SUPPORT THE WRIGHT LIBRARY PROCEEDS FROM EVERY SALE GOES TO SUPPORT THE WRIGHT LIBRARY. CLICK TO ORDER.         WE PROUDLY SUPPORT THE FRANK LLOYD WRIGHT FOUNDATION       WE PROUDLY SUPPORT THE FRANK LLOYD WRIGHT BUILDING CONSERVANCY     WE PROUDLY SUPPORT FALLINGWATER AND THE WESTERN PENNSYLVANIA CONSERVANCY   PHOTOS 1960 - 1969     1960   1961   1962   1963   1964   1965   1966   1967   1968   1969    Bottom    YEAR DESCRIPTION ST# 1960 C 1960 Theodore Baird Residence, Amherst, Mass., Circa 1960 (1940 - S.277). View of the Baird Residence from the Southeast. Designed by Frank Lloyd Wright in 1940. It was constructed of brick, cypress and glass. William Wesley Peters acted as the general contractor. This was the only Usonian design where the walls and glazing were prefabricated at a factory, transported and assembled on site. The Baird Residence is the only house in Massachusetts designed by Frank Lloyd Wright. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright. Amherst, Massachusetts. T. Baird House, 1940. Ext. Andrews Photo 2836." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 9.5 x 7.5 B&W Photograph. 1458.90.0420 1960 Dallas Theatre Center, Dallas Texas, Interior 1960 (1955 -S.395). Interior view of the Dallas Theatre Center. Designed by Frank Lloyd Wright in 1955. The Dallas Theater Center opened with registration and classes on September 9, 1959 and its first production on December 27, 1959. This is the only Theater ever executed by Frank Lloyd Wright. The design for this theater was first conceived for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas as the Dallas Theater Center. The original cushioned seats and backs were upholstered in a textured, golden-colored fabric and the metal frame was painted a neutral color. The golden-colored fabric in the seats blended with the interior of the theatre. 10 x 7 Color photograph. 1458.122.1021 1960 1) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the East. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Hand written on face: "F. L. Wright: Kalita Humphreys Theatre, Dallas, Texas (1960)." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2155." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.78.0220 1960 2) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the Northeast. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Hand written on face: "Frank Lloyd Wright." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2156." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.79.0220 1960 3) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the North. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Hand written on face: "Frank Lloyd Wright." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2157." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.80.0220 1960 4) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the Northwest. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Small sign next to the door in the center: "Dallas Theater Center Closed To The Public Until Sept. 12th." Hand written on face: "F. L. Wright: Kalita Humphreys Theatre, Dallas, Texas (1960)." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2158." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.81.0220 1960 5) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the Northwest. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Mounted to gray board. Label pasted to board: "W 20 US Arch. Wright, Frank L. Dallas, Texas. Kalita Humphreys Theatre, 1960. Exterior. Photo by Wayne Andrews. 2159." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 8 x 10 B&W photograph. 1458.85.0420 1960 6) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the Northwest. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Small sign next to the door bottom left: "Dallas Theater Center Closed To The Public Until Sept. 12th." Hand written on face: "F. L. Wright: Kalita Humphreys Theatre, Dallas, Texas (1960)." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2160." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.82.0220 1960 7) Dallas Theatre Center, The Kalita Humphrey Theater, Exterior 1960 (1955 -S.395). Exterior view of the Dallas Theatre Center from the Southwest. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Hand written on face: "F. L. Wright: Kalita Humphreys Theatre, Dallas, Texas (1960)." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2161." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.83.0220 1960 8) Dallas Theatre Center, The Kalita Humphrey Theater, Interior 1960 (1955 -S.395). Interior view of the Dallas Theatre Center from the South. The revolving stage it to the far right. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened on September 9, 1959 and its first production was on December 27, 1959. Hand written on face: "F. L. Wright: Kalita Humphreys Theatre, Dallas, Texas (1960)." Stamped on Verso: "Photo Wayne Andrews." Hand written on verso: " W. 20c. USA Arch Wright." and "2154." Photographed by Wayne Andrews. Original 8 x 10 B&W photograph. 1458.84.0220 1960 Dallas Theatre Center's Kalita Humphreys Theater, 1955 (S.395). Caption reads: "(DN1) Dallas, Tex., Jan. 26 - Dallas Theater Center - This is the Dallas Theater Center which opened its first production on December 27, 1959. The building is situated in one of Dallas' most beautiful, wooded areas, on a hill of trees and stone overlooking the fashionable Turtle Creek area. Costing more than a million dollars to build, it was the only theater the late Frank Lloyd Wright ever designed. (AP Wirephoto) (cel31445ho) 1960." The design for this theater was first conceived for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened with registration and classes on September 9, 1959 and its first production on December 27, 1959. This is the actual print that was used and published in the Detroit Times on March 6, 1960. Photographed by the Associated Press. Original B&W 9 x 6.75. 1458.27.1109 1960 Dallas Theatre Center 1960 (1955 -S.395). View of the Dallas Theatre Center from the East. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened with registration and classes on September 9, 1959 and its first production on December 27, 1959. Clipping pasted to verso: "Exactly a year has passed since the death, at 90, of the great son of Wisconsin, the foremost architect of the 20th century, Frank Lloyd Wright. But the extensive obituary columns did not mean the end to the fantastic, in enormously publicized career. The life of the man is ended, true. The work of the man goes on and on. Some $20,000,000 in contracts for 33 clients remain to be fulfilled by his colleagues. "He was as much a crusading social thinker as he was a designer," the editors of House Beautiful magazine avow. "And 100 years from now he will undoubtedly loom like a titan on the 20th century scene." The storms which raged around the peppery little egotist for most of his 70 year In architecture show no indication of abating..." Stamped on clipping: "Su Apr 10 1960." Original 6 x 4 B&W photograph. 1458.73.0819 1960 Dallas Theatre Center 1960 (1955 -S.395). Aerial view of the Dallas Theatre Center from the Northwest. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened with registration and classes on September 9, 1959 and its first production on December 27, 1959. Clipping pasted to verso: "Exactly a year has passed since the death, at 90, of the great son of Wisconsin, the foremost architect of the 20th century, Frank Lloyd Wright. But the extensive obituary columns did not mean the end to the fantastic, in enormously publicized career. The life of the man is ended, true. The work of the man goes on and on. Some $20,000,000 in contracts for 33 clients remain to be fulfilled by his colleagues. "He was as much a crusading social thinker as he was a designer," the editors of House Beautiful magazine avow. "And 100 years from now he will undoubtedly loom like a titan on the 20th century scene." The storms which raged around the peppery little egotist for most of his 70 year In architecture show no indication of abating..." Stamped on clipping: "Su Apr 10 1960." Original 6 x 4.75 B&W photograph. 1458.74.0819 C 1960 Kersey C. DeRhodes Residence, South Bend, Indiana, Circa 1960 (Not Dated) (1906 - S.125). View of the DeRhodes House from the Street. Designed by Frank Lloyd Wright in 1906. The DeRhodes house floor plan is nearly identical to the Barton Residence, Buffalo, New York (1903 - S.103). Mr. DeRhodes past away in 1994. Mrs. DeRhodes continued to lived in the house until her death in 1952. Upon her death, the house was given to the First Methodist Church. In 1954, it was sold to the Masonic lodge and used as the as the Avalon Grotto Clubhouse from 1954 until 1978 when it was returned to a residence. There is a neon sign in the front window that reads “Avalon Grotto”.        Label affixed to verso: “Mead Art Building, Amherst College. Number A-Am, So87, mlal. American Architecture. South Bend, Indiana. K. C. de Rhodes (sic) residence, 1906. Exterior; front. Frank Lloyd Wright, architect.” Original 9.5 x 7.5 B&W Photograph. 1458.143.1024 C 1960-70 Samuel Eppstein Residence, Galesburg, Michigan, Circa 1960-1970 (Not Dated) (1948 - S.296). View of the Eppstein Residence from the North during the winter. Snow blankets the ground. The terrace is semi-circular is shape. Designed by Frank Lloyd Wright in 1948, it was part of the Galesburg Country Homes. Other Wright homes in th/e community included the Weisblat (1948 - S.294), Pratt (1948 - S.295) and Meyer (1948 - S.297). That same year, 26 miles away, Wright design//ed home in Parkwyn Village, Levin (1948 - S.298), McCartney (1949 - S.299), Brown (1949 - S.300) and Winn (1950- S.301).        The Eppstein Residence is a Usonian-style house, built using Wright’s textile block construction. But unlike the four California textile block houses, the Eppstain had a plain surface and were rectangular. The Californbia textile blocks were 16" x 16" x 4.25". In comparison, the Eppstein block 16" W x 12" H x 3.25" D. The later Usonian Automatic houses, 1951-1955, were 24" x 12".        Hand written on verso: “Frank Lloyd Wright - Eppstein House.” Photographer unknown. Original 10 x 8 B&W photograph. 1458.142.1024 Circa 1960 Florida Southern College, Annie Pfeiffer Chapel (1938 - S251) Lakeland, Florida circa 1960. Viewed from the Northeast. This was the first Wright building at Florida Southern College. The ground breaking ceremony was held on May 24, 1938. Dedicated or the Annie Pfeiffer Chapel was held on March 9, 1941. The Esplanades, covered walkways, can be seen in the foreground. Stamped on verso: "News Bureau. Fla. So. College, Lakeland, Fla." Original 8 x 10 B&W photograph. 1458.43.0113 Circa 1960 Florida Southern College, Polk County Science Building, Lakeland, Florida Circa 1960 (1953 - S.256). Viewed from the West, Wright called it the Cosmography Building. The round dome is the Planetarium which is on the Southeastern end of the building. Clipping pasted on verso miss identifies the building as the Annie Pfeiffer Chapel. The Polk County Science Building was the last Wright designed structure built on the Florida Southern College campus and was completed on March 11, 1958. Original 10 x 8 B&W photograph. 1458.44.0113 1960 General Locations of Frank Lloyd Wright Buildings. Map locating Wright homes and buildings. Reproduction of map published in Frank Lloyd Wright, Writings and Buildings, Kaufmann, 1960, p.328-329. Hand written on verso: "From Meridian Books, Inc., Publisher of 'Frank Lloyd Wright, Writings & Buildings,' 1960." And "Frank Lloyd Wright - Buildings Designed by Him.)" Stamped on verso: "May 26 1960." Acquired from the archives of the Milwaukee Sentinel. Original 8 x 10 B&W photograph. 1458.116.1020 C 1960 A. D. German Warehouse, Richland Center, Wisconsin, Circa 1960 (Not Dated) (1915 - S.183). Viewed from the Southeast. Designed by Frank Lloyd Wright in 1915. Text on the front of the building: “Stock and Gro Warehouse.” A sign to the right of the lettering reads “For Sale or Lease.” Text on sleeve: “Mod: Arch: AM: Wright FL: Richland Center, Wis: Bus: A.D. German Warehouse. Ext: 1915. Sandak AAAC 418/84. 002947. Holy Cross.” Acquired from the archives of The College of Holy Cross. Original 35mm Color slide, sandwiched between glass, plastic mount. 1458.137.1223 1960 Guggenheim Museum 1960 (1956 - S.400). Viewed from the Southwest of the entrance and spiral walls. The Guggenheim opened on October 21, 1959. Stamped on verso: "Mar 29 1960." Label pasted to verso: "The Solomon R. Guggenheim Foundation, 120 Broadway, New York 5, N. Y., Rector 2-9770. Exterior of the new Solomon R. Guggenheim Museum, as viewed across Fifth Avenue from 88th Street. The gallery is on the right and the administration building on the left." Published in "Guggenheim, New York," Stoller, 1999, page ii-iii. Photographed by Ezra Stroller. 10 x 7 B&W photograph. 1458.46.0914 1960 Guggenheim Museum 1960 (1956 - S.400). Viewed from the North, from eighty-ninth street, of the entrance and spiral walls. The Guggenheim opened on October 21, 1959. Photographed by Ezra Stroller. 8 x10 B&W photograph. 1458.47.0914 1960 Guggenheim Museum Exterior Circa 1960 (1956 - S.400). Viewed from the North, from eighty-ninth street, of the entrance and spiral walls. The Guggenheim opened on October 21, 1959. Note: Two trees in the foreground have filled out since the opening in October 1959. Label pasted to verso: "The Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York 28, N. Y. Exterior of the Solomon R. Guggenheim." Original 10 x 8 B&W photograph. 1458.50.0216 1960 Guggenheim Museum Interior Circa 1960 (1956 - S.400). The sculpture in the foreground is "St. Sebastian, No. 2," 1957, by Eduardo Paolozzi, b. 1924, Leith, Scotland; d. 2005, London. The sculpture in the background to the right is "The Miracle (Seal [I]) (Le Miracle)," 1930-32, by Constantin Brancusi, b. 1876, Hobitza, Romania; d. 1957, Paris. Both were part of the Guggenheim collection. Label pasted to verso: "The Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York 28, N. Y. Interior of the Solomon R. Guggenheim." Original 8 x 10 B&W photograph. 1458.51.0216 1960 Guggenheim Museum Interior 1960 (1956 - S.400). Interior of the Solomon R. Guggenheim, photographed soon after the grand-opening of the Guggenheim Museum. The sculpture in the foreground is "St. Sebastian, No. 2," 1957, by Eduardo Paolozzi, b. 1924, Leith, Scotland; d. 2005, London. The sculpture in the background to the right is "The Miracle (Seal [I]) (Le Miracle)," 1930-32, by Constantin Brancusi, b. 1876, Hobitza, Romania; d. 1957, Paris. Both were part of the Guggenheim collection. Label pasted to verso: "Guggenheim Museum - Interior #2. This interior of the six-story spiral museum designed by Frank Lloyd Wright, shows the dramatic, curved, quarter-mile ramp along which an extensive collection of 20th century 'non-objective' art is displayed. Located in uptown Manhattan, this museum is a two-fold attraction because of its unique architecture and its art treasurers. If possible, please credit The New York Convention and Visitors Bureau." Stamped on verso: "Apr 19 1977." Published in "The Solomon R. Guggenheim Museum," 1960, p.39. Original 8 x 10 B&W photograph. 1458.55.1216 C 1960 Guggenheim Museum Circa 1960 (1956 - S.400). View of the interior looking down to the main floor and ramps from the upper levels. On the mail level, just above the center, toward the entrance, is the sculpture "St. Sebastian, No. 2," 1957, by Eduardo Paolozzi. To the right of center is the sculpture "The Miracle (Seal [I]) (Le Miracle)," 1930-32, by Constantin Brancusi. It has not been moved since the grand opening. By 1965, it had been moved from the main level, "Wright: il Museo Guggenheim", Cresti, 1965. Both of these are visible in S#1458.55. 1458.77.0819 C 1960 Guggenheim Museum Circa 1960 (1956 - S.400). View of the interior looking down to the main floor and ramps from the upper levels. On the mail level, just above the center, toward the entrance, is the sculpture "St. Sebastian, No. 2," 1957, by Eduardo Paolozzi. To the right of center is the sculpture "The Miracle (Seal [I]) (Le Miracle)," 1930-32, by Constantin Brancusi. It has not been moved since the grand opening. By 1965, it had been moved from the main level, "Wright: il Museo Guggenheim", Cresti, 1965. Clipping glued to verso: "Twentieth-century masterpiece hang along this dramatic, curved quarter-mile ramp inside the Solomon R. Guggenheim Museum." Stamped on clipping: "Mar 9 1986." Label taped to verso: "Guggenheim Museum. This interior of the six-story spiral museum designed by Frank Lloyd Wright, shows the dramatic, curved, quarter-mile ramp along which an extensive collection of 20th-century art is displayed. Located in uptown Manhattan, this museum is a two-fold attraction because of its unique architecture and its art treasures." Original 10 x 8 B&W photograph. See S#1458.77 1458.121.1021 C 1960 Guggenheim Museum Interior Circa 1960 (1956 - S.400). Interior of the Solomon R. Guggenheim. View looking down toward the pool and fountain. Possibly photographed soon after the grand-opening of the Guggenheim Museum. The sculpture in the lower foreground was in a photograph published in "The Guggenheim Museum, Frank Lloyd Wright" 1960, pages 42, 47 and 68. Label pasted to face: "University of California, Berkeley. 