cement and rubble foundation. The outside dimension will be 50 x 200 feet. The interior will contain a general assembly or lounging room 50 x 100 feet, with a ladies' sitting room 25 x 50 feet at one end and a sitting room for gentlemen, 25 x 50, at the other end. Dressing rooms, lockers, etc., and provided for also three cobblestone fireplaces."
       Whether initially purposed by Ottawa or by the local residence, one can only surmise the intent and vision of the Canadian government in support of the pavilion, and the outline submitted to Wright and Sullivan in the original proposal. A magnificent spot for tourist to gather, participate in a few summer sports, picnic, lounge and relax with a cup of afternoon tea, during the summer when it is possible to utilize the facility. An elegant facility, with art-glass windows, situated to take in the spectacular panoramic views. A building that would draw tourists to the area, represent the Canadian Government and be worthy of Ottawa's support. It was clear from a report in the Banff Craig and Canyon, dated December 16, 1913, that the residence of Banff envisioned a more practical facility. "...but the building is suitable for a very few summer sports, picnicers' lounging place and drinking of afternoon tea, during four months out of the year. The original plans, as outlined by men who would use the building and presumably know something of what was required, called for a building containing accommodations for curling, hockey and all kinds of winter sports, and would have cost very little if any more than the one now under construction. These plans were sanctioned by the people of Banff at a mass meeting held in the National Park theater, but their wishes and desires were, as usual, ignored by the 'over lords' at Ottawa, who imagine they are wiser as to conditions in Banff than those who live and have their being here."
 

       Incensed residence were not the only problems the pavilion struggled with. It was built in a boggy, swampy area that experienced extensive flooding. The Banff Craig and Canyon, dated July 10, 1920 reported that "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined. to wade out to the building, sit on the steps and fish." Shortly after it was completed, during the first World War, the building was utilized as a Quarter Master's Stores by the Department of Defense. After the war it was used as proposed by the ever growing tourist population, and the residence of Banff. The widespread flooding of the Bow River in1933 covered the entire low lying area near the recreation grounds causing severe damage to the pavilion. Water damage, which caused its eventual deterioration, was too brutal. In 1938, after only 25 years of use, nature won out. The Pavilion was demolished. Although the Pavilion no longer exists, the existing grounds today are highly utilized as a recreation area today.
       The Pavilion was similar in look and feel to the Como Orchard Summer Colony Clubhouse (1909 S.144), the Bitter Root Inn (1908 S.145), and the Lake Geneva Inn (1911 S.171). Long and narrow, strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows of leaded or mullion divided glass windows and glass doors. But it comes closest to the River Forest Tennis Club (1906  S.119).
       There were many classic Prairie styled Wright details in the Pavilion. The basic material was wood, with horizontal board and batten siding, stone and glass. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces and chimneys, clerestory windows, customized light fixtures, balconies and terrace. There were built-in piers or columns that could have been designed for planters or large vases like many of his buildings at that time. The Front side had two covered
porte cochere (Carriage Entryways) with stairs that lead up into the pavilion. Doors opened outward from the expansive interior "Pavilion" to an open Terrace which ran half the length of the building. There was a Ladies Retiring Room, Facilities and Kitchen. The other end was the Men's Retiring Room, Facilities and a room for the caretaker.
       In 1911, not only did Wright and Sullivan collaborated on the "Park Shelter", but also an uncompleted project, a Railway Station for the Banff National Park (Mono3, p 196).
       A third collaboration for the two was the 1913 Pembroke Public Library (Mono3, p 235), one of the 125 Canadian libraries funded by the Andrew Carnegie Foundation. Sullivan drew on Wright to design the Library but these first drawings were rejected due to the estimates cost of production. Sullivan redesigned the Library, adopting many of Wright's prairie styled elements. There is some confusion as to the actual date of this project. In his extensive article on the life of Sullivan, Chisholm writes that this project was "One of his first commissions..." and dates it at 1911. Bruce Brooks Pfeiffer and The Frank Lloyd Wright Foundation date the project at 1913. The Ontario Heritage Properties Database dates the actual construction at 1914. I would lean toward Pfeiffer and the Foundation on this one. Again in 1914 they collaborated on another Project, a Ladies Kiosk in Ottawa (Mono4, p 16). Of the four Projects, only the Banff National Park Pavilion was built.
       Our first stop in Banff was the Whyte Museum of the Canadian Rockies, located in downtown Banff. Among the numerous items related to the Pavilion, the Archive Department contained a major key. A 1916 survey by C. M. Walker. The museum also contains some of the only photographs that document the Pavilion.
       The 1916 survey records the curve in the Bow River, the Bridge, still crossing in the same spot, Cave Avenue, the Boat Canal and Boat House, and most importantly, the location and positioning of the Pavilion, all at a scale of 150:1. When superimposing it over an areal view from Google, at the same proportion, we are able to locate the original site of the Pavilion. From the center of the Pavilion, it measures approximately 870 feet to the edge of the Bow River and approximately the same distance to the center of Cave Avenue. Of note is the shallow Boat Canal that lead to a Boat House, and continued on, ending very close to the original location of the Pavilion. Could this Canal have increased the flooding in the immediate vicinity of the Pavilion, eventually accelerating its deterioration?
       Wright and Sullivan's relationship continued, and in 1916 Sullivan closed his firm, and left Canada. Chisholm writes, "...His first stop was Taliesin where he worked on drawings for the Imperial Hotel project. ...Wright offered Sullivan a job as supervisor of construction in Tokyo." He declined due to health. "In 1928... Wright invited Sullivan to join his staff in Arizona... In March of 1929 Sullivan collapsed... was rushed to the hospital in Phoenix... He was dead at the age of 47. Wright himself made the arrangements to return the body to Canada... In 1951... Wright wrote of his Canadian disciple "Fras" - as we called him - was a brave fellow and a competent one. His end was tragic."
       The Banff Pavilion was a excellent example of Wright's work. Although nothing remains of the blending of prairie architecture and art-glass in the splendor of the Banff National Park, as you stand in the area where the pavilion once stood, inhale the breathtaking surroundings, it takes little imagination to experience what tourist and residence experienced 100 years ago. But if not for the imagination and collaboration of Sullivan and Wright, the Banff National Park pavilion would never have been conceived and built.
      Text by Douglas M. Steiner, Copyright June 2010.

