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WRIGHT STUDY
Browne's Bookstore, Chicago (1907 - S.141)
 
  Art Glass Windows    Browne's and Wright's Playroom    Art Glass Fixtures 
 

Art Glass Windows

     

Every fixture and piece of furniture in both rooms were specially designed by Wright and manufactured to order. The cases, tables, chairs, and wall trimmings are of quartered oak throughout. This also included the art glass and light fixtures. There are three examples of the art glass windows in Browne's Bookstore. The first example is in the seating cove looking out over Lake Michigan, image #3. Wright utilized the three existing sets of windows, each set consisting of seven repeated vertical designs. In each set, Wright continued the design from glass panel to glass panel,

 

even allowing sections to open. The second example is on the opposite end of the long room seen in image #5. This window consisting of fourteen repeated vertical designs. The third example is in the smaller room. Two upper clerestory windows are visible in image #6. This window appears to consist of eight repeated vertical designs, and continue below the horizontal trim. This window design was reminiscent of the windows Wright designed a few years earlier for the Unity Temple (1904 - S.096).

Int3

1a: The first example is image #3, in the seating cove. "...looking out on the clear waters of Lake Michigan through an atmosphere, slightly smoked." Wright utilized the three existing sets of windows, each set consisting of seven repeated vertical designs. In each set, Wright continued the design from glass panel to glass panel, even allowing sections to open. Hidden behind the circular urn on the right are the additional side windows.

 
1b: Detail of image #3. Wright utilized the three existing sets of windows, each set consisting of seven repeated vertical designs. In each set, Wright continued the design from glass panel to glass panel, even allowing sections to open.
 
2: Adaptation of image #3. Wright utilized the three existing sets of windows, each set consisting of seven repeated vertical designs. In each set, Wright continued the design from glass panel to glass panel, even allowing sections to open. This window design was reminiscent of the windows Wright designed a few years earlier for the Unity Temple (1904 - S.096). Illustration Copyright 2011, Douglas M. Steiner.
Int5
3a: The second example is on the opposite end of the long room seen in image #5. This window consisting of fourteen repeated vertical designs.
 
3b: Detail of mage #5. This window consisting of fourteen repeated vertical designs.
Int6
4a: The third example is in the smaller room. Two upper clerestory windows are visible in image #6 on the upper left. This window appears to consist of eight repeated vertical designs, and continue below the horizontal trim.
 
4b: Detail of mage #6. Two upper clerestory windows are visible on the upper left. This window appears to consist of eight repeated vertical designs, and continue below the horizontal trim.
 
 
 

Browne's Bookstore and Wright's Oak Park Playroom

     

In 1895 Wright added a second story playroom to his home in Oak Park. The original windows, are similar in design to the Winslow Residence (1894 - S.024), but are of a simpler more geometric nature. See "Stained Glass" Heinz p45. The original 1895 window design included built-in window seating. In 1911, Wright completed an extensive renovation and remodel of the Home and Studio. The window seating was removed, and the windows were replaced with a new design that nearly matches the design from Browne's

 

Bookstore. When you look at the time line, the bookstore opened in late 1907. By the end of 1910 to the early part of 1911, the bookstore abandoned the seventh floor for space on the street level. Wright's renovation to the playroom was completed in 1911. This begs the question. Did Wright salvage the windows and utilize parts of the windows for the playroom, or did he utilize just the design? Either way, the design in the playroom is strikingly similar to the design of the Bookstore windows.

     
5a: Original windows in the Oak Park Home Playroom, circa 1895. Note the built in window seating (later removed), the ball to the center left, and the doll on the floor. Cute. Courtesy of the Frank Lloyd Wright Preservation Trust.
 
5b: Detail of the original windows in the Oak Park Home Playroom, Circa 1895. See "Stained Glass" Heinz p43, for an additional example. This design is similar to the design for the Winslow Residence p45 (1894 - S.024), but of a simpler more geometric nature. Image enhanced by Douglas M. Steiner.
OP1911
6a: Oak Park Home Playroom, Circa 1910-11, after an extensive renovation and remodel. Note the removal of window seating and the new window design. See detail below. For additional information concerning this image.
 
6b: Detail of the Oak Park Home Playroom, Circa 1910-11. This image shows the change to the windows, and the removal of the window seating.
 
6c: Detail of the Oak Park Home Playroom, Circa 1910-11. Also of interest is the addition of the cabinets on either side of the fireplace. These two cabinets appeared in photographs dating 1910-1911, and were not seen in earlier images. See image below (7). Although the playroom windows were changed, the cabinet glass was not. The design is the same but dimensions differ slightly from the earlier windows. In these glass doors the large center rectangle is longer than the original windows. There are three rows of seventeen squares on either side of the larger rectangle in these glass doors versus approximately fourteen squares in the windows.
 