20th Century, United States. Wright, F. L. Guggenheim Museum. New York City. 1956. Interior. Department of Architecture." Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 7.75 x 7.75 B&W photograph. 1458.67.1218 C 1960 Guggenheim Museum Interior Circa 1960 (1956 - S.400). Interior of the Solomon R. Guggenheim. View of the artwork displayed along the ramp supports and outer walls. Photographed around the same time as 1458.67. Label pasted to face: "University of California, Berkeley. 20th Century, United States. Wright, F. L. Guggenheim Museum. New York City. 1956. Interior. Department of Architecture." Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 7.75 x 7.75 B&W photograph. 1458.68.1218 C 1960 Guggenheim Museum, New York, New York, Circa 1960 (1956 - S.400). Not dated. Set of 11 - 35mm slides. Distant view of the Guggenheim Museum from the West. Designed by Frank Lloyd Wright from 1956. Text on sleeve: "Wright, F. L. Guggenheim. 4-2. Guggenheim Museum. Ext., Distant view from the West. New York, NY, 1956-59. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1458.117.0920 (1 - 11) 1960 Guggenheim Museum, New York, New York, 1960 (1956 - S.400). Set of 10 - 35mm slides. View of the Guggenheim artwork collection. Text hand written of sleeve: "Guggenheim - Chagall - Hiquily, Black Goddess." "Black Goddess" by Hiquily is on the left. The Chagall is in the background. Stamped on sleeve: "26. Oct 60." Kodachrome Transparency. Acquired from the archives of the University of Virginia. 35mm Color slide. 1458.105.0720 - 1458.114.0720 C 1960 1) Arthur Heurtley Cottage Remodeling, Les Cheneaux, Marquette Island, Michigan, Circa 1960 (undated) (1902 - S.075). In 1902 Frank Lloyd Wright designed a house for Arthur Heurtley in Oak Park. Concurrently he remodeled a cottage for Heurtley on Marquette Island, in Michigan. The renovation included alterations to the bedrooms and bath on the first floor, and reconfiguring the basement to include a dining room, kitchen and servant's quarters. Plans appear to indicate that the "basement" was built into the slope. He also designed a fireplace for the dining room. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright, F.L.. Les Cheneaux, Mich. Heurtley Cottage. Exterior. C. D. Sheppard Neg." Photographed by C. D. Sheppard. Acquired from the archives of the University of Minnesota. Original 8 x 10 B&W Photograph. 1458.92.0420 C 1960 2) Arthur Heurtley Cottage Remodeling, Les Cheneaux, Marquette Island, Michigan, Circa 1960 (undated) (1902 - S.075). In 1902 Frank Lloyd Wright designed a house for Arthur Heurtley in Oak Park. Concurrently he remodeled a cottage for Heurtley on Marquette Island, in Michigan. The renovation included alterations to the bedrooms and bath on the first floor, and reconfiguring the basement to include a dining room, kitchen and servant's quarters. Plans appear to indicate that the "basement" was built into the slope. He also designed a fireplace for the dining room. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright, F.L.. Les Cheneaux, Mich. Heurtley Cottage. Exterior. C. D. Sheppard Neg." Photographed by C. D. Sheppard. Acquired from the archives of the University of Minnesota. Original 8 x 10 B&W Photograph. 1458.93.0420 C 1960 3) Arthur Heurtley Cottage Remodeling, Les Cheneaux, Marquette Island, Michigan, Circa 1960 (undated) (1902 - S.075). In 1902 Frank Lloyd Wright designed a house for Arthur Heurtley in Oak Park. Concurrently he remodeled a cottage for Heurtley on Marquette Island, in Michigan. The renovation included alterations to the bedrooms and bath on the first floor, and reconfiguring the basement to include a dining room, kitchen and servant's quarters. Plans appear to indicate that the "basement" was built into the slope. He also designed a fireplace for the dining room.  Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright, F.L.. Les Cheneaux, Mich. Heurtley Cottage. Exterior. C. D. Sheppard Neg." Photographed by C. D. Sheppard. Acquired from the archives of the University of Minnesota. Original 10 x 8 B&W Photograph. 1458.94.0420 C 1960 4) Arthur Heurtley Cottage Remodeling, Les Cheneaux, Marquette Island, Michigan, Circa 1960 (undated) (1902 - S.075). In 1902 Frank Lloyd Wright designed a house for Arthur Heurtley in Oak Park. Concurrently he remodeled a cottage for Heurtley on Marquette Island, in Michigan. The renovation included alterations to the bedrooms and bath on the first floor, and reconfiguring the basement to include a dining room, kitchen and servant's quarters. Plans appear to indicate that the "basement" was built into the slope. He also designed a fireplace for the dining room. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright, F.L.. Les Cheneaux, Mich. Heurtley Cottage. Exterior. C. D. Sheppard Neg." Photographed by C. D. Sheppard. Acquired from the archives of the University of Minnesota. Original 8 x 10 B&W Photograph. 1458.95.0420 C 1960 Stephen Hunt Residence II, Oshkosh, Wisconsin, Circa 1960 (1917 - S.203.4). Viewed from the Northeast. Designed by Frank Lloyd Wright in 1917. This was Hunt's second Wright designed house, and one of Wright's American System Built Homes for Arthur L Richards. Label pasted to board: "Arch. U.S.A. 20th cent. Frank Lloyd Wright. Res. S.M.B. Hunt, Oshkosh, Wis. (1916). Wayne Andrews #2684. Indiana University, Fine Arts Department." Photographed by Wayne Andrews. Acquired from the archives of the Indiana University. Original 9.5 x 7.5 B&W Photograph. (S#1458.115) 1458.115.0920 1960 S.C. Johnson Headquarters, Racine, Wisconsin, 1960 (1936 - S.237). Red Skeleton visits S. C. Johnson Administration Building designed by Frank Lloyd Wright in 1936. Photograph of Red Skelton with his film crew. Red Skelton is portrayed behind the camera as his film character, Clem Kadiddlehopper. The S. C. Johnson elevator (left) and column (right) can be seen in the background. Hand written bottom right: “November 1960.” Stamped on verso: “Photographic Dept. Neg # 18885. S. C. Johnson & Son, Inc., Racine, Wisconsin.” Original 10 x 8 B&W photograph. 1458.141.1024 1960 Herbert F. Johnson Wingspread (1937 - S.239) 1960. Clipping pasted to verso: "Racine, Wis. - Aerial view shows advanced design of Wingspread, huge 'prairie house' designed by the late Frank Lloyd Wright and built near Racine in 1938. Its opening as a conference center was announced by the Johnson Foundation, with the first parley there to be a meeting of the Midwest Regional American assembly Nov. 17-20. Authorities on foreign relations will discuss who should be next secretary of state. Home formerly was residence of H. F. Johnson, board chairman of S. C. Johnson & Sons, Inc., wax manufacturers", stamped "Nov 12, 1960". Published in "The Johnson Foundation, Wingspread" 1961. Acquired from the archives of the Chicago Tribune. Original 10 x 6.9 B&W photograph. 1458.37.1211 1960 Herbert F. Johnson Wingspread (1937 - S.239) 1960. View of the home from the South. The swimming pool is on the right in the foreground, the center of the home with the tower is in the background. Caption pasted to verso: "An exterior view of Wingspread, above, shows clerestory roof of Frank Lloyd Wright designed building with glass observation tower dominating the domed central portion of the structure. The building at Wind Point, North of Racine, Wisconsin, will serve as a conference center and as administrative headquarters for the Johnson Foundation." Stamped on verso: "From the photographic dept. S. C. Johnson & Son, Inc. Negative No. 18758-6." "Reference Dec 2 60, N. E. A." Herbert F. Johnson (1899 - 1978) donated their home, Wingspread, to The Johnson Family Foundation in 1959 as an international educational conference facility. Original 10 x 8 B&W photograph. 1458.52.0316 C 1960 Herbert F. Johnson Wingspread, Circa 1960 (1937 - S.239). View of the cantilevered Master Bedroom, from the South East. During construction of the SC Johnson & Son Administration Building (1936 - S.237), H.F. Johnson commissioned Frank Lloyd Wright to design his home in Wind Point, Wisconsin. "At the center of four zones forming a cross, a spacious wigwam of a Living Room stands. A tall central brick chimney stack with five fireplaces on four sides divides this large vertical central living space into four areas for the various domestic functions: Entrance, Family Living, Library and Dining Room. Extending from this great, dignified central wigwam are the four wings. This extended zoned-wing-plan lies, very much at home, quiet and integral with the prairie landscape which is, through it, made more significant and beautiful." Frank Lloyd Wright, An Autobiography, 1943, p.476. Published in Architecture in Chicago & Mid-America, Andrews, 1968, p.122. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright, F. L. Racine, Wisconsin. Wingspread (H.F. Johnson House.) Bedroom Wing. Andrews Photo 2578." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 9.5 x 7.5 B&W Photograph. 1458.89.0420 1960 Herbert F. Johnson Residence, Wingspread 1960 (1937 - S.239). View of the Living Room from the mezzanine. Hand written on verso: "The Johnson Foundation has opened Wingspread the Frank Lloyd Wright designed home, which will be used as the foundation administrative headquarters and conference center. (SC Johnson and Son Corp.)." Clipping pasted to verso: "The building is designed around a central room. A view from the mezzanine shows just a section of the room. The spiral stair at right leads to an observation tower." Stamped on clipping: "Nov 11 1960." Acquired from the archives of the Milwaukee Sentinel. Original 8 x 10 B&W photograph. 1458.62.1217 1960 Karen Johnson Keland Residence, Racine, Wisconsin 1960 (1954 - S.368). View of the Living Room from the balcony looking North. The doors on the left open to the veranda. Designed by Frank Lloyd Wright in 1954. Karen Johnson is the daughter of H. F. Johnson, S.C. Johnson & Son Administration Building (1936 - S.239). Her first husband, Willard Keland, was president of the River Development Corporation which built the River Terrace Restaurant (1953 - S.367). Stamped on verso: "May 13 1960." Hand written on verso: "Racine, Wisc - Keland Home. Frank Lloyd Wright - Homes Designed by Him." Acquired from the archives of the Milwaukee Journal. Original 4 x 5 B&W photograph. 1458.123.1121 1960 Karen Johnson Keland Residence, Racine, Wisconsin 1960 (1954 - S.368). View of the Living Room from the Northwest. The doors on the left open to the veranda. Fireplace is in the center, the kitchen is tucked behind it. The dining area is in the foreground to the right. The windows view the open patio. Designed by Frank Lloyd Wright in 1954. Karen Johnson is the daughter of H. F. Johnson, S.C. Johnson & Son Administration Building (1936 - S.239). Her first husband, Willard Keland, was president of the River Development Corporation which built the River Terrace Restaurant (1953 - S.367). Stamped on verso: "May 13 1960." Hand written on verso: "Racine, Wisc - Keland Home. Frank Lloyd Wright - Homes Designed by Him." Acquired from the archives of the Milwaukee Journal. Original 4 x 5 B&W photograph. 1458.120.0921 1960 Karen Johnson Keland Residence, Racine, Wisconsin 1960 (1954 - S.368). View of the balcony. The living room's vaulted ceiling can be seen in the background. Designed by Frank Lloyd Wright in 1954. Karen Johnson is the daughter of H. F. Johnson, S.C. Johnson & Son Administration Building (1936 - S.239). Her first husband, Willard Keland, was president of the River Development Corporation which built the River Terrace Restaurant (1953 - S.367). Stamped on verso: "May 13 1960." Hand written on verso: "Racine, Wisc - Keland Home. Frank Lloyd Wright - Homes Designed by Him." Acquired from the archives of the Milwaukee Journal. Original 4 x 5 B&W photograph. 1458.125.1221 1960 Karen Johnson Keland Residence, Racine, Wisconsin 1960 (1954 - S.368). View of the Playroom from the Southeast. The Veranda is to the left. Designed by Frank Lloyd Wright in 1954. Karen Johnson is the daughter of H. F. Johnson, S.C. Johnson & Son Administration Building (1936 - S.239). Her first husband, Willard Keland, was president of the River Development Corporation which built the River Terrace Restaurant (1953 - S.367). Stamped on verso: "May 13 1960." Hand written on verso: "Racine, Wisc - Keland Home. Frank Lloyd Wright - Homes Designed by Him." Original 4 x 5 B&W photograph. 1458.104.0820 C 1960 Kenneth & Phyllis Laurent Residence Exterior Circa 1960 (1949 - S.319). Designed by Frank Lloyd Wright in 1949, it was the third "hemicycle" designed by Wright. The first was the Jacobs II (1944). He also designed the Meyer (1948), Laurent (1949), Pearce (1950), Lewis (1952), Marden (1952), Llewellyn Wright (1953), Cooke (1953), Rayward (1955) and the Spencer (1956). Kenneth Laurent was a paraplegic, so the home was designed with ease of accessibility for a wheelchair. Photographed by Wayne Andrews circa 1965. Mounted to gray board. Label pasted to board: "University of California, Berkeley. 20c US. Wright, F.L.. Laurent House, 1951. Rockford, Illinois. Andrews 2825. Department of Architecture." Photographed by Wayne Andrews. Published in "Architecture in Chicago & Mid-America," Andrews, 1968, p.129. Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9.5 x 7.5 B&W photograph. 1628.64.1218 C 1960 Kenneth & Phyllis Laurent Residence Exterior Circa 1960 (1949 - S.319). Viewed from the West. Designed by Frank Lloyd Wright in 1949, it was the third "hemicycle" designed by Wright. The first was the Jacobs II (1944). He also designed the Meyer (1948), Laurent (1949), Pearce (1950), Lewis (1952), Marden (1952), Llewellyn Wright (1953), Cooke (1953), Rayward (1955) and the Spencer (1956). Kenneth Laurent was a paraplegic, so the home was designed with ease of accessibility for a wheelchair. Mounted to gray board. Label pasted to board: "West 20, US Arch. Wright. Rockford, Illinois. K. Laurent House, 1951. Ext: View A. Andrews Photo 2825." Photographed by Wayne Andrews. Published in "Architecture in Chicago & Mid-America," Andrews, 1968, p.129. Acquired from the archives of the University of Minnesota. Original 10 x 8 B&W Photograph. 1458.86.0420 C 1960 Kenneth & Phyllis Laurent Residence Exterior Circa 1960 (1949 - S.319). Viewed from the West. Designed by Frank Lloyd Wright in 1949, it was the third "hemicycle" designed by Wright. The first was the Jacobs II (1944). He also designed the Meyer (1948), Laurent (1949), Pearce (1950), Lewis (1952), Marden (1952), Llewellyn Wright (1953), Cooke (1953), Rayward (1955) and the Spencer (1956). Kenneth Laurent was a paraplegic, so the home was designed with ease of accessibility for a wheelchair. Mounted to gray board. Label pasted to board: "West 20, US Arch. Wright. Rockford, Illinois. K. Laurent House, 1951. Ext: View B. Andrews Photo 2826. Photographed by Wayne Andrews. Similar view published in "Architecture in Chicago & Mid-America," Andrews, 1968/1973, p.129. Acquired from the archives of the University of Minnesota. Original 10 x 8 B&W Photograph. 1458.87.0420 1960 Marin County Civic Center Aerial View 1960 (S.416-417 - 1957). Viewed from the Northeast. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Almost three months since work has begun, earth has been moved, roads have begun to be take shape, and work has begun on the on and off ramp between the property and the freeway. Stamped on verso: "Date photographed May 4, 1960." Stamped on face: "Aero Portraits. Aerial & Commercial Photography. Sausalito, Calif." Lucile Fessenden Dandelet (1919-2007) earned her degree in Photo-Journalism at Wellesley College. A resident of San Anselmo for five decades, she specialized in architecture and has been recognized for her photographs of Frank Lloyd Wright work. Ten photographs of the Marin County CC were published in the December 1970 issue of Architectural Forum. An exhibit of Dandelet work was held in 1974 and in 2004 at the Marin County's Civic Center highlighting the construction from the first bulldozer on. Her collection is now part of the permanent J. Paul Getty Museum Photographic Collection. Original 10 x 8 B&W photograph. 