 
 
 
Locating the Banff National Park Pavilion Site
 
Our first stop in Banff was the Whyte Museum of the Canadian Rockies, located in downtown Banff. Among the numerous items related to the Pavilion, the Archive Department contained a major key. A 1916 survey by C. M. Walker. The museum also contains some of the only photographs that document the Pavilion.
       The 1916 survey records the curve in the Bow River, the Bridge, still crossing in the same spot, Cave Avenue, the Boat Canal and Boat House, and most importantly, the location and
  positioning of the Pavilion, all at a scale of 150:1. When superimposing it over an areal view from Google, at the same proportion, we are able to locate the original site of the Pavilion, approximately 900 feet from the Bow River. Of note is the shallow Boat Canal that lead to a Boat House, and continued on, ending very close to the original location of the Pavilion. Could this Canal have increased the flooding in the immediate vicinity of the Pavilion, eventually accelerating its deterioration?
     
Among the numerous items related to the Banff Pavilion in the Whyte Museum of the Canadian Rockies, the Archive Department contained a major key. A 1916 survey by C. M. Walker. The survey records the curve in the Bow River, the Bridge, still crossing in the same spot, Cave Avenue, the Boat Canal and Boat House, and most importantly, the location and positioning of the Pavilion. Courtesy of Whyte Museum of the Canadian Rockies.
 
1: Aerial view of the site in 2010. Courtesy of Google Maps, Terra Metrics.
 
2: When superimposing the survey over the areal view, we are able to locate the original site of the Pavilion, approximately 900 feet from the Bow River. Of note is the shallow Boat Canal that lead to a Boat House, and continued on, ending very close to the original location of the Pavilion. Could this Canal have increased the flooding in the immediate vicinity of the Pavilion, eventually accelerating its deterioration?
 
3: Detail of the immediate area surrounding the site of the Pavilion. From the center of the Pavilion, it measures approximately 870 feet to the edge of the Bow River and approximately the same distance to the center of Cave Avenue. The original road leading to the Pavilion from the bridge has been abandoned. Note the shallow Boat Canal that runs from the Bow River, ending very near the North end of the Pavilion. Could this Canal have increased the flooding in the immediate vicinity of the Pavilion, eventually accelerating its deterioration?
 
3a: Same detail as above, but with drawing of Pavilion superimposed over aerial
 
4: Detail of the existing Boat Canal and site of the original Boat House. The original road leading to the Pavilion from the bridge has been abandoned.
 
 
 
Locating the Original Boat Canal, June 2010
     
We began our search by locating the Boat Canal which begins approximately 800 feet from the Banff Avenue Bridge. One side of the canal is still lined with rocks. The Boat House was located approximately 250 feet from the Bow River's edge. By rough calculation the dimensions of the Boat House were approximately 50 x 60 feet. Interestingly, about 300 feet from the edge of the   river we located the remnants of a pole. A corner post? An old power pole bringing electricity to the Boat House? As we continued on down the canal close to the ball fields and stables, there was still standing water and areas that were very marshy. Could this explain Image 7?
     
1: When superimposing the survey over the areal view, we are able to locate the original site of the Boat House and Canal, approximately 800 feet from the Banff Avenue Bridge. The shallow Boat Canal leads to a Boat House, and continued on, ending very close to the original site of the Pavilion. Could this Canal have increased the flooding in the immediate vicinity of the Pavilion, eventually accelerating its deterioration?  
 
 
2: From the Boat Canal, looking back toward the Banff Avenue Bridge. 
 
 
3: Detail of the existing Boat Canal and site of the original Boat House. The original road leading to the Pavilion from the bridge has been abandoned. 
 
 
 4: The Boat Canal is located approximately 800 feet from the Banff Avenue Bridge. The rocks lining the left side of the canal are still visible.
 
 
5: The rocks lining the left side of the canal are still visible. Looking up the Canal toward the Boat House which was located approximately 250 feet from the Bow River's edge.  
 
 
6: Looking back toward the Bow River and the Banff Avenue Bridge. The rocks lining the canal are still visible on the right. 
 
 
7: The Boat House was located approximately 250 feet from the Bow River's edge. By rough calculation the dimensions of the Boat House were approximately 50 x 60 feet. Interestingly, about 300 feet from the edge of the river we located the remnant of this pole. A corner post? An old power pole bringing electricity to the Boat House? As we continued on down the canal close to the ball fields and stables, there was still standing water and areas that were very marshy. Could this explain Image 7? 
 