7: Oak Park Home Playroom, dated 1895-1910 by the Frank Lloyd Wright Preservation Trust. Courtesy of the Frank Lloyd Wright Preservation Trust.
 
 

Left - 8a: Browne's Bookstore. Adaptation of image #3. Each set consisting of seven repeated vertical designs. Wright continued the design from glass panel to glass panel, even allowing sections to open.

Top - 8b: Detail of the Oak Park Home Playroom Window, Circa 1910-11. When placed side by side the similarities are striking.

Illustrations Copyright 2011, Douglas M. Steiner.  
 
9: Detail of the Oak Park Home Playroom Window, 1986. Courtesy of the Frank Lloyd Wright Preservation Trust.
 
 
 

Browne's Bookstore Art Glass Fixtures

     

The light fixtures were uniquely designed by Wright for the bookstore. Wright would often adapt designs from other projects, but it does not seem to be true in this case. To date we have not found a similar fixture designed by Wright. Three different versions of light fixtures were identified. One square and two rectangle. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Globe bulbs are within. Version B on the left in the cove, and appears to be the clearest image

 

of this version. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There appears to be a larger square piece on the end that comes to point at the bottom center. Version C, top left, is a rectangle fixture that is suspended. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version B. A square piece is on either end like Version A.

     
Version A: Overhead in larger room. Version B: In cove above tables. Version C: Overhead in larger room.
 
Version D: Built-in book shelf lighting.
 
Version A
9a: Image #2 - Interior view of entry. The cashier's station is conveniently situated between the two entry doors. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Globe bulbs are within. See Image #3 for a better view of the corner pieces.
 
9b: Detail of Image #2, the left light fixture. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Globe bulbs are within. See Image #3 for a better view of the corner pieces.
 
9c: Detail of Image #2, the right light fixture. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. See Image #3 for a better view of the corner pieces.
Im3
10a: Image #3 - View of front Cove. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Globe bulbs are within.
 
10b: Detail of Image #3 - Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Globe bulbs are within.
 
11a: Image #4: View from front to back. Alcoves were arranged along the left side; each alcove had chairs, a table and reading light. Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other.
 
11b: Detail of Image #4: Version A is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other.
 
Version B
12a: Image #5: View from entry to back. Alcoves were arranged along the left side; each alcove had chairs, a table and reading light. Version A on the right is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other. Version B on the left in the cove, and appears to be the clearest image of this version. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There is a larger pentagon shaped piece on the end that comes to a point at the bottom center.
 
12b: Detail of Image #5: Version A on the right is a square fixture. The top is a flat square surface that extends out equally on all four sides. The four side pieces are also square, and the four small corner pieces are made up of two squares that intersect each other.
 
12c: Detail of Image #5: Version B on the left in the cove, and appears to be the clearest image of this version. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There is a larger pentagon shaped piece on the end that comes to a point at the bottom center.
 
13a: Image #6: View of Cove. Each Cove included a built in table, four high-backed chairs and a reading light. Four lighting examples are visible, with the possibility of a fifth. Version A is partially visible on the top right. Version B in the center, is hanging above the table. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There is a larger pentagon shaped piece on the end that comes to a point at the bottom center. Version D can clearly be seen at the top of the book shelf pier. Publisher's Weekly reported "By a unique system of shelf-lighting, the title of every volume from top shelf to bottom were easily be read, while at the same time the lights were hidden from the eye". The book tier on the left shows the design of the lighting system just above the top shelf. Not only were the upper shelves recessed, but the lower shelves were slightly slanted, angling the books upward. A fifth version (E) would be the possible small square fixture attached above Version B, possibly added at a later time for addition light in the cove. This image also clearly shows how fixtures are suspended from the ceiling.
 
13b: Detail of Image #6: View of Cove. Version B in the center, is hanging above the table. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There is a larger pentagon shaped piece on the end that comes to a point at the bottom center. Version D can clearly be seen at the top of the book shelf pier. Publisher's Weekly reported "By a unique system of shelf-lighting, the title of every volume from top shelf to bottom were easily be read, while at the same time the lights were hidden from the eye". The book tier on the left shows the design of the lighting system just above the top shelf. Not only were the upper shelves recessed, but the lower shelves were slightly slanted, angling the books upward. A fifth version (E) would be the possible small square fixture attached above Version B, possibly added at a later time for addition light in the cove.
 
13c: Detail of Image #6: View of Cove. Version B in the center, is hanging above the table. It is a rectangle fixture that is suspended above the table. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version C. There is a larger pentagon shaped piece on the end that comes to a point at the bottom center. Version D can clearly be seen at the top of the book shelf pier. Publisher's Weekly reported "By a unique system of shelf-lighting, the title of every volume from top shelf to bottom were easily be read, while at the same time the lights were hidden from the eye". The book tier on the left shows the design of the lighting system just above the top shelf. Not only were the upper shelves recessed, but the lower shelves were slightly slanted, angling the books upward.
 