1458.56.0217 1960 Marin County Civic Center Aerial View 1960 (S.416-417 - 1957). Viewed from the Northwest. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Construction has begun on the center of the Administration Building. The on and off ramp between the property and the freeway, begun in the earlier image has been paved. Two houses located on the eastern corner of the property have been removed. The large circular property has been leveled. The lagoon has not yet been dug. Stamped on face: "Aero Portraits. Aerial & Commercial Photography. Sausalito, Calif." Original 10 x 8 B&W photograph. 1458.57.0217 C 1960 Curtis Meyer Residence, Galesburg, Michigan, C 1960 (1948 - S.297). Viewed from the Southeast. Designed by Frank Lloyd Wright in 1948. The kitchen, dining and living rooms are on the lower level. Bedrooms, bath and study are on the second level. The entrance, on the far left out of the picture, enters the two-story circular drum, midway between the first and second levels, with circular stairs leading up to the second level and down to the lower. The Kitchen and study are in the foreground on the left, Living room and bedrooms in the background. The Meyer Residence was the second "hemicycle" designed by Wright. Ten in all: Jacobs II (1944), Meyer (1948), Laurent (1949), Pearce (1950), Lewis (1952), Marden (1952), Llewellyn Wright (1953), Cooke (1953), Rayward (1955) and the Spencer (1956). Mounted to gray board. Label pasted to board: "West 20, US Arch. Wright. Galesburg Village, Michigan. C. Mayer (sic) House, 1951. Ext. Andrews Photo 2854. Photographed by Wayne Andrews. Published in: "Architecture in Michigan," Andrews, 1967, p.43; "Architecture in Chicago & Mid-America," Andrews, 1968/1973, p.125. Acquired from the archives of the University of Minnesota. Original 10 x 8 B&W Photograph. 1458.88.0420 C 1960 Dudley Spencer Residence, Wilmington, Delaware, Circa 1960 (1956 - S.402). View of the Dudley Spencer Residence. Designed by Frank Lloyd Wright in 1956. The first design, Scheme #1, an L-shaped Usonian house with a living room roof that slopes upward, was rejected by the Spencers. Scheme #2 was accepted. Scheme #2 is what Frank Lloyd Wright called a solar Hemicycle. Very similar to the Laurent (1949) and Pearce (1950) Residences. The Spencers moved into their home in 1959. “Inside is Wright's trademark central hearth and built-in furniture designed by the architect himself. The stone came from Avondale, Pennsylvania, and Cumberland Ridge, Tennessee (where Wright had built a Usonian house of this type of stone in 1950). The woodwork is Honduras mahogany, and steel supports the cantilevered roof. The carport was added later.ť W. Barksdale Maynard, Society of Architectural Historians, University of Virginia Press. Photo courtesy of the Society of Architectural Historians. 10 x 8 B&W photograph. 1458.134.0523 1960 Taliesin, Spring Green Catwalk and Living Room from Below Circa 1960 (1925 - S.218). View looking up toward the Catwalk on the left and the Living Room on the right. Photographed by Wayne Andrews circa 1960, possibly 1945, but going by the Andrew's numbering system, 1945s were numbered in the 900s. Photographed at the same time as 1458.65 and 1458.66 Label pasted to face: "University of California, Berkeley. 20th Century - United States. Wright, Frank Lloyd. Taliesin East. Spring Green, Wisconsin. 1925 -. Far View. Andrews 2053. Department of Architecture." Published in "Architecture in America" Andrews, 1960/1977, p.136. Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9.5 x 7.5 B&W photograph. 1458.64.1218 1960 Taliesin, Spring Green, Mr. Wright's Bedroom Circa 1960 (1925 - S.218). View of Mr. Wright's Bedroom from the West. A planter is built-in to both exterior corners. The corner of the pool can be seen in the lower left. Stairs lead down to the Terrace, and the Balcony is to the right. Photographed by Wayne Andrews circa 1960, possibly 1945, but going by the Andrew's numbering system, 1945s were numbered in the 900s. Photographed at the same time as 1458.64 and 1458.65. Label pasted to face: "University of California, Berkeley. 20th Century - United States. Wright, Frank Lloyd. Taliesin East. Spring Green, Wisconsin. 1925 -. Mrs. Wright's wing. Close-up. Andrews 2057. Department of Architecture." Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9.5 x 7.5 B&W photograph. 1458.65.1218 1960 Taliesin, Spring Green, Mr. Wright's Bedroom Circa 1960 (1925 - S.218). View of Mr. Wright's Bedroom from the southwest. The fireplace mass for Mr. Wright's bedroom fireplace is on the left. A planter is built-in to both exterior corners. Stairs lead down to the Terrace, the Balcony is to the right. Photographed by Wayne Andrews circa 1960, possibly 1945, but going by the Andrew's numbering system, 1945s were numbered in the 900s. Photographed at the same time as 1458.64 and 1458.65. Label pasted to face: "University of California, Berkeley. 20th Century - United States. Wright, Frank Lloyd. Taliesin East. Spring Green, Wisconsin. 1925 -. Mrs. Wright's wing. Far View. Andrews 2058. Department of Architecture." Published in "Architecture in America" Andrews, 1960/1977, p.138. Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9.5 x 7.5 B&W photograph. 1458.66.1218 1960 Taliesin, Spring Green Living Room 1960 (1925 - S.218). View looking down from the balcony. Guests are attending Frank Lloyd Wright's traditional birthday celebration on the 8th of June. Although he had past away, Taliesin continued to celebrate his birthday. Olgivanna's invitation read: "We are traditionally celebrating Mr. Wright's birthday on June 8th at Taliesin. We would like to have you with us for 7 o'clock formal dinner and the concert which will follow. (Signed) Love Olgivanna Lloyd Wright." Clipping pasted to verso: "Guests filled the main living room, noted for a ceiling that soars to impressive height in a variety of levels. Rich oriental rugs are set off by floors of stone and polished wood." Hand written on verso: "Frank L:loyd Wright - Homes of - Taliesin." Stamped on verso: "1960 June 9" and "Theodore Rozumalski." Photographed by Theodore Rozumalski. Original 7.25 x 10.25 B&W photograph. 1458.76.0819 1960 Taliesin West Circa 1960 (1937 - S.241). View of Mr. Wright's office and the courtyard fountain from the east. The fountain was added in 1956. Early photographs show the fountain as a bowl (1259.59-4). By 1959, it matched this shape, "Frank Lloyd Wright Select Houses 3" Pfeiffer, 1989, p.48. The light pole in the background has a flag. Mr. Wright's office was also dramatically altered since 1940 (531.74). Label pasted to face: "University of California, Berkeley. 20th Century, United States. Wright, Frank Lloyd. Taliesin West. Phoenix, Arizona. Back of study and water fountain 1938. Don Palmer photo. Department of Architecture." Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9.25 x 7.5 B&W photograph. 1458.69.1218 1960 Taliesin West 1960 (1937 - S.241). Taliesin Fellowship orchestra rehearse in the Cabaret Theater at Taliesin West. Caption pasted to verso: "No curriculum. The late Frank Lloyd Wright wanted his students to be "free to be what you are." He said his school of architecture had no curriculum - "only an ideal based upon thought." Now his work is being carried on at Taliesin West in Arizona. Here in orchestral group - part of the school's many activities - rehearses at a theater On the grounds. (For use Sunday, June 12 with Relman Morin's Scottsdale, Ariz., APN story on Wright's legacy.) Stamped on verso: "Jun 13 1960." Original 10 x 8 B&W photograph. 1458.75.0819 1960 Taliesin West, Scottsdale, Arizona, 1960 (1937 - S.241). Set of four 35mm slides. View of Mr. Wright's office, Pergola and Drafting Room from the Northwest. The office is on the left, pergola in the center and drafting room on the right. The slide is stamped "35. Aug 60." Original 35mm Color Kodachrome Transparency slide and high res digital scan. 1458.118.0321 (1-4) 1960 Unity Temple, Oak Park, Illinois 1960 (1904 - S.096). Viewed from the North from Lake Street of the exterior of Unity Temple's main sanctuary. The entrance is on the right. Designed by Frank Lloyd Wright in 1904. The walls were executed in poured concrete. Soft indirect lighting floods the inner sanctuary from the upper stained glass windows. The reader board reads: "Unitarian Universalist Church. Services Resume September 11 (1960). Robert M. Rice, Minister." The large urn is missing on the wall to the right of the entrance stairs. The metal plaque on the far right by the entrance reads The Universalist Church. Published in Architecture in Chicago & Mid-America, Andrews, 1968, p.70. Mounted to gray board. Label pasted to board: "W 20, USA Arch. Wright. Oak Park, Illinois. Unity Temple. 1906. Ext: North. Andrews Photo 2815." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 9.5 x 8 B&W Photograph. 1458.91.0420 1960 Olgivanna Wright Visits Milan, Italy, 1960. Olgivanna appears to be speaking. Clipping pasted to verso: "Milan Italy - UPI - The widow of Wisconsin architect Frank Lloyd Wright was guest of honor on Thursday night at a dinner given by some of the man she had criticize severely on the 24 hours earlier. The dinner was sponsored by Milan's College of architects. Mrs. Olgivanna Wright is in Milan for the Triennale art show here. In a speech at the show Wednesday night, she assailed architects who "falsify" her late husband's ideas. She said her husband was a great genius and only architects from his Taliesin centers in Wisconsin and Arizona were his true followers and spiritual sons." Stamped on verso: "Oct 14 1960." Original 8 x 10 B&W photograph. 1458.71.0719 1960 Wright in 1960. Caption on verso: "Double Exposure. Rome: Almost real as life, a giant portrait of the late American architect Frank Lloyd Wright is the camera target of a shutterbug who is herself caught candidly on film in Rome. The Wright portrait is part of an exhibition detailing his achievements and designs in the last ten years of life. Wright died at the age of 89 in early 1959. (UPI Photo) 12/22/60." Acquired from the archives of the Chicago Daily News. Original 9 x 7 B&W print. 1458.31.0310 1961 1961 Gregor S. Affleck House, 1961 (1940 - S.274), Bloomfield Hills, Michigan. Designed by Frank Lloyd Wright in 1940, the home was completed in 1941. Viewed from the Southeast, down in the ravine. The Living Room and Balcony are cantilevered out over the ravine on the left, the Dining Room, Workspace and Carport are on the right. Gregor Affleck was born in born 1898. Elizabeth Affleck, born 1903. He was about 43 years when they moved into the home and would have been about 63 when this photograph was taken, so he is most-likely the gentleman in the foreground. They lived in the home until their deaths, Elizabeth in 1973 and Gregor in 1974. The home was donated to the Lawrence Institute of Technology in 1977. Photographed in July, 1961 by Joe Clark. 10 x 6.25 B&W photograph. 1483.24.0514 1961 Gregor S. Affleck House, 1961 (1940 - S.274), Bloomfield Hills, Michigan. Designed by Frank Lloyd Wright in 1940, the home was completed in 1941. Viewed from the South, the three bedrooms and two baths are on the left. The Loggia, with four sets of floor to ceiling doors, and balcony are in the center. The Living Room and Balcony are cantilevered out over the ravine on the right. Greger Affleck was born in born 1898. Elizabeth Affleck, born 1903. He was about 43 years when they moved into the home and would have been about 63 when this photograph was taken, so he is most-likely the gentleman in the foreground. Hand written on verso: "7-18-16." Stamped on verso: "Joe Clark, H.B.S.S., 20 Bartlett at Woodward, Detroit 3, Michigan, TUlsa 3-3912, Photographic Ideas. Pictures that tell a story." They lived in the home until their deaths, Elizabeth in 1973 and Gregor in 1974. The home was donated to the Lawrence Institute of Technology in 1977. Original 13.5 x 9.25 B&W photograph. 1483.23.0514 1961 Annie Pfeiffer Chapel (1938 - S.251) 1961. Viewed from the west. Wright's first visit to the Florida Southern College campus was in May, 1938. The ground breaking ceremony for the Annie Pfeiffer Chapel was held on May 24, 1938. Wright's second visit was in December, 1938 to oversee construction of the Chapel. Dedicated or the Annie Pfeiffer Chapel was held on March 9, 1941. Label taped to verso: "Smooth, flowing lines and unusual features characterize the Annie Pfeiffer Chapel on the Florida Southern College campus at Lakeland designed by the famous but controversial architect, the late Frank Lloyd Wright. Other buildings designed by Wright on this central Florida campus include the Administration Building, Science Building, Library, and small chapel. (36695-9-1-61) News Bureau of the Florida Development Commission, Tallahassee. Florida State News Bureau." Stamped on verso: "Aug 3 1963." Original 10 x 8 B&W photograph. 1483.20.0113 1961 Annunciation Greek Orthodox Church Set of Four Prints 1961 (1956 - S.399). Designed by Frank Lloyd Wright in 1956, the ground breaking ceremony took place a month after Wrights death on May 18, 1959, in Wauwatosa, a suburb of Milwaukee. The church was dedicated on July 2, 1961. Set of four color photographed in 1961 after the completion of the church. 1) View of the church from the Southeast.  2) Stylized cross designed by Frank Lloyd Wright stands at the Entrance.  3) View of the interior balcony and sanctuary. The alter is to the right. The stairway wraps around a light tree.  4) Detail of the stairway light tree. Stamped on verso: "October 1961." Four 5 x 7 color photographs. 1483.31.0415 (A-D) 1961 Hotel Geneva Terrace, January 1961. Looking West along enclosed Southwest Terrace. Originally Terrace was not enclosed. The Dining Room is on the right. The wall sconces on right are original. Windows, ceiling light fixtures and the radiator on the right were added after enclosure. Original 3.5 x 3.5 (Digital version) Thank you to Allen Hermansen for providing an original copy. (See Wright Study.) 1483.11.0209 1961 Hotel Geneva Engine Room, January 1961. This panel controlled the Boiler System. Notice the illustration on the right on the Boiler Systems. The Panel indicates that there were two Boiler Systems. Original 3.5 x 3.5 (Digital version) Thank you to Allen Hermansen for providing an original copy. (See Wright Study.) 1483.12.0209 1961 Hotel Geneva Boiler System, January 1961. The Boiler System was controlled by the panel in the Engine Room. Al Hermansen indicated that it was a coal operated system. The Hotel Geneva was kept open during the winter of 1961 as a test for the Eisenhower Administration. They were looking at the site as a possibility for the Air Force Academy. Many politicians and press visited. Coal trucks delivered coal daily. It was built as a summer Hotel, hence there was no insulation. Original 3.5 x 3.5 (Digital version) Thank you to Allen Hermansen for providing an original copy. (See Wright Study.) 1483.13.0209 1961 Marin County Civic Center Model 1961 (S.416-417 - 1957). Clipping pasted to verso: "The Miami Herald, Sunday, July 9, 1961. Dream of the late Frank Lloyd Wright for a Marin County (California) Civic Center 'So flexible and simple as to be almost unbelievable' is taking shape in the rolling hills north of San Rafael. This artist's conception shows the $12 million center as it will appear when completed. The circular structure at left is the auditorium. The round center of the 'crippled V' type of building is the library. Behind the curved arches of the wings are corridors running the full length of the building. Glassed-in offices will open to them. United Press International Photo." Stamped on verso: "Jun 28 1961." Acquired from the archives of the Miami Herald. Original 7 x 9 B&W photograph. 1483.22.0214 1961 Roloson Rowhouses (1894 S.026) 1961. Photographed on June 26, 1961 by Chicago Daily News photographer Robert Stiewe. Stamped on verso: "Daily News. Dec 13, 1961." Caption pasted on verso: "Little-known landmarks, the 'Roloson houses' at 3213-19 S. Calumet, were built by Frank Lloyd Wright in the 1890s. For many years they were lost to architectural memory. Today they stand in the midst of a bad slum marked almost entirely for clearance. Will they too be cleared? Nobody knows." Acquired from the archives of the Chicago Daily News. Original 10 x 8 B&W print. Two original 4x5 B&W negative and one High Res 46 x 36" B&W photograph..  