 
 
River Forest Tennis Club (1906  S.119)
 
When the River Forest Tennis Club caught fire and burned in 1905, Wright was tapped to redesign their building. Although their have been many additions, including a move in 1920, The original design was a precursor to the Banff Pavilion.
       Much can be gained by studying the plans of the River Forest Tennis Club. "Wright referred to the (Banff) pavilion as a more substantial version of the River Forest Tennis Club" (LWp116). The Tennis Club was 204 feet long, the Pavilion was 200. One end included a Ladies Locker Room and a Kitchen. The other end a Men's Locker Room. The three Fireplaces included built-in seating. Doors opened outward from the expansive interior, in essence, removing the wall which lead to an open Terrace which ran more than half the length of the building. Wright designed
  each end by rotating a square 90 degrees. One distinctive design element Wright used in the Tennis Club and repeated in the Pavilion may have been unique to these two buildings. On either side of the Men's and Women's Locker rooms was a elongated row of Balustrated windows, or as Wright specified in the Tennis Club, 4"x4" Vertical Spindles with glass between. This allowed natural light in, while providing a measure of privacy. This design was repeated on behind the built-in seating of the two end fireplaces. This enclosed the area near the fireplaces and added a measurer of intimacy, much like his tall back chairs surrounding some of his dining room tables. It was also on either side of the center fireplace, and ran from entry to entry.
     
1: River Forest Tennis Club. Wright's original rendering for the Ausgefuhrte Bauten und Entwürfe von Frank Lloyd Wright, Published by Ernst Wasmuth A.-G., Berlin, 1910. Plate XLII.
 
2: Banff National Park Pavilion. Wright's original rendering indicates stucco siding rather than "board and batten" which was added to the original plans and used in construction. Stucco was used in the construction of the Lake Geneva Hotel (see below) (S.171), also designed in 1911. Courtesy of Frank Lloyd Wright Foundation and Horizon Press.
 
3: Wright Membership Card 1907. This may be one of the earliest photographs of the Tennis Club. Wright designed the Logo seen on either side of the photograph. (Membership Card possibly designed by Wright, but not confirmed.) Courtesy of Wisconsin Historical Society.
 
3b: Wright Membership Card 1907. Detail. This may be one of the earliest photographs of the Tennis Club.
 
4: River Forest Tennis Club circa 1910. Photographed by H. Fuermann & Co. Published in Ausgefuhrte Bauten und Entwürfe von Frank Lloyd Wright 1911, page 97, by Ernst Wasmuth A.-G., Berlin.
 
4b: River Forest Tennis Club circa 1910. Detail, left side.
 
4c: River Forest Tennis Club circa 1910. Detail, center.
 
4d: River Forest Tennis Club circa 1910. Detail, right side.
 
5: River Forest Tennis Club circa 1940. Photographed by Gilman Lane.
 
5b: River Forest Tennis Club circa 1940. Detail. Photographed by Gilman Lane.
6: River Forest Tennis Club circa 1940. Photographed by Gilman Lane.
 
6b: River Forest Tennis Club circa 1940. Detail. Photographed by Gilman Lane.
 
6c: River Forest Tennis Club circa 1940. Detail. Photographed by Gilman Lane.
 
7: River Forest Tennis Club circa 1940. Photographed by Gilman Lane.
 
7b: River Forest Tennis Club circa 1940. Detail Photographed by Gilman Lane.
 
 
 
Wright's Original Perspective 1911-12 
 
One of the few drawings of the Banff Pavilion can be found in "The Drawings of Frank Lloyd Wright", 1962, by Arthur Drexler.  Published for the Museum of Modern Art by Horizon Press, New York. It was published for an exhibition of original Frank Lloyd Wright drawings held at the museum from March 14 to May 6, 1962. "Plate 42. Banff National Park Pavilion, Canada. 1911-12."      The notes read: "Perspective. 7 1/8 x 21 1/8". Black ink and pencil shading on opaque paper. Inscribed at lower left: Banff Pavilion Park in Canada for Canadian Pacific Rwy. FLlW / 1911-12. F 1302.01)" Also published in "Frank Lloyd Wright In His Renderings, 1887-1959", Pfeiffer, 1991, Plate 51. Courtesy of Frank Lloyd Wright Foundation and Horizon Press.
 
Wright's original rendering indicates stucco siding rather than "board and batten" which was added to the original plans and used in construction. Stucco was used in the construction of the Lake Geneva Hotel (see below) (S.171), Wright's next project, also designed in 1911. Other Prairie styled Wright details included strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, prominent chimneys, clerestory windows, enclosed balconies. There were built-in piers or columns designed with planters or large vases like many of his buildings at that time. Courtesy of Frank Lloyd Wright Foundation and Horizon Press.
 
Detail of Wright's original rendering indicates stucco siding rather than "board and batten" which was added to the original plans and used in construction. Other Prairie styled Wright details included strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, prominent chimneys, clerestory windows, enclosed balconies. There were built-in piers or columns designed with planters or large vases like many of his buildings at that time. Courtesy of Frank Lloyd Wright Foundation and Horizon Press.
 