13d: Detail of Image #6: View of Cove. A fifth version (E) would be the possible small square fixture attached above Version B, possibly added at a later time for addition light in the cove.
 
13a: Detail of Image #6: View of Cove. Version A is partially visible on the top right.
 
Version C
14a: Image #7: View toward fireplace. Version C, top left, is a rectangle fixture that is suspended. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version B. A square piece is on either end like Version A.
 
14b: Detail of Image #7: Version C, top left, is a rectangle fixture that is suspended. The sides match the dimensions of the corner pieces, but run in a parallel line between the two corners, similar to Version B. A square piece is on either end like Version A.
 
Version D
15a: Image #6: View of Cove. Version D can clearly be seen at the top of the book shelf pier. Publisher's Weekly reported "By a unique system of shelf-lighting, the title of every volume from top shelf to bottom were easily be read, while at the same time the lights were hidden from the eye". The book tier on the left shows the design of the lighting system just above the top shelf. Not only were the upper shelves recessed, but the lower shelves were slightly slanted, angling the books upward.
 
15b: Detail of Image #6: View of Cove. Version D can clearly be seen at the top of the book shelf pier. Publisher's Weekly reported "By a unique system of shelf-lighting, the title of every volume from top shelf to bottom were easily be read, while at the same time the lights were hidden from the eye". The book tier on the left shows the design of the lighting system just above the top shelf. Not only were the upper shelves recessed, but the lower shelves were slightly slanted, angling the books upward.
 
15c: Detail of Image #6: View of Cove. Version D can clearly be seen at the top of the book shelf pier.
 
 
 
Footnote
During our research, ran across this lamp that was sold at the Treadway Toomey Auction, on May 23, 2004. It was identified as a lamp from Browne's Bookstore. It sold for $19,975. We could find no evidence that it was in the first Wright designed Brown's Bookstore on the seventh floor. It could not have been in the coves seeing that the ceiling was slanted. It possibly could have been from the second store on the first floor, but Wright was not involved in designing the second.
 
 
 
Text and illustrations Copyright Douglas M. Steiner unless otherwise noted.
 
 
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Additional Wright Studies
 
Adelman (S.344)    Banff National Park Pavilion (S.170)    Bitter Root Inn (S.145)    Blair Residence (S.351)    Blumberg Residence (Project) 
 
Boomer Residence (1953 - S.361)    Brandes Residence (S.350)    Browne's Bookstore (S.141)    Como Orchard Summer Colony (S.144)  
 
Cooke Residence (1953)    Copper Weed Urn & Weed Holder    Disappearing City (1932)   
Elam Residence (S.336)    "Eve of St. Agnes" (1896)  
 
Feiman Residence (S.371)    Frank L. Smith Bank (S.111)    Gordon Residence (S.419)   
Griggs Residence (S.290)    Hartford Resort (Project 1948) 
 
Heller Residence (S.038)    Henderson Residence (S.057)   
Hoffman Showroom (S.380)    Horner Residence (S.142)    "House Beautiful" 1896-98  
  Husser Residence (S.046)    Imperial Hotel (S.194) Silverware and Monogram    Japanese Print Stand (1908)    Kalil Residence (S.387)  
 
Lake Geneva Hotel (S.171)
   Lamp Cottage, Rocky Roost (S.021)    Lockridge Medical Clinic (S.425)    Lykes Residence (S.433)  
 
Marden Residence (S.357)    March Balloons    Midway Gardens (S.180)    Midway Gardens Dish (S.180)    Nakoma Clubhouse  
 
Nakoma Furniture    Opus 497    Pebbles & Balch Remodel (S.131)    Pilgrim Congregational Church (S.431) 
Loren B. Pope (S.268) 
  
Roloson Rowhouse (S.026)    Shavin Residence (S.339)    Sixty Years Exhibition 1951-56    J. L. Smith Residence (1955)    Steffens Residence (S.153)  
  Stohr Arcade (S.162)    Stromquiest Residence (S.429)    Sutton Residence (S.106)    Teater Studio (S.352)    Thurber Art Galleries (S.154)  
  Tracy Residence (S.389)    Trier Residence (S.398)    Usonian Automatic Homes    Williams (Way & Williams) (S.033)  
 
Wyoming Valley School (S.401)   
Zimmerman Residence, (S.333) 
 
Frank Lloyd Wright's First Published Article (1898)
 
Photographic Chronology of Frank Lloyd Wright Portraits
 
"Frank Lloyd Wright's Nakoma Clubhouse & Sculptures." A comprehensive study of Wright’s Nakoma Clubhouse and the Nakoma and Nakomis Sculptures. Now Available. Limited Edition. More information.
 
 
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