For more informamtion see our Wright Study on Robert W. Roloson Rowhouses. 1483.15.0310 1483.17.0910 1483.27.0915 1962 1962 Guggenheim Museum, New York, New York, Circa 1962 (1956 - S.400). View of the Guggenheim Museum from the Northwest. Designed by Frank Lloyd Wright from 1956. Guggenheim opened on October 21, 1959. Label pasted to verso: “Guggenheim. The Solomon R, Guggenheim Museum. Guggenheim Exterior. Photo: Robert E. Mates.” Robert E. Mates served as a long-time photographer for the Solomon R. Guggenheim Museum through the tenure of two museum directors: Hilla von Rebay and James Johnson Sweeney. Mates started work in the Museum Photographic department under the supervision of Hannes Beckman and was eventually promoted to the head of the department. Mates documented the history of the Guggenheim Museum. His collection. Housed in the archives at the Guggenheim Museum, span the years between 1939-2004.        Stamped on verso: “Library. June 26 1986. Houston, Texas.” Although dated 1986, it was most likely photographed circa 1962. There is a 1961-1963 Ford T-Bird parked out front to the far right. Acquired from the archived of the Houston Library. Original 10 x 8 B&W photograph. 1526.68.0324 1962 Guggenheim Museum Circa 1962 (1956 - S.400). Exterior view of the Guggenheim Museum from the Southwest. Hand written on verso: "New York City Museums. 5-16-86." Label pasted to verso: "Guggenheim. The Solomon R, Guggenheim Museum. Photo: Robert E. Mates." Robert E. Mates served as a long-time photographer for the Solomon R. Guggenheim Museum through the tenure of two museum directors: Hilla von Rebay and James Johnson Sweeney. Mates started work in the Museum Photographic department under the supervision of Hannes Beckman and was eventually promoted to the head of the department. Mates documented the history of the Guggenheim Museum. His collection. Housed in the archives at the Guggenheim Museum, span the years between 1939-2004. Original 10 x 8 B&W photograph. 1986.80.0218 1962 Guggenheim Museum, New York, New York, 1962 (1956 - S.400). View of Zia Mohyeddin with the Guggenheim Museum in the background. Designed by Frank Lloyd Wright in 1956. Zia Mohyeddin was a Pakistani actor, born in idea. He trained at the Royal Academy of Dramatic Arts in London from 1953-1956. Clipping taped to verso: "A New Eastern Star. Zia Mohyeddin pauses to read a card from his sister. Behind him looms the odd-shaped Guggenheim Museum, the Frank Lloyd Wright architectural achievement, which is just around the corner from the actor's hotel. 3-24-62." Original 8 x 10 B&W photograph. 1526.64.0721 1962 Guggenheim Museum, New York, New York, 1962 (1956 - S.400). View of the installation of Rodin's "Burghers of Calais" in front of the Guggenheim Museum. Clipping taped to verso: "New York: Workmen affix Rodin's "Burghers of Calais" into place in the sunken garden in front of Guggenheim Museum on New York's Fifth Avenue, July 16th. The four-ton statue represents Eustache de Saint Pierre and his fellow burgers delivering the key to Calais to Edward III of England in 1884. 7/16/62. Original 8 x 10 B&W photograph. 1526.66.1222 1962 Imperial Hotel, Tokyo, Japan, Circa 1962 (1915 - S.194). View of the front entrance from across the reflecting pool. Text on building: “Imperial Hotel.” The 1958 Annex can be seen in the background above the roof line. Frank Lloyd Wright was commissioned and began designs in 1915. Early preliminary drawings are dated 1913. Construction began in 1917 and on July 4, 1922 the first section of Wright’s Imperial Hotel opened. In August 1923 the hotel was complete. On September 1, 1923 a major earthquake destroyed Tokyo. The Imperial Hotel stood. A Tribute to Wright.        Clipping taped to verso: “Maturity News Service. Week of Nov. 14, 1988. The original Imperial Hotel, designed by Frank Lloyd Wright, completed in 1923.” Stamped on verso: “Houston Chronicle Library.” Acquired from the archives of the Houston Chronicle. Original 8 x 6 B&W photograph. 1526.69.1924 1962 Charles L. Manson House, Wausau, Wisconsin, 1962 (1938 - S.249). Viewed from the Southeast. Designed by Frank Lloyd Wright in 1938. Constructed of brick and cypress, the house is built on a sloping lot. Wright accounts for the change in typography by stair-stepping down to different levels. From the carport, stairs lead down to the entry and front door. From the interior entryway, stairs lead down again to the gallery level. At the end of the gallery, stairs lead down again to the living room level. Floor to ceiling door in the living room lead out to the terrace. From the terrace, stairs lead down to the grass. A portion of the house in the center has a second level and includes a bedroom and dark room. Standard Usonian sandwich walls are three layers thick, a center layer of plywood, faced on both sides by finished horizontal board and batten wood. The Manson sandwich walls are five layers thick. Three center layers of plywood, faced on both sides by horizontal board and batten cypress. Wright eliminated most 90 degree corners, utilizing 30- and 60-degree angles enabling the feel of the house to flow from one end to the other. Original 5 x 3.5 B&W photograph. 1526.04.0207 1962 Charles L. Manson House, Wausau, Wisconsin, 1962 (1938 - S.249). Viewed from the Southeast. Designed by Frank Lloyd Wright in 1938. Constructed of brick and cypress, the house is built on a sloping lot. Wright accounts for the change in typography by stair-stepping down to different levels. From the carport, stairs lead down to the entry and front door. From the interior entryway, stairs lead down again to the gallery level. At the end of the gallery, stairs lead down again to the living room level. Floor to ceiling door in the living room lead out to the terrace. From the terrace, stairs lead down to the grass. A portion of the house in the center has a second level and includes a bedroom and dark room. Standard Usonian sandwich walls are three layers thick, a center layer of plywood, faced on both sides by finished horizontal board and batten wood. The Manson sandwich walls are five layers thick. Three center layers of plywood, faced on both sides by horizontal board and batten cypress. Wright eliminated most 90 degree corners, utilizing 30- and 60-degree angles enabling the feel of the house to flow from one end to the other. Original 5 x 3.5 B&W photograph. 1526.05.0207 1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the Northwest. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work is still taking place on the exterior. Tower is still under construction. Roads are in place but unpaved. Parking retaining walls on the right are in place and ground has been leveled. Stamped on face: "Dandelet." Stamped on verso: "Dandelet. Marin County, California." Original 10 x 8 B&W photograph. 1526.21.0217  1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the North. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work is still taking place on the exterior. Tower is still under construction. Stamped on face: "Dandelet." Stamped on verso: "Dandelet. Marin County, California." Original 10 x 8 B&W photograph. 1526.22.0217  1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the Northwest. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work is near completion on the exterior. Work is still taking place on the tower, but it also is near completion. Curbs and sidewalks have been installed. Stamped on verso: "Dandelet Photographs. 126 Redwood Road - San Anselmo, Calif." Original 10 x 8 B&W photograph. 1526.23.0217  1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the West. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work appears to be very near completion on the exterior, but scaffolding can still be seen around the tower. Only one to two vehicles appear in the parking area. Stamped on face: "(C) Dandelet." Stamped on verso: "Dandelet Photographs. 126 Redwood Road - San Anselmo, Calif." Original 10 x 7.5 B&W photograph. 1526.24.0217  1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the West. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work appears to be very near completion on the exterior, but scaffolding can still be seen around the tower. Only one to two vehicles appear in the parking area. Stamped on face: "(C) Dandelet." Stamped on verso: "Dandelet Photographs. 126 Redwood Road - San Anselmo, Calif." Original 10 x 7.5 B&W photograph. 1526.25.0217  1962 Marin County Civic Center Administration Building Under Construction Near Completion Circa 1962 (S.416 - 1957). Viewed from the street below up through the floors to the skylight above. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. It almost appears to have scaffolding seen at the bottom right. Similar view (1962) published in "Frank Lloyd Wright Marin County Civic Center," 1962, page 3. Similar view (1962) also published on the cover of "Frank Lloyd Wright Architect," Riley,1994. Stamped on face: "Dandelet." Stamped on verso: "Dandelet Photographs. 126 Redwood Road - San Anselmo, Calif." Original 10 x 8 B&W photograph. 1526.26.0217 1962 Marin County Civic Center Model (S.416-417 - 1957). Label pasted on face: "10/13/62 - San Rafael, Calif.: A little north of here, in hills of Marin County, one of the last works of the late architectural genius Frank Lloyd Wright was dedicated 10/13. The Marin County Civic Center, which Wright said 'will be a cornerstone in the culture of the nation,' was called everything from another Taj Mahal to a glorified Hollywood diner, long before ground was broken for project in 1/61. Artist's conception of Civic Center is shown in 6/21/61 file. UPI Dispatch on Marin County Civic Center By Wiley Maloney." Acquired from the archived of the Chicago Tribune. Original 9 x 7 B&W photograph. 1526.12.0811 1962 Marin County Civic Center 1962 (S.416-417 - 1957). Photographed upon completion of the Administration Building. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958. Ground was broken on February 15, 1960 for the first section of the building, the Administration building. The Administration Building was completed and dedicated on October 13, 1962. The Northeast corner of the southern wing, viewed from the east where the southern wing intersects the center circular section. Published in "An Architecture for Democracy," Green, 1990, p.35. Stamped on verso: "Photographed by Karl H, Riek Studio." Original 8 x 10 B&W photograph. 1526.19.0215 1962 Marin County Civic Center 1962 (S.416-417 - 1957). Photographed upon completion of the Administration Building, prior to landscaping. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958. Ground was broken on February 15, 1960 for the first section of the building, the Administration building. The Administration Building was completed and dedicated on October 13, 1962. View of the south end of the southern wing. Stamped on verso: "Associated Press Photo." Original 10 x 8 B&W photograph. 1526.20.0215 1962 Marin County Civic Center Administration Building Under Construction Near Completion 1962 (S.416 - 1957). Viewed from the West. Designed in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Work appears to be very near completion on the exterior, but scaffolding can still be seen around the tower. Stamped on face: “32. Jul 62” Printed on verso: “Kodachrome II Transparency. Processed by Kodak.” Original 35mm Color Slide. 1526.70.1024 1962 S.C. Johnson Headquarters Circa 1962. Two views from the Northeast. The Research Tower complex is in the foreground, the Tower is in the background. Similar view in "Frank Lloyd Wright and the Johnson Wax Building," Lipman, 1986, page 172. The second and third floor addition over the east wing of the Research Tower courtyard was designed by Taliesin Associated Architects in 1961. SC Johnson substituted Pyrex tubing for Plexiglas sheeting. The car to the right appears to be a 1960 Ford Falcon. There is a 1961 Thunderbird just past the VW in the foreground. Clouds vary in the two original 10 x 8 B&W photographs. 1526.16.1114 1526.17.1114 C 1962 S.C. Johnson Headquarters Circa 1962 (1936 - S.237). View of the inner courtyard from the Northwest. The Research Tower is just to the right. From the automobiles in the photographs dates circa 1962. Label pasted to face: "University of California, Berkeley. 20th Century - United States. Wright, F.L.. Johnson's Wax Bldg. 1936-9. Racine, Wisconsin. Parking area. Neg.19256-3. Department of Architecture." Acquired from the archives of the University of California, Berkeley. Mounted to 14 x 11 gray board. Original 9 x 7 B&W photograph. 1526.32.1218 1962 Taliesin, Spring Green Living Room (Taliesin III 1925 - S.218) 1962. Portrait of Wright's mother is about the fireplace. Label pasted on verso: "Chicago's American. Date: Aug 15, 62. Photographer Howard Borvig. Subject & Location: Taliesin - Frank Lloyd Wright Foundation - Spring Green, Wisc. Caption: Views in the living room of Taliesin." Acquired from the archives of the Chicago Tribune. Original 10 x 8 B&W photograph. 1526.15.0212 1962 Taliesin, Spring Green Grave site 1962. Grave site of Frank Lloyd Wright, Unity Chapel. Label pasted to verso: "Chicago's American. Date: Aug. 15, 62. Photographer: Howard Borvig. Subject & Location: Taliesin - The Lloyd Wright Foundation. Spring Green, Wisconsin. Caption: The final resting place of the late Frank Lloyd Wright." Original 8 x 10 B&W photograph. 1526.10.0811 1962 Taliesin West 1962 (1937 - S.241). View of the Drafting Studio and Office Annex from the West. It appears much the same in 2014 as it did in 1962. The drafting Studio is on the left, the Office Annex is on the right. The Guest Quarters seen in the center background, were added to the second floor above the kitchen and dining areas in 1941. An Indian Rock is mounted at the top of the stairs. The slide is stamped "Mar 62." Original 35mm Color Kodachrome II Transparency slide. 10 x 7 Color Print. 1526.29.0917 1962 Taliesin West 1962 (1937 - S.241). View of the Drafting Studio and Office Annex from the Southwest. It appears much the same in 2014 as it did in 1962. The drafting Studio is on the left, the Office Annex in the center, Apartments are to the right. The Guest Quarters seen in the background on the right, were added to the second floor above the kitchen and dining areas in 1941. An Indian Rock is mounted at the top of the stairs on the left. One of the twelve ceramic Chinese Theaters is embedded in desert masonry at the front of the Annex Office. The slide is stamped "Mar 62." Original 35mm Color Kodachrome II Transparency slide. 10 x 7 Color Print. 1526.30.0917 1962 Taliesin West Circa 1962 (1937 - S.241). View of the Office Annex from the Southwest. The drafting Studio is on the left, the Office Annex in the center, Apartments are to the right. An Indian Rock is mounted at the top of the stairs on the left. One of the twelve ceramic Chinese Theaters is embedded in desert masonry at the front of the Annex Office. The Guest Quarters seen in the background on the right, were added to the second floor above the kitchen and dining areas in 1941. For dating see (1526.30), landscaping is very similar. Printed on a very thick and stiff photographic stock. Verso is blank. Original 10 x 8 B&W Print. 1526.31.0418 C 1962 Taliesin West, Scottsdale, AZ, Plan Circa 1962 (1937 - S.241). Set of 29 - 35mm slides. Not Dated. 1) Plan for Taliesin West. Text on sleeve: "Wright, F. L. - Taliesin West. 1-1. Taliesin West. Plan. Scottsdale, AZ, USA. 1937-59. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1526.33.0520 - 1526.61.0520 C 1962 Taliesin West, Scottsdale, AZ, Garden Room and Living Quarters Circa 1962 (1937 - S.241). Not dated. View of the Drafting Room and Pergola from the Northwest. The Pergola is in the center, the Drafting Room is to the right. The palm tree upper left was possibly planted recently. New growth at thee very top. Text on sleeve: "Mod: Arch: US: Wright FL: Scottsdale, AZ: Res: Taliesin (West): Ext: Terrace & Pool: 1938. Sandak AC460/84. 002992." Stamped on sleeve: "Holy Cross." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1526.62.0121 1962 Sculptor of Mrs. Wright. Taliesin 1962. Heloise Fichter at Taliesin. Heloise Fichter joined Taliesin as an Apprentice in 1948-1949. Clipping pasted to verso: "Woman Sculptor, student in Taliesin, works on a head of Mrs. Wright that she is modeling from clay." Stamped on verso: "1962 Aug 24". Original10 x 8 B&W photograph. 