Detail of Wright's original rendering indicates stucco siding rather than "board and batten" which was added to the original plans and used in construction. Other Prairie styled Wright details included strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, prominent chimneys, clerestory windows, enclosed balconies. There were built-in piers or columns designed with planters or large vases like many of his buildings at that time. Courtesy of Frank Lloyd Wright Foundation and Horizon Press.
.
"The Geneva," Lake Geneva, Wis. This may be one of the earliest images of the Hotel Geneva.  Published by V. O. Hammon Co.,  Chicago, IL.  Circa 1912.  See our Wright Study on the Lake Geneva Hotel.
 
 
 
 Original Floor Plan
 
Much can be gained by studying the plans of the River Forest Tennis Club (S.119) designed by Wright in 1906. It settles the questions where Wright or Sullivan was responsible for the design of the Banff Pavilion. "Wright referred to the pavilion as a more substantial version of the River Forest Tennis Club" (LWp116). The Tennis Club was 204 feet long, the Pavilion was 200. The Pavilion was about 50 feet wide in the center. The interior Pavilion was approximately 96 by 36 feet wide. There were two covered Porte Cochere (Carriage Entryways), and three Fireplaces. The left side included a Ladies Retiring Room, two Balconies and a Kitchen. The right included a Check Room, a Men's Retiring Room, two Balconies and a Caretaker's Room. The Fireplace Nook and Alcoves on either side included built-in seating. Doors opened outward from the expansive interior, in essence, removing the wall which lead to an open Terrace which ran half the length of   the building. Wright designed each end by rotating a square 90 degrees. One distinctive design element Wright used in the Tennis Club and repeated in the Pavilion may have been unique to these two buildings. On either side of the Men's and Women's Locker rooms was a elongated row of Balustrated windows, or as Wright specified in the Tennis Club, 4"x4" Vertical Spindles with glass between. This allowed natural light in, while providing a measure of privacy. This design was repeated in the Pavilion, on either side of the Men's and Women's Retiring Rooms, as-well-as either side of the Fireplace in the Nook. Although not indicated in the drawings, photographs show this element was repeated on the interior of the pavilion to enclose the fireplaces and add a measurer of intimacy, much like his tall back chairs surrounding some of his dining room tables.
 
RIVER FOREST TENNIS CLUB (1906) Original floor plan copyright 1958, "Frank Lloyd Wright To 1910"  Manson, page 171. Modified by Douglas M. Steiner from original drawings, copyright 2010.
 
BANFF NATIONAL PARK PAVILION (1911) Illustration drawn from original plans by Douglas M. Steiner and is a close representation. Copyright 2010.
 
 
 
Photographs of the Original SitE - JUNE 2010
 
Our first stop in Banff was the Whyte Museum of the Canadian Rockies, located in downtown Banff. Among the numerous items related to the Pavilion, the Archive Department contained a major key. A 1916 survey by C. M. Walker. The museum also contains some of the only photographs that document the Pavilion.
       There are different report as to the exact location of the original Pavilion. The Banff Crag and Canyon, December 16, 1964, places it at the "site now occupied by the tennis courts..." Other reports place it by the shelters.
       The 1916 survey records the curve in the Bow River, the Bridge, still crossing in the same spot, Cave Avenue, the Boat Canal and Boat House, and most importantly, the location
  and positioning of the Pavilion, all at a scale of 150:1. When superimposing it over an areal view from Google, at the same proportion, we are able to locate the original site of the Pavilion. From the center of the Pavilion, it measures approximately 870 feet to the edge of the Bow River and approximately the same distance to the center of Cave Avenue.
       With survey in hand, we headed toward the recreational grounds. Not having the opportunity to superimpose the survey over the areal view at the time, we walked off the approximate measurements, placing us in the eastern ball field, very close to the original location. With photographs in hand we attempted to replicate the views of the original images.
 
 
1: Looking toward the Southeast, circa 1913. Two of Mt. Rundles' peaks are visible in the background. The roof is cantilevered around 14 feet at the corner. The end of the pavilion is rotated 90 degrees, coming to a point. Two of the fireplaces and the clerestory windows are visible, as well as the broad stairs that lead up to the open terrace that runs half the length of the building. The Ladies Retiring Room and Kitchen are on the left, the interior Pavilion is on the right. The drive does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
1b: Looking toward the Southeast today. Mt. Rundles' peaks are visible in the background.
 
2: Looking toward the Northeast. The Mt. Astley Range is in the background to the center right with Tunnel Mountain on the right side. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows and terrace. The Ladies Retiring Room and Kitchen are on the left, Men's Retiring Room and caretaker's room on the right. The drive, from which this photograph was taken does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
2b: Looking toward the Northeast today. The Mt. Astley Range is in the background to the center right with Tunnel Mountain on the right side.
 
3: Looking toward the Northeast, circa 1920. Stoney Squaw Mountain is to the far left, the Mt. Astley Range is in the background on the right. The Banff Craig and Canyon, dated July 10, 1920 reported that "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined. to wade out to the building, sit on the steps and fish." This flood, as well as the severe flooding in 1933 caused irreparable damage to the Pavilion, leading to its eventual destruction. Courtesy of the Whyte Museum of the Canadian Rockies.
 
3b: Looking toward the Northeast today. Stoney Squaw Mountain is to the far left, the Mt. Astley Range is in the background on the right.
 
4: Looking toward the North, circa 1925. Stoney Squaw Mountain is in the foreground, Cascade Mountain is in the background. The basic material was wood, stone and glass. The siding was horizontal board and batten. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows, balconies and terrace. The Men's Retiring Room and Caretaker's Room is on the right. The end of the pavilion is rotated 90 degrees, coming to a point. On the far right the stairway leading to the men's section and the covered entryway can bee seen just under the cantilevered roof. The drive, where the car is in the foreground does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
4b: Looking toward the North today. Stoney Squaw Mountain is in the foreground, Cascade Mountain is in the background.
 
5: Looking toward the North, circa 1920. Stoney Squaw Mountain is in the foreground on the left, Cascade Mountain is in the background. There were strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows, balconies and terrace. There were built-in piers or columns designed for planters like many of Wright's buildings at that time. The horizontal siding was board and batten. The stairs on the right lead to an open Terrace which ran half the length of the building. Doors, which opened outward, lead to an expansive interior "Pavilion". The Ladies Retiring Room and Kitchen were on the far left. The Men's Retiring Room and a room for the caretaker were on the far right. Courtesy of the Whyte Museum of the Canadian Rockies.
 
5b: Looking toward the North today. Stoney Squaw Mountain is in the foreground on the left, Cascade Mountain is in the background.
 
6: Looking toward the North, circa 1930. Mount Cory and Edith are in the center background. Mount Norquay is in the foreground on the right. The porte cochere (Carriage Entryway) and center Fireplace are visible. There were strong horizontal lines, low-pitched roof, broad overhanging eaves and clerestory windows. The Men's Retiring Room and a room for the caretaker were on the left. The pond in the foreground, just off the Southeast corner of the Pavilion, no longer exists. Could it have been dug as a winter ice skating rink? Courtesy of the Whyte Museum of the Canadian Rockies.
 
6b: Looking toward the North today. Mount Cory and Edith are in the center background. Mount Norquay is in the foreground on the right.
 
 
 
Historic Images of the Banff National Park Pavilion
 
Very few photographs exist that document the Banff National Park Pavilion. The Whyte Museum of the Canadian Rockies, located in downtown Banff has the largest collection of items related to the Pavilion. Among the items are some of the only photographs   documenting its approximate twenty-five years of existence. Unless noted, photographs courtesy of the Whyte Museum of the Canadian Rockies.
 
1: Looking toward the Southeast, circa 1913. Two of Mt. Rundles' peaks are visible in the background. The roof is cantilevered approximately 14 feet at the corner. The end of the pavilion is rotated 90 degrees, coming to a point. Two of the fireplaces and the clerestory windows are visible, as well as the broad stairs that lead up to the open terrace that runs half the length of the building. The Ladies Retiring Room and Kitchen are on the left, the interior Pavilion is on the right. The drive does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
1b: Detail looking toward the Southeast, circa 1913. The roof is cantilevered around 14 feet at the corner. The end of the pavilion is rotated 90 degrees, coming to a point. The fireplace and the clerestory windows are visible, as well as the broad stairs that lead up to the open terrace that runs half the length of the building. The Ladies Retiring Room and Kitchen are on the left, the interior Pavilion is on the right. The drive does not appear on the survey.
 
2: Looking toward the Northeast. The Mt. Astley Range is in the background to the center right with Tunnel Mountain on the right side. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows and terrace. The Ladies Retiring Room and Kitchen are on the left, Men's Retiring Room and caretaker's room on the right. The drive, from which this photograph was taken does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
2b: Detail looking toward the Northeast. There were strong horizontal lines, three prominent fireplaces, clerestory windows and terrace. The Ladies Retiring Room and Kitchen are on the left, Men's Retiring Room and caretaker's room on the right.
 
3: Looking toward the Northeast, circa 1920. Stoney Squaw Mountain is to the far left, the Mt. Astley Range is in the background on the right. The Banff Craig and Canyon, dated July 10, 1920 reported that "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined. to wade out to the building, sit on the steps and fish." This flood, as well as the severe flooding in 1933 caused irreparable damage to the Pavilion, leading to its eventual destruction. Courtesy of the Whyte Museum of the Canadian Rockies.
 
3b: Detail looking toward the Northeast, circa 1920. This flood, as well as the severe flooding in 1933 caused irreparable damage to the Pavilion, leading to its eventual destruction.
 
4: Looking toward the North, circa 1925. Stoney Squaw Mountain is in the foreground, Cascade Mountain is in the background. The basic material was wood, stone and glass. The siding was horizontal board and batten. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows, balconies and terrace. The Men's Retiring Room and Caretaker's Room is on the right. The end of the pavilion is rotated 90 degrees, coming to a point. On the far right the stairway leading to the men's section and the covered entryway can bee seen just under the cantilevered roof. The drive, where the car is in the foreground does not appear on the survey. Courtesy of the Whyte Museum of the Canadian Rockies.
 
4b: Detail ooking toward the North, circa 1925. The basic material was wood, stone and glass. The siding was horizontal board and batten. There were strong horizontal lines, the low-pitched roof, broad overhanging eaves, horizontal rows of art-glass windows and doors, three prominent fireplaces, clerestory windows, balconies and terrace.
 