1526.11.0811 1962 Wright at 88. 1955. Press photograph for "Architecture: Man in Possession of His Earth". Includes three images. 1) V. C. Morris Gift Shop (S.310 - 1948). Caption on face below image; "Interior of Morris store, San Francisco (Maynard L. Parker)." Originally photographed in 1948. 2) Mr. And Mrs. Frank Lloyd Wright in a horse draw carriage, 1955. Caption on face below image; "Mr. And Mrs. Frank Lloyd Wright (John Engstead). Photographed by John Engstead, it appears that Wright is wearing the same suit, tie and handkerchief as he did when he was photographed on June 8, 1955 for his 88th birthday. She has changed her outfit. On June 8th, Engstead photographed images for the November 1955 issue of House Beautiful, published on page 243, bottom left.  3) Rendering of the Pilgrim Congregational Church (Project 1958). Caption on face below image; "Architect's rendering of Pilgrim Congregational Church - Redding, California." Caption pasted on verso; "Memoir from a Master Builder. Frank Lloyd Wright's last book, "Architecture: Man in Possession of His Earth," explains architecture in terms of building materials (Doubleday, $5.95). Prefaced by a biography of the late architect by his daughter, Iovanna Lloyd Wright, the volume is illustrated throughout with sketches, renderings, and photographs... Continue... 1496.03.1210 1963     Arizona 1963 - Set of twelve 2.25 x 2.25 Transparencies including digital images. Each transparency is time stamped "Sept 63." Unknown photographer.  It is Interesting to compare these 1963 images to the corresponding images from 2004.   1963 1) Benjamin Adelman Residence.  Built in 1951. Transparency is time stamped "Sept 63." Storrer #344.  2.25 x 2.25 transparency. 1565.04.0606 1963 2) Jorgine Boomer Residence. Built in 1953. Viewed from the Northeast. Nine years after the home was completed, the existing foliage has grown, but still remains sparse like the original 1954 images. Living room curtains have been replaced. Arizona Biltmore can be seen in the background on the right. The south end of the upper level has been greatly expanded. The walls are constructed of natural red desert stone set in concrete.  Transparency is time stamped "Sept 63." Storrer #361. 2.25 x 2.25 transparency. 1565.05.0606 1963 3) Gammage Memorial Auditorium.  Designed in 1959, built in 1962-64. Transparency is time stamped "Sept 63." Storrer #432.  2.25 x 2.25 transparency. 1565.06.0606 1963 4) Gammage Memorial Auditorium.  Designed in 1959, built in 1962-64. Transparency is time stamped "Sept 63." Storrer #432.  2.25 x 2.25 transparency. 1565.07.0606 1963 5) Pauson Residence (Ruin).  Built in 1939.  Storrer #250.  Constructed in 1939, destroyed by fire in 1942. "Desert Rubblestone" construction.  For nearly 40 years the concrete foundation, walls and fireplace remained in ghostly ruins. These were destroyed in 1980 to make way for an extension of 32nd Street.  Architect Edward M. Jones salvaged the 70 ton fireplace chimney mass and relocated it 200 yards to the south and incorporated it in the entrance to Alta Vista Park Estates where the Boomer and Benjamin Adelman residences are located.  Chimney mass measures 9 x 11' at the base and is 26' tall. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.08.0606 1963 6) Pauson Residence (Ruin).  Built in 1939.  Storrer #250.  Constructed in 1939, destroyed by fire in 1942. "Desert Rubblestone" construction.  For nearly 40 years the concrete foundation, walls and fireplace remained in ghostly ruins.  These were destroyed in 1980 to make way for an extension of 32nd Street.   Architect Edward M. Jones salvaged the 70 ton fireplace chimney mass and relocated it 200 yards to the south and incorporated it in the entrance to Alta Vista Park Estates where the Boomer and Benjamin Adelman residences are located.  Chimney mass measures 9 x 11' at the base and is 26' tall. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.09.0606 1963 7) Harold Price, Sr., Residence.  Built in 1954. Transparency is time stamped "Sept 63." Storrer #378.  2.25 x 2.25 transparency. 1565.10.0606 1963 8) Taliesin West.  Built in 1937.  Storrer #241. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.11.0606 1963 9) Taliesin West.  Built in 1937.  Storrer #241. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.12.0606 1963 10) Taliesin West.  Built in 1937.  Storrer #241. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.13.0606 1963 11) Taliesin West.  Built in 1937.  Storrer #241. Transparency is time stamped "Sept 63." 2.25 x 2.25 transparency. 1565.14.0606 1963     12) David Wright Residence.  Built in 1950. Transparency is time stamped "Sept 63." Storrer #322.  2.25 x 2.25 transparency. 1565.15.0606 1963 Beth Sholom Synagogue, Elkins Park, PA, Circa 1963 (1954 - S.373). The new Synagogue was designed by Frank Lloyd Wright in 1954, dedicated on September 20, 1959. Viewed from the Northwest, the entrance is to the right. Designed as a hexagon, the main glass walls of the sanctuary are suspended from a steel tripod and are composed of 21,000 corrugated wire-glass sheets, giving the whole sanctuary a translucent appearance. Landscaping has matured since building was completed. Stamped on verso: "Jules Schick Photography. Philadelphia." Photographed by Jules Schick. Original 10 x 8 Color photograph. 1565.48.0216 1963 Beth Sholom Synagogue, Elkins Park, PA, Circa 1963 (1954 - S.373). The new Synagogue was designed by Frank Lloyd Wright in 1954, dedicated on September 20, 1959. Viewed from the North, the entrance is on the far right. Designed as a hexagon, the main glass walls of the sanctuary are suspended from a steel tripod and are composed of 21,000 corrugated wire-glass sheets, giving the whole sanctuary a translucent appearance. Landscaping has matured since building was completed. Stamped on verso: "Jules Schick Photography. Philadelphia." Photographed by Jules Schick. Original 10 x 8 Color photograph. 1565.49.0216 1963 Broadacre City, City Dweller's Unit, Broadacre City Model, 1963. Caption pasted to verso: "City Dweller's Unit, Broadacre City Model from 'The Future of Architecture' by Frank Lloyd Wright. A Mentor paperback. March 1963, Credit Roy E. Peterson." Published in "The Future of Architecture" Wright, 1953, p270. Photographed by Roy E. Peterson. Original 4 x 6.2 B&W photograph. 1565.24.0111 1963 James Charnley Residence (1890 - S.009) 1963. Viewed from the Northwest. Photographed by Cervin Robinson during August 1963. Acquired from the Library of Congress. Original 10 x 8 B&W Print. 1565.26.1011 1963 James Charnley Residence (1890 - S.009) 1963. The Entrance, front facade and Balcony detail viewed from the West. Photographed by Cervin Robinson during August 1963. Acquired from the Library of Congress. Original 8 x 10 B&W Print. 1565.27.1011 1963 James Charnley Residence (1890 - S.009) 1963. Detail of the first floor fireplace mantel in the north room. Photographed by Cervin Robinson during August 1963. Acquired from the Library of Congress. Original 10 x 7 B&W Print. 1565.28.1011 1963 James Charnley Residence (1890 - S.009) 1963. Detail of the Dining Room fireplace mantel. Photographed by Cervin Robinson during August 1963. Acquired from the Library of Congress. Original 10 x 8 B&W Print. 1565.29.1011 1963 James Charnley Residence (1890 - S.009) 1963. Detail of the stairwell woodwork. Photographed by Cervin Robinson during August 1963. Acquired from the Library of Congress. Original 7.75 x 10 B&W Print. 1565.30.1011 1963 Fallingwater.  View from stream bed below first falls.  In 1963, Stoller was commissioned by the Museum of Modern Art (New York) to photograph Fallingwater, becoming icons in their own right, illustrating the building's integral connection to the landscape and its striking modern form.  Verso signed "Ezra Stoller 222 Valley Place Mamaroneck N.Y."ť  Similar B&W view published in "Frank Lloyd Wright's Fallingwater" Stoller 1999, page 23.   Mounted to metal backing.  35 x 43.5. 1565.18.0807 1963 Fallingwater.  View of the Facade from the southeast.  In 1963 Stoller was commissioned by the Museum of Modern Art (New York) in 1963 to photograph Fallingwater, becoming icons in their own right, illustrating the building's integral connection to the landscape and its striking modern form.  Verso stamped "Ezra Stoller"ť. Published in "Frank Lloyd Wright's Fallingwater" Stoller 1999, page 30-31. 8 x 10. 1565.19.0807 1963 Grady Gammage Memorial Auditorium (1959 - S.432), circa 1963. Viewed from the Northeast, the auditorium is on the left, stage on the right. Steel framework is in progress. After Wright's death in April 1959, the Universities" Board of Regency voted on April 30, 1960 to retain the Frank Lloyd Wright Foundation, under the direction of William Wesley Peters. After the final plans and specifications were approved, the Regents called for bids and awarded the construction contract on May 19, 1962. It took 25 months to complete at a cost of $2.46 million. ASU celebrated its grand opening on September 18, 1964. 10 x 7 B&W photograph. 1565.41.0714 1963 Grady Gammage Memorial Auditorium (1959 - S.432), circa 1963. Viewed from the auditorium looking down the ramp toward the East. Steel framework is in progress. The ramp splits and services the second and third levels. The arched ramp light poles intersect and support the ramp. After the final plans and specifications were approved, the Regents called for bids and awarded the construction contract on May 19, 1962. It took 25 months to complete at a cost of $2.46 million. ASU celebrated its grand opening on September 18, 1964. 10 x 7 B&W photograph. 1565.42.0714 1963 Guggenheim Museum, New York, New York, 1963 (1956 - S.400). Set of 4 - 35mm slides. View from the interior of the Guggenheim Museum. Text hand written of sleeve: "Guggenheim." Stamped on sleeve: "24. Oct 63." Kodachrome Transparency. Acquired from the archives of the University of Virginia. 35mm Color slide. 1565.72.0720 - 1565.75.0720 1963 Dr. Allison W. Harlan House, Chicago, Illinois, 1963 (1892 - S.018). Set of 17 photographs of the Dr. Allison Harlan House after a devastating fire that destroyed the house, prior to its demolition. Viewed from the East. In 1963 a fire gutted the Dr. Allison W. Harlan House. Richard Nichel photographed the exterior and interior after the fire, before it was demolished. Designed in 1892 while Frank Lloyd Wright still worked for Louis Sullivan, it is considered one of Wright's "bootlegged" houses. The opening on the left led to the entrance. The five floor to ceiling doors and/or windows on the right led from the living room out to the terrace. Photographed by Richard Nichel. Courtesy of the Ryerson and Burnham Archives, Art Institute of Chicago and Urban Remains Museum Archives, Chicago. 10 x 7 B&W photograph. 1565.57.0420 (1-17) C 1963 1) Imperial Hotel, Tokyo, Japan, Interior, Main Entrance and Lobby Circa 1963 (1915 - S.194). View of the Main Entrance and Lobby. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-1. Imperial Hotel. Int., Main entrance, lobby. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.58.0520 C 1963 2) Imperial Hotel, Tokyo, Japan, Interior, Main Entrance Lobby Circa 1963 (1915 - S.194). View of the Main Entrance Lobby. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-2. Imperial Hotel. Int., Main entrance lobby. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.59.0520 C 1963 3) Imperial Hotel, Tokyo, Japan, Interior, Main Dining Room Circa 1963 (1915 - S.194). View of the Main Dining Room. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-3. Imperial Hotel. Main Dining Room. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.60.0520 C 1963 4) Imperial Hotel, Tokyo, Japan, Interior, Main Dining Room Circa 1963 (1915 - S.194). View of the Main Dining Room from the Northeast. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-4. Imperial Hotel. Main Dining Room from NE. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.61.0520 C 1963 5) Imperial Hotel, Tokyo, Japan, Interior, Dining Room 1963 (1915 - S.194). View of the Main Dining Room. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-5. Imperial Hotel. Dining Room June 1963. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.62.0520 C 1963 6) Imperial Hotel, Tokyo, Japan, Interior, Dining Room 1963 (1915 - S.194). View of the Main Dining Room. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-6. Imperial Hotel. Dining Room June 1963. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.63.0520 C 1963 7) Imperial Hotel, Tokyo, Japan, Interior, Dining Room 1963 (1915 - S.194). View of the Main Dining Room. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-7. Imperial Hotel. Dining Room June 1963. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.64.0520 C 1963 8) Imperial Hotel, Tokyo, Japan, Interior, Ladies' Lounge Circa 1963 (1915 - S.194). View of the Ladies' Lounge. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-8. Imperial Hotel. Ladies' Lounge. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.65.0520 C 1963 9) Imperial Hotel, Tokyo, Japan, Interior, Detail of the Ladies' Lounge Circa 1963 (1915 - S.194). Detailed view of the Ladies' Lounge. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-9. Imperial Hotel. Int., Detail Ladies' Lounge. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.66.0520 C 1963 10A&B) Imperial Hotel, Tokyo, Japan, Interior, Corridor and View of Garden, Circa 1963 (1915 - S.194). Copy photograph from The Imperial Holel, Cary, 1968, Plate 20. View of corridor and garden court. Designed by Frank Lloyd Wright in 1915. Text on sleeve: “Wright, F. L. - Imperial Hotel, 5-10. Imperial Hotel. Int., Corridor, view of garden. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American.” Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount and 8 x 10 B&W photograph. 1565.67.0520 (A&B) C 1963 11) Imperial Hotel, Tokyo, Japan, Interior, Promenade Circa 1963 (1915 - S.194). View of the Promenade. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-11. Imperial Hotel. Long promenade. Wright, Frank Lloyd. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.68.0520 C 1963 12) Imperial Hotel, Tokyo, Japan, Interior, Promenade Gallery Circa 1963 (1915 - S.194). View of the Promenade Gallery. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-12. Imperial Hotel. Int., Gallery at promenade. Wright, Frank Lloyd. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.69.0520 C 1963 13) Imperial Hotel, Tokyo, Japan, Interior, Theater Circa 1963 (1915 - S.194). View of the Theater. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-13. Imperial Hotel. Int., Theater. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.70.0520 C 1963 14) Imperial Hotel, Tokyo, Japan, Interior, Theater Seats Circa 1963 (1915 - S.194). View of the Theater Seating. Designed by Frank Lloyd Wright in 1915. Text on sleeve: "Wright, F. L. - Imperial Hotel, 5-14. Imperial Hotel. Int., auditorium seats. Wright, Frank Lloyd: architect. Tokyo, Japan. 1913-1922 CE / American." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1565.71.0520 1963 Charles E. Roberts Residence Remodeling 1963 (1896 - S.040). View from the street. The original home was designed by Daniel H Burnham of Burnham and Root (Rookery Building) in 1879. He was a member of Unity Temple (1904 - S.096). Frank Lloyd Wright made changes to the interior and exterior. Exterior changes were to the roof and veranda. The veranda is missing in this image, but was restored in 1990 to Wright's design. The veranda extended across the front, was covered, and was circular on either end. Plans are published in Frank Lloyd Wright Monograph 1887-1901, Pfeiffer, 1986/1991, p.93. Hand written on verso: "321 N. Euclid. 1963." Original 10 x 8 B&W photograph. 1565.55.0219 1963 Charles E. Roberts Stable 1963 (1900 - S.041). View from Euclid Street. Frank Lloyd Wright designed the stable in 1900. It is located at the back of the property on the alley, with access to Euclid Street by a sidewalk that runs along the side of the Roberts house. It was later converted to a garage, then into a home. Hand written on verso: "317 N. Euclid. 1963." Original 10 x 8 B&W photograph. 1565.56.0219 1963 Robie House (1906 S.127) 1963. Caption on verso: "A Pioneer in Architecture. This is Robie House, one of Frank Lloyd Wright's earliest, and regarded by many as his greatest architectural achievement. The granddaddy of today's split-level ranch type house stands on a corner lot on Chicago's South Side. It incorporates dozens of daring innovations which have become standard practice in present-day design. The pioneer concept was completed in 1909. It has just been presented to the University of Chicago which plans to restore it at an estimated $250,000 cost. Associated Press photo. 