4c: Detail. The siding was board and batten. The lines created added to the horizontal feel. There were broad overhanging eaves, horizontal rows of art-glass windows and doors, clerestory windows, balconies and terrace. The elongated row of vertical slats above the horizontal board and batten, form Balustrated windows, or as Wright specified in the River Forest Tennis Club, 4"x4" Vertical Spindles with glass between. This allowed natural light in, while providing a measure of privacy. This design was repeated on either side of the Men's and Women's Retiring Rooms, as-well-as either side of the Fireplace in the Nook.
 
4d: Detail. The balcony, visible on the far left, is accessed from the Men's Retiring Room and Caretaker's Room. The end of the pavilion is rotated 90 degrees, forming a point. The stairway leading to the Men's Retiring Room can be seen on the far right.
 
4e: Detail. The end of the pavilion is rotated 90 degrees, forming a point. The stairway leading to the Men's Retiring Room can be seen in the center. The roof is cantilevered approximately 14 feet to the corner. On the far right the covered entryway can bee seen just under the cantilevered roof.
 
5: Looking toward the North, circa 1920. Stoney Squaw Mountain is in the foreground on the left, Cascade Mountain is in the background. The stairs on the right lead to an open Terrace which ran half the length of the building. Doors, which opened outward, lead to an expansive interior "Pavilion". The women seated on and in front of the Terrace wall add a perspective to the immense size of the Pavilion. The "Flag Poles" appear in the original drawings, just as they were constructed, but were designed with a decorative cap. Wright designed a much more elaborate "Pole" in the Lake Geneva Hotel (1911). Courtesy of the Whyte Museum of the Canadian Rockies.
 
5: Detail. The stairs on the right lead to an open Terrace which ran half the length of the building. Doors, which opened outward, lead to an expansive interior "Pavilion". The women seated on and in front of the Terrace wall add a perspective to the immense size of the Pavilion. The "Flag Poles" appear in the original drawings, just as they were constructed, but were designed with a decorative cap. Wright designed a much more elaborate "Pole" in the Lake Geneva Hotel (1911).
 
6: The basic materials were wood, with horizontal board and batten siding, stone and glass. These stairs lead to an open Terrace which ran half the length of the building. Doors, opened outward, leading to an expansive interior "Pavilion". This grouping adds a perspective to the immense size of the Pavilion. The "Flag Pole" appeared in the original drawings, just as they were constructed, and can be seen behind the group. The elongated row of vertical slats above the horizontal board and batten to the right, form Balustrated windows, or as Wright specified in the River Forest Tennis Club, 4" x 4" Vertical Spindles with glass between. This allowed natural light in, while providing a measure of privacy.
 
 
6b: This detail allows for a closer look at the board and batten siding, as well as the Balustrated windows. These stairs lead to an open Terrace which ran half the length of the building.
 
.
7: Looking toward the North, circa 1930. Mount Cory and Edith are in the center background. Mount Norquay is in the foreground on the right. The porte cochere (Carriage Entryway) and center Fireplace are visible. There were strong horizontal lines, low-pitched roof, broad overhanging eaves and clerestory windows. The Men's Retiring Room and a room for the caretaker were on the left. The pond in the foreground, just off the Southeast corner of the Pavilion, no longer exists. Could it have been dug as a winter ice skating rink? Courtesy of the Whyte Museum of the Canadian Rockies.
 
7b: Detail. The porte cochere (Carriage Entryway) and center Fireplace are visible. The Men's Retiring Room and a room for the caretaker were on the left.
 
8: Interior. Eye candy. A sight for sore eyes in the wilderness. There were many dramatic elements on the interior of the Pavilion. Exposed trusses. Stone piers and fireplaces. Art glass doors. Although not indicated in the original drawings, Wright enclosed the fireplace alcove on the left with 4" x 4" vertical spindles adding a measurer of intimacy, much like his tall back chairs surrounding some of his dining room tables. They were also added to either side of the fireplace in the center. The exposed trusses were designed to add clerestory windows, which ran the length of the building. The light fixtures were customized. One distinctive design element Wright used in the Tennis Club and repeated here may have been unique to these two buildings. On either side of the Men's and Women's Locker rooms was a elongated row of Balustrated windows, or as Wright specified in the Tennis Club, 4" x 4" Vertical Spindles with glass between. This allowed natural light in, while providing a measure of privacy. This design was repeated here in the Pavilion, on either side of the Men's and Women's Retiring Rooms. They are visible just past the fireplace on the left and right side. The art glass doors opened outward from the expansive interior, in essence, removing the wall which lead to an open Terrace which ran half the length of the building.
 
8b: Detail. Wright enclosed the fireplace alcove on the left with 4" x 4" vertical spindles adding a measurer of intimacy, much like his tall back chairs surrounding some of his dining room tables. They were also added to either side of the fireplace at the far end. The exposed trusses were designed to add clerestory windows, which ran the length of the building. The light fixtures were customized. On either side of the Men's and Women's Retiring Rooms was an elongated row of Balustrated windows which allowed natural light in, while providing a measure of privacy. They are visible just past the fireplace on the left and right side.
 
8C: Detail. Art glass doors opened outward from the expansive interior, in essence, removing the wall which lead to an open Terrace which ran half the length of the building.
 