2/6/63" Stamped on Verso: "Daily News, Feb 14 1975." Original 9 x 7 silver gelatin photograph. Acquired from the archives of the Chicago Daily News. 1565.23.0310 1963 Robie House Main Entrance 1963 (1906 - S.127). Caption included: "Gene Pesek - Monday July 29, 1963. Robie House, designed by Frank Lloyd Wright in 1909." Like many of Frank Lloyd Wright designed homes, the entrance is hidden from the street. Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1565.25.0811 1963 Robie House Balcony on second (main) floor 1963 (1906 - S.127). View from the West, the Living Room is in the foreground on the left, the Dining Room it to it's right. Above the Dining Room is the Master Bedroom on the third floor. Stamped on verso: "Jul 30 1963." Robie House, designed by Frank Lloyd Wright in 1909." Acquired from the archives of the Chicago Tribune. 8 x 10 B&W photograph. 1565.47.0315 1963 Robie House interior light fixture 1963 (1906 - S.127). Detail of the Living and Dining Room Light Fixture. Completed in 1909, the Robie House was nearly destroyed in 1957. Acquired by the University of Chicago in 1963. Photographed by Cervin Robinson on August 20, 1963. Acquired from the Library of Congress. Original 10 x 8 B&W photograph. 1565.31.1211 1963 Robie House interior window detail 1963 (1906 - S.127). Detail of the Living and Dining Room Window detail. The windowed alcove is mirrored on either end of the Living and Dining Rooms. Completed in 1909, the Robie House was nearly destroyed in 1957. Acquired by the University of Chicago in 1963. Photographed by Cervin Robinson on August 20, 1963. Acquired from the Library of Congress. Original 10 x 8 B&W photograph. 1565.32.1211 1963 Roloson Rowhouses (1894 S.026) 1963. Stamped on verso: "Sun Times. May 12, 1963." Clipping pasted on verso: "This love of music was an early sign that Chicago had a soul." - Frank Lloyd Wright. On the South Side along Calumet Av., their backs facing the steel-and-glass high-rise apartment of Prairie Shores, sit our unimposing row houses. Of an English Tudor design, they appear to be little different from many of their neighbors that have gone the way of the wrecking ball. But different hey are. In fact, they are historically and architecturally unique. Located at 3213-15-17-19, they are the Roloson Houses, an early creation of the most famous and influential architect of the last half-century - Frank Lloyd Wright. Little is known about the houses. They - unlike almost all of the other Wright structures - have received almost no public notice. Now they may be swept away by the mighty bulldozer of urban renewal. No plans for their destruction have been made by the urban renewal people. But they're not making any promises, and as o the future, well... What exactly is the importance of the row houses? Today is the sum total of the past. Let us take a look. In 1894, Wright, an aggressive architect in his early 20s, received a commission by one Robert Roloson to build some income-producing... Continue... 1565.33.0312 1963 Roloson Rowhouses (1894 S.026) 1963. Stamped on verso: "Sun Times. May 12, 1963." Caption pasted on verso: "This picture shows a portion of the only remaining balustrade left in front of the homes. Wright also used a series-of-balls pattern in an Oak Park home balustrade." Acquired from the archives of the Chicago Sun Times. Original 8.25 x 9 B&W print. For more information see our Wright Study on the Robert W. Roloson Rowhouses. 1565.22.0310 1963 Rookery Building Entryway and Lobby Remodeling (1905 - S.113) 1963. View of the Lobby looking toward the stairs. The Rookery Building was designed by Burnham and Root in 1888. Edward C. Waller, a client of Wright's, managed the Rookery Building in 1905 and retained Wright in 1905 to remodel the Entryway and Lobby. Wright's offices were located in the building from 1898-1899. Wright removed most of Root's original iron ornamentation and simplified it with geometric designs. He also encased much of Root's elaborate wrought iron finishes with white carved and gilded Carrara marble. He simplified the ironwork design, added large prairie styled urns and designed hanging light fixtures. Photographed in July 1963 by Cervin Robinson. Courtesy of the Library of Congress. Original 8 x 10 B&W photograph. 1565.37.0512 1963 Rookery Building Entryway and Lobby Remodeling (1905 - S.113) 1963. View of the Lobby looking toward the stairs, The Rookery Building was designed by Burnham and Root in 1888. Edward C. Waller, a client of Wright's, managed the Rookery Building in 1905 and retained Wright in 1905 to remodel the Entryway and Lobby. Wright's offices were located in the building from 1898-1899. Wright removed most of Root's original iron ornamentation and simplified it with geometric designs. He also encased much of Root's elaborate wrought iron finishes with white carved and gilded Carrara marble. He simplified the ironwork design, added large prairie styled urns and designed hanging light fixtures.  from the balcony. Photographed in July 1963 by Cervin Robinson. Courtesy of the Library of Congress. Original 8 x 9.8 B&W photograph. 1565.38.0512 1963 S.C. Johnson & Son Administration Building, Racine, Wisconsin 1963 (1936 - S.237). View of Howard Packerd in the Presidents office. "In 1946, Mr. Packard began his 30-year career with S.C. Johnson, formerly Johnson Wax, in Racine, Wis., where he held many executive positions, including the company's first international vice presidency. Mr. Packard went on to be president, director and chairman of Johnson Wax, becoming the first person to hold those positions who was not a member of the Johnson family. Mr. Packard guided the company through expansion, with 17 of its overseas subsidiaries established while he was president. He retired in 1975." Chicago Tribune, June 7, 2001. Clipping on verso: "The office of the President of S.C. Johnson & Son Inc., is probably the most unique in the state. Rather than reflecting the personality of the occupant -- Howard Packerd -- it is all Frank Lloyd Wright, who not only designed the firm's Racine Administration Building but the furnishings that went into it. The curved desk is attached to the paneled wall, and the circular theme is carried out in the tubular framed chairs. However, Packard prefers to do most of his work standing at the bookcase which has half shelves on each of the four sides. Warm red is the dominant color here... Continue... 1565.76.0621 1963 Oscar Steffens Residence (1909 - S.153) 1963. Photographed just months before its destruction to make room for an apartment complex. The King's Arms Restaurant, which occupied the facility for the past 30 years, has vacated the premises. Viewed from the Southwest, standing in the parking lot, which used to be the front yard. The covered Porch, now enclosed, is on the left, the Living Room in the center and Dining Room on the far right. The Entrance is to the right of the Living Room. The front yard has been paved. The exterior walls have been covered with asbestos shingles. Storm windows cover the Porch and Living Room windows. Wood beams can be seen above the Living Room Bay which were added to support the large restaurant sign that existed for 30 years. An apartment building on Eastlake Terrace can be seen in the background on the far right. Photographed on January 1, 1963 by Hedrich Blessing. Original 6.5 x 5.25 B&W print. For more information see our Wright Study on the Oscar Steffens Residence. 1565.34.0512 1963 Oscar Steffens Residence (1909 - S.153) 1963. Photographed just months before its destruction to make room for an apartment complex. The King's Arms Restaurant, which occupied the facility for the past 30 years, has vacated the premises. Viewed from the Southwest, standing in the parking lot, which used to be the front yard. The Living Room is on the left, The enclosed Entrance was extended thirty years ago when the home was converted to a restaurant. The Dining Room is on the right. The upper level can be seen above the Entrance and Dining Room. The exterior walls have been covered with asbestos shingles. Storm windows cover Living Room and Dining Room windows. Wood beams can be seen above the Living Room Bay which were added to support the large restaurant sign that existed for 30 years. Photographed on January 1, 1963 by Hedrich Blessing. Original 9.75 x 8 B&W print. For more information see our Wright Study on the Oscar Steffens Residence. 1565.35.0512 1963 Oscar Steffens Residence (1909 - S.153) 1963. Photographed just months before its destruction to make room for an apartment complex. The King's Arms Restaurant, which occupied the facility for the past 30 years, has vacated the premises. Viewed from the South, standing in the parking lot, which used to be the side yard. The Living Room is on the left, The enclosed Entrance was extended thirty years ago when the home was converted to a restaurant. The Dining Room is on the right. A storage room, added by the restaurant, is visible just to the right of the third Dining Room window of the south wall. It extends out 4-5 feet and is about eight to nine feet long. The upper level can be seen above the Entrance and Dining Room. The exterior walls have been covered with asbestos shingles. Storm windows cover Living Room and Dining Room windows. Photographed on January 1, 1963 by Hedrich Blessing. Original 10 x 8 B&W print. For more information see our Wright Study on the Oscar Steffens Residence. 1565.36.0512 1963 Albert W. Sullivan Residence, Chicago, Illinois, 1963 (1892 - S.019). View of the front of the Albert Sullivan Residence. Designed in 1892 while Frank Lloyd Wright worked for Louis Sullivan. Albert Sullivan , Louis„˘ brother, commissioned him to design a house for their mother. She past away before it was completed and Louis Sullivan moved into the house when it was completed, and lived there until 1896. Albert and his family then took up residence there until 1914. The house was a collaboration between Sullivan and Wright, but most scholars credit Wright with the design and Sullivan with the floral designs. Sullivan was busy on commercial commissions and delegated residential to Wright. The upper copper bay window was removed in 1964. The house was demolished in 1970... Continue... 1565.82.0823 1963 Taliesin West Music Pavilion Burns (1956 - S.244) 1963. Music Building at Taliesin West smoldering. Printed on face: "Scottsdale, Ariz., Sept 27 - This 5-year-old auditorium at Taliesin West, the architectural school founded by the late Frank Lloyd Wright, was destroyed by fire today. Cause of the blaze wasn't known, although it was believed to have started among some drapes being stored in the structure. Firemen prevented the flames from spreading to other structures at the school, located 26 miles northeast of Phoenix. (AP Wirephoto). '63." Stamped on verso: "Sep 30 1963." Original 10 x 7.5 B&W photograph. 1565.43.0814 C 1963 Unity Temple Sanctuary, Oak Park, Circa 1963 (1904 - S.096). View of the Unity Temple Sanctuary from the North, toward the Pulpit. Three levels of seating are to the left and right sides. Rows of clerestory windows on each side allows soft light to enter the sanctuary. This photograph was included with a brochure for an exhibition at Unity Temple in 1963. Original 10 x 8 B&W photograph. 1565.53.0817 C 1963 Unity Temple Sanctuary, Oak Park, Circa 1963 (1904 - S.096). View of the Unity Temple Sanctuary from the Pulpit, looking Northeast. Two levels of seating are at the back, three to the left and right sides. Rows of clerestory windows on each side allows soft light to enter the sanctuary. This photograph was included with a brochure for an exhibition at Unity Temple in 1963. Original 8 x 10 B&W photograph. 1565.54.0817 1963 Olgivanna Lloyd Wright, 1963. Press photograph of Olgivanna Lloyd Wright. Mrs. Wright is facing the camera, looking to the right. A pleasant smile is on her face. This press photograph was used to announce the release of her new book The Roots of Life. It is published on the back cover of the dust jacket. Hand written on verso: “(Mrs. Frank Lloyd Wright.) (Olgivanna.)” Stamped on verso: “Filed May 11 1964.” Original 4.25 x 5.75 B&W photograph. 1565.90.0924 1963 Olgivanna Lloyd Wright, 1963. Original press photograph of Olgivanna Lloyd Wright. Mrs. Wright is facing the camera, looking to the right. A pleasant smile is on her face. Text on face: "Olgivanna Lloyd Wright, Author of The Roots of Life, Horizon Press, November, 1963. Hand written on verso: "1963." Published on the back cover of the dust jacket for The Roots of Life. Original 5 x 7 B&W photograph. 1565.77.1121 1964 1964 Annunciation Greek Orthodox Church, Milwaukee, Wisconsin, Stanley Stacy, 1964 (1956 - S.399). Portrait of Stanley Stacy, 1964. Clipping on verso by David A. Runge: "Annunciation Greek Orthodox church, says Stanley Stacy, was built by Milwaukee Greeks to show their gratitude for the freedom and opportunity that they found in America. Stacy was chairman of the building committee for the Frank Lloyd Wright designed church, which has drawn close to 100,000 visitors since it was built in 1961. Just inside the front door is this inscription, composed by Stacy: 'This church was erected through the toil of immigrants and their families as a monument to God for His gift...' " Stamped on clipping: "Mar 26 1964." Original 8 x 10 B&W photograph. Acquired from the archives of the Milwaukee Journal. 1596.109.0822 1964 Ascension Lutheran Church, William Wesley Peters Designed 1964. The Ascension Lutheran Church was designed by William Wesley Peters and completed in 1964. Clipping pasted to verso: "An intricately patterned cross of gold was designed by Taliesin's architects for the new Ascension Lutheran Church, Scottsdale, Ariz. It was completed earlier this year." Stamped on clipping: "Su Oct 18 1964." Original 8.25 x 8.25 B&W photograph. 1596.75.0919 1964 James Charnley Residence (1890 - S.009) 1964. Viewed from the West. Photographed by Harold Allen during April 1964. Acquired from the Library of Congress. Original 10 x 8 B&W Print. 1596.22.1011 1964 Fallingwater 1964 (1938 - S.231). Set of 115 - 35mm Slides photographed between September 1964 through April 1966. Designed in 1938 by Frank Lloyd Wright, the main house was completed in 1938, and the guest house was completed the following year. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken the first year the public was given a glimpse of Fallingwater. 1-A1) View of the landscape around Fallingwater, which sits within 1,500 acres. The stonework of Fallingwater mimics the natural stonework on the property. Stamped on face: "1 Sep 64R." 35mm Kodachrome slide and 11.5 x 8 high res color digital photograph. 1596.67.0817 (1-21) C 1964 Florida Southern College Aerial view circa 1964. Viewed from the East. Frank Lloyd Wright buildings include the: Annie Pfeiffer Chapel (1938 - S.251); E. T. Roux Library (1941 - S.252); Seminars Buildings (3): Cora Carter, Isabel Walbridge, Charles W. Hawkins (1941 - S.253.1 -.3); Ordway Industrial Arts Building (1950 - S.254); Administration Buildings (1946 - S.255): Emile E. Watson, Benjamin Fine; Edgar Wall Water Dome; Polk County Science Building (1953 - S.256) (Cosmography Building & Planetarium); The Esplanades (1946 - S.257), various completion times; William H. Danforth Minor Chapel (1954 - S.258). Original 10 x 8 B&W photograph. 1596.45.0514 C 1964 Florida Southern College Aerial view circa 1964. Viewed from the South. Frank Lloyd Wright buildings include the: Annie Pfeiffer Chapel (1938 - S.251); E. T. Roux Library (1941 - S.252); Seminars Buildings (3): Cora Carter, Isabel Walbridge, Charles W. Hawkins (1941 - S.253.1 -.3); Ordway Industrial Arts Building (1950 - S.254); Administration Buildings (1946 - S.255): Emile E. Watson, Benjamin Fine; Edgar Wall Water Dome; Polk County Science Building (1953 - S.256) (Cosmography Building & Planetarium); The Esplanades (1946 - S.257), various completion times; William H. Danforth Minor Chapel (1954 - S.258). Original 10 x 8 B&W photograph. 1596.46.0514 C 1964 Florida Southern College Aerial view circa 1964. Viewed from the Northwest. Frank Lloyd Wright buildings include the: Annie Pfeiffer Chapel (1938 - S.251); E. T. Roux Library (1941 - S.252); Seminars Buildings (3): Cora Carter, Isabel Walbridge, Charles W. Hawkins (1941 - S.253.1 -.3); Ordway Industrial Arts Building (1950 - S.254); Administration Buildings (1946 - S.255): Emile E. Watson, Benjamin Fine; Edgar Wall Water Dome; Polk County Science Building (1953 - S.256) (Cosmography Building & Planetarium); The Esplanades (1946 - S.257), various completion times; William H. Danforth Minor Chapel (1954 - S.258). Original 10 x 8 B&W photograph. 