 
 
3D Images of the Banff National Park Pavilion
 
"Frank Lloyd Wright' Banff Pavilion: Critical Inquiry and Virtual Reconstruction. Using historical research and advanced computer technology, a long-forgotten Canadian structure, demolished in 1938, was described, its design and construction analyzed, and a 2D/3D model created." Brian Sinclair and Terence Walker   produced an in-depth analysis, from original drawings, and created a 3D computerized model. They wrote one of the most complete description of the construction of the Pavilion. Published in the APT Journal, Vol. 28, No. 2/3. 1997... 
 
Illustrations courtesy of Sinclair and Walker
 
 
 
 
Excitement, Resentment, Disaster, Genius, Resurrection
 
Excitement, Resentment, Disaster, Genius, Resurrection. Within the archives of the Whyte Museum of the Canadian Rockies in Banff, Alberta, are a collection of news clippings from the Banff Crag & Canyon, which offer a glimpse into the attitude of the local residence toward the decisions of the Canadian Government and the Banff Pavilion.
       Although Alberta did not join the Canadian Federation until 1904, a key to Banff's growth was British Columbia and the Canadian Pacific Railroad. In July of 1871, British Columbia became the fifth Province to join the Canadian Federation with the promise that the Canadian government would construct a national railway, joining it with the Eastern Provinces. The railway finally passes through the Banff area in 1883. That same year hot springs are discovered in Banff on Sulfur Mountain and railroad workers staked a claim. A year later in 1884, Lord Steven, a former Canadian Pacific Railroad director, christened the area "Banff" after his birthplace, Banffshire in Scotland. In 1885 the Canadian government set aside a reserve in the Banff area. Two years later it established the Rocky Mountain Park, Canada's first National Park (it was not until 1930 that it was renamed the Banff National Park). To encouraged tourism in the area, the Canadian Pacific Railway built the Banff Hot Springs Hotel in 1888, promoted as an international resort and spa. As the area grew as a tourist destination, so did the town of Banff. Support also came from the Canadian Government, and in 1911, Ottawa commissioned a "Park Shelter" in Banff.
       Looking back, in 1911 Banff was approximately 2500 miles by rail from the Capital of Canada. The nation was expanding westward. The Banff/Calgary Coach Road opened, allowing automobile access. The nation was expanding. Pushing westward. Their desire was to support tourism. A pavilion that would represent all the Canadian Nation was. A note of interest was the cost. $20,000. Just seven years earlier, a building of comparable size and design, the River Forest Tennis Club (1906) was built at a cost of only $3,000. Rustic beams, art glass windows, massive fireplaces. Wright exceeded their expectations.
       "Recreation Building. The sealed tenders for the new recreation building to be erected on the south side of the river have been sent to Ottawa, where the decision awarding the contract will be made. Superintendent Clarke hopes to have the building enclosed before cold weather sets in... Work on the recreation grounds has been progressing..." October 11, 1913.
       Excitement builds. Bids have been awarded. Jobs are opening up. One week later it is reported that:
"Work is Started - On the New $20,000 Recreation Building. Preliminary work was started... The structure will be of rustic frame, one storey in
  height, with cement and rubble foundation. The outside dimension will be 50x200 feet... The contract has been awarded to Bennett, Debman & Co., of Calgary, and calls for the completion of the building by the first of May..." October 18, 1913.
       Enthusiasm wanes as resentment sets in. "It is true a recreation building is now under construction... but the building is only suitable for a very few summer sports, picnicers’ lounging place and drinking of afternoon tea, during four months of the year... The original plans, as outlined by men who would use the building as outlined by men who would use the building and presumably know something of what was required, called for a building containing accommodations for curling, hockey and all kinds of winter sports, and would have cost very little if any more than the one now under construction. These plans were sanctioned by the people of Banff at a mass meeting held in the National Park theater, but their wishes and desires were, as usual, ignored by the 'over lords' at Ottawa, who imagine they are wiser as to conditions in Banff than those who live and have their being here." December 6, 1913. Ottawa held the purse strings.
       "Banff Improvements. Sup’t Clarke went down to Calgary on Monday night and all the city papers, Tuesday, contained articles on ‘Improvements Projected at Banff’... Just what use the government will make of the pavilion erected at the recreation grounds last winter... neglected to inform the press of Calgary... Crag and Canyon has contended that the present building was utterly useless and the money used in construction wasted..." June 13, 1914.
       Disaster. "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined, to wade out to the building, sit on the steps and fish... They are neither ornamental nor useful except as a standing monument to the incapacity of Parks Commissioner Harkin." July 10, 1920.
       Genius. One never appreciates what one has until it is gone... "Swamp Swallows Banff Memorial to Frank Lloyd Wright. The inscrutable mire of the Bow River Valley has consumed the remaining traces of what once was a magnificent monument to the genius of one of the world’s greatest architect... The building was built on boggy ground and was subject to severe frost and water damage and eventually deteriorated to the point where it was torn down during the second World War..." December 16, 1964.
       Resurrection. "Banff pavilion may rise again. There has been a recent renewal of interest in the pavilion structure which had been located in Banff but was removed in 1938... The committee for the Reconstruction of the Banff Pavilion was formed in late 1981." March 10, 1982.
     
 
1: October 11, 1913. "Recreation Building. The sealed tenders for the new recreation building to be erected on the south side of the river have been sent to Ottawa, where the decision awarding the contract will be made. Superintendent Clarke hopes to have the building enclosed before cold weather sets in... Work on the recreation grounds has been progressing..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
2: Excitement builds. October 18, 1913. Bids have been awarded. Jobs are opening up. One week later it is reported that: "Work is Started - On the New $20,000 Recreation Building. Preliminary work was started... The structure will be of rustic frame, one storey in height, with cement and rubble foundation. The outside dimension will be 50x200 feet... The contract has been awarded to Bennett, Debman & Co., of Calgary, and calls for the completion of the building by the first of May..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
3: Enthusiasm wanes as resentment sets in. December 6, 1913. "It is true a recreation building is now under construction... but the building is only suitable for a very few summer sports, picnicers’ lounging place and drinking of afternoon tea, during four months of the year... The original plans, as outlined by men who would use the building as outlined by men who would use the building and presumably know something of what was required, called for a building containing accommodations for curling, hockey and all kinds of winter sports, and would have cost very little if any more than the one now under construction. These plans were sanctioned by the people of Banff at a mass meeting held in the National Park theater, but their wishes and desires were, as usual, ignored by the 'over lords' at Ottawa, who imagine they are wiser as to conditions in Banff than those who live and have their being here." Ottawa held the purse strings. (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
4: June 13, 1914. "Banff Improvements. Sup’t Clarke went down to Calgary on Monday night and all the city papers, Tuesday, contained articles on ‘Improvements Projected at Banff’... Just what use the government will make of the pavilion erected at the recreation grounds last winter... neglected to inform the press of Calgary... Crag and Canyon has contended that the present building was utterly useless and the money used in construction wasted..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
5: Disaster. July 10, 1920. "The grounds in front of the recreation building were under water last week, and it was possible for a man, if so inclined, to wade out to the building, sit on the steps and fish... They are neither ornamental nor useful except as a standing monument to the incapacity of Parks Commissioner Harkin." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
6: Genius. December 16, 1964. One never appreciates what one has until it is gone... "Swamp Swallows Banff Memorial to Frank Lloyd Wright. The inscrutable mire of the Bow River Valley has consumed the remaining traces of what once was a magnificent monument to the genius of one of the world’s greatest architect... The building was built on boggy ground and was subject to severe frost and water damage and eventually deteriorated to the point where it was torn down during the second World War..." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
7: Resurrection. March 10, 1982. "Banff pavilion may rise again. There has been a recent renewal of interest in the pavilion structure which had been located in Banff but was removed in 1938... The committee for the Reconstruction of the Banff Pavilion was formed in late 1981." (Photocopy courtesy of the Whyte Museum of the Canadian Rockies, Banff, Alberta.)
 
 
 
Wright and Sullivan
 
In 1911, not only did Wright and Sullivan collaborated on the "Park Shelter", but also an uncompleted second project, a Railway Station for the Banff National Park (Mono3, p 196). A third collaboration for the two was the 1913 Pembroke Public Library (Mono3, p 235), one of the 125 Canadian libraries funded by the Andrew Carnegie Foundation. Sullivan drew on Wright to design the Library but these first drawings were rejected due to the estimated cost of production. Sullivan redesigned the Library, adopting many of Wright's prairie styled elements. There is   some confusion as to the actual date of this project. In his extensive article on the life of Sullivan, Chisholm writes that this project was "One of his first commissions..." and dates it at 1911. Bruce Brooks Pfeiffer and The Frank Lloyd Wright Foundation date the project at 1913. The Ontario Heritage Properties Database dates the actual construction at 1914. I would lean toward Pfeiffer and the Foundation on this one. Again in 1914 they collaborated on another Project, a Ladies Kiosk in Ottawa (Mono4, p 16). Of the four Projects, only the Banff National Park Pavilion was built.
     
Not only did Wright and Sullivan collaborated on the "Park Shelter", but also an uncompleted second project, a Railway Station for the Banff National Park. Courtesy of Frank Lloyd Wright Foundation.
 
A third collaboration for Wright and Sullivan was the 1913 Pembroke Public Library, one of the 125 Canadian libraries funded by the Andrew Carnegie Foundation. Sullivan drew on Wright to design the first drawings for the Library. Courtesy of Frank Lloyd Wright Foundation.
 
Wright's first designs for the Pembroke Public Library were rejected due to the estimated cost of production. Sullivan redesigned the Library, adopting many of Wright's prairie styled elements. Photograph courtesy of Padraic Ryan.
 
 
 
Footnote
 
On a footnote, the only trace of Wright's design in the Banff Recreational grounds is a recent addition. A public washroom reminiscent of Wright's original design. Wright once said he would never patent the wall mounted lavatory he designed for the Larkin   Building.  He did not want to be remembered for designing a toilet. Not sure he would be thrilled with this. But he may have had a good chuckle.
     

 
 
   
Additional Wright Studies
 
SEE ADDITIONAL WRIGHT STUDIES
 
Frank Lloyd Wright's First Published Article (1898)
 
Photographic Chronology of Frank Lloyd Wright Portraits
 
 
"Frank Lloyd Wright's Nakoma Clubhouse & Sculptures."
A comprehensive study of Frank Lloyd Wright's Nakoma Clubhouse
and the Nakoma and Nakomis Sculptures. Now Available.
Limited Edition.
More information.
 
 
 
Text copyright Douglas M. Steiner, Copyright 2014, 2023.
 
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