1596.47.0514 1964 Grady Gammage Memorial Auditorium (1959 - S.432), 1964. Mrs. Wright seated in the auditorium. After Wright's death in April 1959, the Universities' Board of Regency voted on April 30, 1960 to retain the Frank Lloyd Wright Foundation, under the direction of William Wesley Peters. On April 20, 1961, the contract was signed. Construction began on May 23, 1962. It took 25 months to complete at a cost of $2.46 million. ASU celebrated its grand opening on September 18, 1964. It measures 300 by 250 feet by 80 feet high. The auditorium seats just over 3,000 people. Photographed during the opening ceremonies in September 1964. 8 x 10 B&W photograph. 1596.44.0716 1964 Guggenheim Museum 1959-1982 (1956 - S.400). Set of fifteen 35mm slides of the interior and exterior of the Guggenheim Museum taken between 1959 and 1982 by the same photographer. The Guggenheim opened on October 21, 1959. 5) Guggenheim Museum 1964 (1956 - S.400). View of the exterior of the Guggenheim Museum from the North. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "6. Jul 64" Acquired from a private estate. 35mm color slide and high res digital scan. 1596.78.0420-1 1964 6) Guggenheim Museum 1964 (1956 - S.400). View of the interior of the Guggenheim Museum. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "1. Aug 64" Acquired from a private estate. 35mm color slide and high res digital scan. 1596.78.0420-2 C 1964 1) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). Viewed from the West, the Bedrooms are on the left, Entrance in the center and Living Room on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-1. I. N. Hagan House. Gen view, entrance facade and drive. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.83.0520 C 1964 2) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). Viewed from the West, the Bedrooms are on the left, Entrance in the center and Living Room on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-2. I. N. Hagan House. Gen view, entrance facade and drive. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.84.0520 C 1964 3) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Entrance from the North. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-3. I. N. Hagan House. (d) entrance door and steps. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.85.0520 C 1964 4) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Living Room from the West. The Terrace is on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-4. I. N. Hagan House. (d) living room wing through trees. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.86.0520 C 1964 5) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View looking up to the Living Room from the South. The Dining Room is on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-5. I. N. Hagan House. Gen view, living room from below. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.87.0520 C 1964 6) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View looking up to the Living Room from the South. The Dining Room is on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-6. I. N. Hagan House. Gen view, living room wing and roof. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.88.0520 C 1964 7) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Living Room. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-7. I. N. Hagan House. (d) garden facade. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.89.0520 C 1964 8) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Guest Bedroom from the East. The Bedroom wing is to the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-8. I. N. Hagan House. General view, garden facade. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.90.0520 C 1964 9) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Dining Room from the East. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-9. I. N. Hagan House. Oblique vw, garden facade, roof overhang. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.91.0520 C 1964 10) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the Living Room from the Entrance. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-10. I. N. Hagan House. (d) living room from entrance side. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.92.0520 C 1964 11) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the roof from above. The Bedroom wing is in the foreground, Living Room in the background to the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-11. I. N. Hagan House. (d) view of roof & kitchen dome from above. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.93.0520 C 1964 12) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the roof from above. The Bedroom wing is in the foreground, Living Room in the background to the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-12. I. N. Hagan House. (d) view of roof from above. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.94.0520 C 1964 13) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Exterior Circa 1964 (1954 - S.377). View of the roof overhand cantilevered off the end of the Living Room. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 4-13. I. N. Hagan House. (d) roof overhang openings, living rm wing. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.95.0520 C 1964 14) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Living Room from the North. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-1. I. N. Hagan House. Gen view, living room. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.96.0520 C 1964 15) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Living Room fireplace from the Southwest. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-2. I. N. Hagan House. Gen view, living room fireplace. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.97.0520 C 1964 16) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Living Room fireplace. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-3. I. N. Hagan House. Gen view, living room fireplace. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.98.0520 C 1964 17) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Dining Room from the West. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-4. I. N. Hagan House. Gen view, dining room. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.99.0520 C 1964 18) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Dining Room looking toward the Living Room. The Workspace is on the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-5. I. N. Hagan House. General view, kitchen. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.100.0520 C 1964 19) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Bedroom Hall looking toward the Kitchen. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-6. I. N. Hagan House. General view, view of hall to kitchen. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.101.0520 C 1964 20) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of the Master Bedroom decorative screen designed by Gene Masselink. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 5-7. I. N. Hagan House. (d) decorative screen in bedroom. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.102.0520 C 1964 21) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of Living Room chair. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 7-1. I. N. Hagan House. Gen view, living room chair. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.103.0520 C 1964 22) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of chair. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 7-2. I. N. Hagan House. Gen view, chair. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.104.0520 C 1964 23) I. N. Hagan Residence, Kentuk Knob, Chalkhill, Penn., Interior Circa 1964 (1954 - S.377). View of dining room chair. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Hagan House, 7-3. I. N. Hagan House. Gen view, dining room chair. Chalkhill, PA, USA, 1954. Wright, Frank Lloyd: architect." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.105.0520 1964 Huntington Hartford Gallery of Modern Art, New York, C 1964. Huntington Hartford hired architect Edward Durell Stone to design a museum in New York City at two Columbia Circle, for his art collection. He named it the Gallery of Modern Art. Salvador Dali attended the grand opening held on March 16, 1964. Reception for the gallery was mixed. Writing for The New York Times after the gallery's opening in 1964, Ada Louise Huxtable dismissed the exterior as "a die-cast Venetian palazzo on lollipops." She did praised the interior spaces as a "conspicuous success " an achievement to command considerable admiration." Although many major exhibitions took place at the museum, it was never able to sustain itself, Hartford closed the museum in 1969 and donated the building to the Fairleigh Dickinson University. Photographed by Ezra Stoller, circa 1964. 8 x 10 B&W photograph. See our Wright Study on the Hartford Resort Project. 1596.51.0515 1964 Isidore Heller Residence, HABS Measured Drawings, First and Second Floor Plan, 1964 (1896 - S.038). "The Isidore Heller House was designed by Frank Lloyd Wright for a narrow city lot in the Hyde Park district of Chicago. It belongs to a stylistic category of Wright's work that has been termed 'Monitor' referring to the third story which is raised above the main eaves and capped by a smaller hip roof. The arcade and frieze of this story contains elaborate Sullivanesque ornament and sculptural figures, the latter executed by Richard Bock... Recorded by the National Park Service... Measured and drawn during the summer of 1964 under the direction of James C. Massey. Drawn by: J Rex Poggenpohl." Historic American Building Survey, Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.40.0514 1964 Isidore Heller Residence, HABS Measured Drawings, South and East Elevations, 1964 (1896 - S.038). "The Isidore Heller House was designed by Frank Lloyd Wright for a narrow city lot in the Hyde Park district of Chicago. It belongs to a stylistic category of Wright's work that has been termed 'Monitor' referring to the third story which is raised above the main eaves and capped by a smaller hip roof. The arcade and frieze of this story contains elaborate Sullivanesque ornament and sculptural figures, the latter executed by Richard Bock... Recorded by the National Park Service... Measured and drawn during the summer of 1964 under the direction of James C. Massey. Drawn by: J Rex Poggenpohl." Historic American Building Survey, Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.41.0514 1964 Isidore Heller Residence, HABS Measured Drawings, Detail of Staircase Window, 1964 (1896 - S.038). "The Isidore Heller House was designed by Frank Lloyd Wright for a narrow city lot in the Hyde Park district of Chicago. It belongs to a stylistic category of Wright's work that has been termed 'Monitor' referring to the third story which is raised above the main eaves and capped by a smaller hip roof. The arcade and frieze of this story contains elaborate Sullivanesque ornament and sculptural figures, the latter executed by Richard Bock... Recorded by the National Park Service... Measured and drawn during the summer of 1964 under the direction of James C. Massey. Drawn by: J Rex Poggenpohl." Historic American Building Survey, Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.42.0514 1964 Isidore Heller Residence, Chicago, Street view,1964 (1896 - S.038). Viewed from the Northeast. Ivy has begun to grow again. A wooden fence has been added to the right side. The Living Room is on the first floor, the side entrance on the North side can be seen on the far right. Five bedrooms are on the second floor. The east bedroom opens to a balcony. The windows just to the right of the chimney is one of two bathrooms on the second floor. The large brick tower just behind the side entrance, houses an elevator that services the basement and all three floors. The Playroom is on the third floor. The Roman brick on the first floor is buff, the second and third floors, above the horizontal stone trim alternates buff and gray bricks. The Living Room windows are bordered with horizontal stone. The square panels below the Living Room windows match the billet molding framing the main entrance. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.28.0514 1964 Isidore Heller Residence, Chicago, Living Room window detail,1964 (1896 - S.038). Viewed from the Northeast. Ivy has begun to grow again. The Living Room is on the first floor. The Roman brick on the first floor is buff. The Living Room windows are bordered with horizontal stone. The square panels below the Living Room windows match the billet molding framing the main entrance. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.29.0514 1964 Isidore Heller Residence, Chicago, Detail of the third floor,1964 (1896 - S.038). Viewed from the Northeast. Three arches are set between plaster Sullivanesque panels with high relief winged maidens. Pairs of colonettes are topped with large, spreading ornamental Sullivanesque plaster capitals. Both the plaster maidens and capitals show deterioration. The Roman brick on the second and third floors alternates buff and gray bricks. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.30.0514 1964 Isidore Heller Residence, Chicago, Detail of the third floor capitals,1964 (1896 - S.038). Viewed from the Northeast. Pairs of colonettes are topped with large, spreading ornamental Sullivanesque plaster capitals. Plaster capitals show deterioration. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.31.0514 1964 Isidore Heller Residence, Chicago, North side,1964 (1896 - S.038). Viewed from the Northeast. Remnants of ivy can be seen at the top left. The art glass windows follow the stairs that lead to the second floor. The window sills are limestone, as is the horizontal trim that runs the length of the home. The North (back) entrance sets on a thick limestone foundation, very similar to the foundation of the Husser Residence (1899). The art glass windows, different than those of the stairway, repeats the design element in the upper Sullivanesque panels, seen between the winged maidens. The large brick tower just behind the side entrance, houses an elevator that services the basement and all three floors. The Pantry and Kitchen are just beyond the that. Five bedrooms are on the second floor. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.32.0514 1964 Isidore Heller Residence, Chicago, Detail of the North side windows,1964 (1896 - S.038). Viewed from the Northeast. The art glass windows follow the stairs that lead to the second floor. The window sills are limestone, as is the horizontal trim that runs the length of the home. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.33.0514 1964 Isidore Heller Residence, Chicago, Detail of the North side back entrance,1964 (1896 - S.038). Viewed from the Northeast. The North (back) entrance sets on a thick limestone foundation, very similar to the foundation of the Husser Residence (1899). The art glass windows, different than those of the stairway, repeats the design element in the upper Sullivanesque panels, seen between the winged maidens. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.34.0514 1964 Isidore Heller Residence, Chicago, Detail of the North side back entrance art glass ,1964 (1896 - S.038). Viewed from the Northeast. The art glass windows, different than those of the stairway, repeats the design element in the upper Sullivanesque panels, seen between the winged maidens. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.35.0514 1964 Isidore Heller Residence Entrance, Chicago, 1964 (1896 - S.038). View from the Southeast. The large limestone columns on either side of the entrance are octagonal in shape, with ornamental Sullivanesque capitals. The columns support three square frieze panels with a quatrefoil design. The light fixture has been replaced with one more consistent with the design of the home. The entrance is framed with a billet molding. The Dining Room is seen on the far left. The Lining Room is to the right of the Entrance. Five bedrooms are on the second floor. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.36.0514 1964 Isidore Heller Residence Entrance detail, Chicago, 1964 (1896 - S.038). View from the Southeast. The large limestone columns on either side of the entrance are octagonal in shape, with ornamental Sullivanesque capitals. The columns support three square frieze panels with a quatrefoil design. The light fixture has been replaced with one more consistent with the design of the home. The entrance is framed with a billet molding. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.37.0514 1964 Isidore Heller Residence Entrance detail, Chicago, 1964 (1896 - S.038). View from the Southeast. The large limestone columns on either side of the entrance are octagonal in shape, with ornamental Sullivanesque capitals. The columns support three square frieze panels with a quatrefoil design. The light fixture has been replaced with one more consistent with the design of the home. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.38.0514 1964 Isidore Heller Residence Entrance detail, Chicago, 1964 (1896 - S.038). View from the Southeast. The large limestone columns are octagonal in shape, with ornamental Sullivanesque capitals. Photographed by Harold Allen on June 15, 1964. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1596.39.0514 1964 Grady Gammage Memorial Auditorium 1964 (1959 - S.432). View of the Grady Gammage Memorial Auditorium from the South. Label pasted to verso: "The outer roof off of the newly dedicated Grady Gammage Memorial auditorium at Tempe, Ariz., Is supported by 50 precast concrete columns, each 55 feet high. Two pedestrian bridges (only one is visible) are linked to the main building. Each bridge has gold arcs and circles which house light fixtures. - Arizona Photographic Association, Inc." Stamped on clipping: "Oct 18 1964." Hand written on verso: "Frank Lloyd Wright - Bldgs designed by him." Stamped on verso: Please credit: Photos By Herb & Dorothy McLaughlin. Arizona Photographic Association, Inc." Original 10 x 8 B&W photograph. 1596.68.0218 1964 S.C. Johnson & Son Administration Building 1964 (1936 - S.237). View of the Lobby from the West. Monolithic dendriform columns have a diameter of 9 inches at the base and gradually widen to 2 feet 10 inches at the top, then spread out to a diameter of 18 feet 6 inches. The tallest columns are in the lobby at 31 feet tall, and the great room which are 21 feet 7.5 inches high. "Frank Lloyd Wright and the Johnson Wax Buildings," Lipman, 1986, p.50. Clipping pasted to verso: "The rhythmic geometry of Frank Lloyd Wright's architecture is dramatically demonstrated in the reception area of the administration building. The curved balconies are part of the mezzanine and penthouse office areas." Stamped on clipping: "Dec 13 1964." Earlier image in "Frank Lloyd Wright and the Johnson Wax Building", Lipman, 1986, p.101. Original 8 x 10 B&W photograph. 1596.61.0917 1964 S.C. Johnson & Son Administration Building 1964 (1936 - S.237). View of the spiral stairway in the Great Workroom. Stairway leads to women's lounge. Designed in 1936, the official opening of the SC Johnson Administration Building spanned three days, April 22-24, 1939. Ken Burns considered the Johnson Wax Headquarters Great Workroom as "the greatest room in the United States today." Architects have called it the greatest contribution to business housing since the advent of the skyscraper. It is built without windows and doors (other than the main opening) and is heated through the floor and supported by 'golf-tee' columns, modeled on the structure of a flower." Clipping pasted to verso: "Lighted, winding stair wells, like this one, provide access to women's lounges. The building's architect, Frank Lloyd Wright, also designed the desks and other furnishings in the building. S. C. Johnson & Son, Inc." Stamped on clipping: "Dec 13 1964." Original 8 x 10 B&W photograph. 1596.62.0917 1964 S.C. Johnson & Son Administration Building Penthouse 1964 (1936 - S.237). View of Administration building Penthouse. Herbert Johnson's office on the right. Monolithic dendriform columns have a metal base embedded in the floor. Golf tee in shape, the base has a diameter of 9 inches, gradually widening to 2 feet 10 inches at the top, then spreading out to a diameter of 18 feet 6 inches. The tallest columns are in the lobby at 31 feet tall. Clipping pasted to verso: "Tapered columns rise the full three levels of the 25 year old administration building of S. C. Johnson & Son, Inc., Racine. The lobby and mezzanine or partly visible from the top level executive offices shown above." Stamped on clipping: "Dec 13 1964." Stamped on verso: "650457." A similar view is published in "Frank Lloyd Wright and the Johnson Wax Buildings" Lipman, p.113. Original 10 x 8 B&W photograph. 1596.63.0917 1964 Herbert F. Johnson Wingspread (1937 - S.239) 1960. Aerial view. Clipping pasted to verso: "Wingspread, Frank Lloyd Wright designed conference center of The Johnson Foundation, where the Planning Conference for the International Convocation based on Pope John Twenty-Third's Encyclical, Peace on Earth, will take place May 17-19, 1964." Original 7 x 5 B&W photograph. 1596.26.1013 1964 Marin County Civic Center Administration Building 1964 (S.416 - 1957). Viewed from the Southwest. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958.Ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Mounted to gray board. Label pasted to board: "W 20 US Arch. Wright, F.L. San Rafael, California. Marin Co. Administration Bldg., 1964. Andrews Photo 2525." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 7.5 x 9.5 B&W photograph. 1596.79.0420 1964 Marin County Civic Center Administration Building 1964 (S.416 - 1957). Viewed from the Northwest. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958.Ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Mounted to gray board. Label pasted to board: "W 20 US Arch. Wright, F.L. San Rafael, California. Marin Co. Administration Bldg., 1964. Andrews Photo 2526." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 7.5 x 9.5 B&W photograph. 1596.80.0420 1964 Marin County Civic Center Administration Building 1964 (S.416 - 1957). Viewed from the Southwest. The Hill Terrace can be seen in the foreground. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958.Ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Mounted to gray board. Label pasted to board: "W 20 US Arch. Wright, F.L. San Rafael, California. Marin Co. Administration Bldg., 1964. Andrews Photo 2528." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 7.5 x 9.5 B&W photograph. 1596.81.0420 1964 Marin County Civic Center Administration Building 1964 (S.416 - 1957). Viewed from the Southwest. The Hill Terrace Entrance is on the left. Frank Lloyd Wright began designing the Marin County Civic Center in 1957. He presented plans in March, 1958.Ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Mounted to gray board. Label pasted to board: "W 20 US Arch. Wright, F.L. San Rafael, California. Marin Co. Administration Bldg., 1964. Andrews Photo 2529." Photographed by Wayne Andrews. Acquired from the archives of the University of Minnesota. Original 7.5 x 9.5 B&W photograph. 1596.82.0420 1964 Loren B. Pope Residence, Falls Church, Va. 1964 (1939 - S.268). Not dated. View of the Pope Residence .from the East. Designed by Frank Lloyd Wright in 1939. Similar view published in Frank Lloyd Wright's Pope-Leighey House, Reiss, 2014, p.88. Text on sleeve: "Wright, F. L. - Pope-Leighey House , 4-5. Pope-Leighey House. Ext., view from driveway. Mount Vernon, VA, USA. 1939. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1596.106.0121 1964 William Wesley Peters in the Drafting Room at Taliesin, Spring Green, 1964. The drafting room trusses are seen in the background. Hand written on verso: "(William Wesley Peters) Son-in law of Frank L. Wright. Filed 1964 - Oct. 11." Stamped on verso: "Ronald W. Nusbaum." Nusbaum was a photographer for the Milwaukee Sentinel. Stamped on a clipping taped to verso: "Apr 8 1970. Sentinel." Text on clipping: "William Wesley Peters. Sentinel." Text on second clipping: "Madison, Wisconsin. - William Wesley Peters, a close associate of Frank Lloyd Wright for 27 years and the nationally known architect in his own right, died early Wednesday at a Madison hospital after suffering a succession of strokes. He was 71. Intimately involved with public buildings and residences designed by Wright between 1930 to 1959, Peters was married to Wright's..." Photographed by Ronald W. Nusbaum. Acquired from the archives of the Milwaukee Sentinel. Original 10 x 8 B&W photograph. 1596.65.1117 1964 William Wesley Peters standing in the Drafting Room at Taliesin Spring Green, 1964. The drafting room trusses are seen in the background. Clipping pasted to verso: "Heading the group of architects and other specialists who are carrying on the architectural practice of the late Frank Lloyd Wright, is William Wesley Peters, Wright's son-in-law, shown in the drafting room at the Hillside Home school at Taliesin." Of interest is the model of Frank Lloyd Wright's Nakomis sculpture, designed for the Nakoma Memorial Gateway, 1924, an unrealized project, but realized in 1976 at the SC Johnson headquarters in Racine Wisconsin. The Taliesin Architects attempted to resurrect the Nakoma Clubhouse in 1967. The project was finally resurrected and completed in 2001. The Nakoma model could possibly be close to his drawing board for the 1967 attempt. Photographed by Ronald W. Nusbaum. Acquired from the archives of the Milwaukee Sentinel. Original 10 x 8 B&W photograph. 1596.66.1217 1964 Pope-Leighey House 1964. Set of nine drawings by the National Park Service for the Historic American Building Survey (HABS). Frank Lloyd Wright designed this house, which was built in 1940 for Loren B. Pope. An example of Wright's "Usonian House," the structure, in danger of demolition in 1965 for a highway right-of-way in Falls Church, Fairfax County, was saved, moved and restored by Mrs. Robert A. Leighey, The National Trust for Historic Preservation and The National Park Service. This important American Architectural Monument was relocated at Woodlawn Plantation, near Mount Vernon. Courtesy of The Library of Congress. 8 x 10 B&W photographs. For more information see our Wright Study on the Pope-Leighey House. 1596.52.0730 1-9 1964 Pope-Leighey House 1964. Set of fifteen photographs. Frank Lloyd Wright designed this house, which was built in 1940 for Loren B. Pope. Mr. And Mrs. Robert A. Leighey purchased the home in 1946. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall... For more information see our Wright Study on the Pope-Leighey House. 1596.53.0715 1-15 1964 Robie House (1906 - S.127) 1964. Viewed from the Northwest. Clipping pasted on verso: "Robie House, product of the genius of Frank Lloyd Wright, and candidate for permanent memorial to the great architect, has been declared a national historic landmark by Secretary of the Interior Stewart L. Udall. A committee is seeking funds to restore it." Stamped on clipping: "Feb 2 1964". Hand written on verso: "1-29-1964". Acquired from the archives of the Chicago Tribune. Original 10 x 8 B&W print. 1596.24.0212 1964 Robie House (1906 - S.127) 1964. Caption pasted on verso: "Robie House, at 5757 S. Woodlawn, designed by architect Frank Lloyd Wright, is officially designated a national historic landmark, (Sun-Times Photo). Label pasted o verso: "Chicago Sun-Times. Date: April 1, 1964. Photographer: Ralph Walters. Title: Dedicate Robie House. Address: 5757 South Woodlawn Avenue. Caption: Across the street view, of the assembled during the dedication of Robie House." Stamped on verso: "Sun-Times. Apr 2 1964". Acquired from the archives of the Chicago Sun-Times. Original 8 x 10 B&W print. 1596.18.0311 1964 Albert W. Sullivan Residence, Chicago, Illinois, 1964 (1892 - S.019). Detail of the lunette ornament over front door of the Albert Sullivan Residence. Designed in 1892 while Frank Lloyd Wright worked for Louis Sullivan. Albert Sullivan, Louis„˘ brother, commissioned him to design a house for their mother. She past away before it was completed and Louis Sullivan moved into the house when it was completed, and lived there until 1896. Albert and his family then took up residence there until 1914. The house was a collaboration between Sullivan and Wright, but most scholars credit Wright with the design and Sullivan with the floral designs. Sullivan was busy on commercial commissions and delegated residential to Wright. The upper copper bay window was removed in 1964. The house was demolished in 1970. Photographed by Harold Allen. Courtesy of The Art Institute of Chicago. 10 x 8 B&W photograph. 1596.112.0823 1964 Unity Temple (1904 - S.096), Oak Park 1964. Viewed from Northwest, Unity Temple is on the left, Unity House is on the right, and the Entrance is in the center. Lake Street is on the left, North Kenilworth Avenue in the foreground. Caption on Verso: "Unitarian Universalist Church (Unity Temple), Oak Park." Stamped on verso: "Feb 28, 1964". Acquired from the archives of the Chicago Tribune. Original 10 x 8 B&W photograph. 1596.23.0112 1964 Olgivanna Wright, 1964. Olgivanna Wright celebrate the anniversary of Frank Lloyd Wright's birth with Adlai Stevenson. Clipping pasted to verso: "Friends of the late Frank Lloyd Wright paid tribute to the architect on the anniversary of his birth at Spring Green, Wis. Mrs. Wright chatted with Adlai Stevenson, twice Democratic candidate for president. Wright died Apr. 8 at 89." Stamped on clipping: "We Jun 10 1959." Original 10 x 7 B&W photograph. (S#1377.101) 1377.101.0619 1964 Olgivanna Wright, 1964. Olgivanna Wright, facing forward and a little to the left of camera, seated at a table giving an interview. Possibly photographed in Cleveland in April 1964. Hand written on verso: "Mr. Frank Lloyd Wright." Stamped on verso: "The Plain Dealer Library, Apr 24 1964." Also stamped on verso: "Karl J. Rauschkall Staff Photographer, Cleveland Plain Dealer." Photographed by Karl J. Rauschkall. Acquired from the archives of the Cleveland Plain Dealer. Original 7 x 9 B&W photograph. 1596.64.0917 1964 Olgivanna Lloyd Wright, 1964. Mrs. Wright, looking at the valley to the right, from Taliesin. Clipping pasted to verso: "Frank L. Wright's principles of organic architecture are being perpetuated today through the leadership of his wife, Olgivanna, and the work being carried on at Taliesin's Hillside Home School near Spring Green, Wis. - Journal Photos by Donald W. Nusbaum." Stamped on clipping: "Su Oct 11, 1964." Hand written on verso: "Mrs. Frank Lloyd Wright." Photographed by Donald W. Nusbaum. Acquired from the archives of the Milwaukee Journal. Original 8 x 10 B&W photograph. 1596.74.0819 1965 1965 Aline Barnsdall Hollyhock House (1917 - S.208) 1965. View of the Southwest corner. In 1927, Aline Barnsdall gave Hollyhock House and eleven surrounding acres to the city of Los Angeles for use as a public art park in memory of her father, Theodore Barnsdall. For the next fifteen years the house was home to the California Art Club, which made full use of its dramatic design to stage plays and display artwork. The house was leased again in the 1940s and 1950s by Dorothy Clune Murray's Olive Hill Foundation. Photographed by Marvin Rand. Acquired from the Library of Congress. Original 10 x 7 B&W photograph. 1628.24.0413 1965 Aline Barnsdall Residence A 1965 (1917 - S.208). Viewed from the Southwest. The Dining Room and main entrance is on the far left, the Kitchen is in the center, Bedrooms on the right. West (left) and South (right) elevations. Residence A is one of two surviving structures on Olive Hill designed by Frank Lloyd Wright for Aline Barnsdall. It was completed in 1920. By 1965, changes were made to Residence A by the city of Los Angeles. The original Living Room's North balcony was removed and replaced with a wooden one. Exterior stairs and a doorway were added, leading to the second floor, on the Southwest corner. The road, sidewalk and retaining wall in the foreground were also a recent addition. The sidewalk and retaining wall has since been removed. Photographed in September, 1965 by Marvin Rand. Courtesy of the Library of Congress. 10 x 7 B&W photograph. 1628.50.1115 1-6 1965 Annunciation Greek Orthodox Church Chancel and Alter 1965 (1956 - S.399). View of the Alter, set near the rear of the Chancel (the area at the front of a church near the altar, reserved for the clergy and choir, and typically separated from the auditorium by a screen). The church, including the alter was designed by Frank Lloyd Wright in 1956. Stamped on verso: "1965 Aug 10." Hand Written on verso: "Young America, Annunciation Greek. (Milw. Sentinel - Young America Week.) Clipping pasted to verso: "Father Emanuel N. Vergis explains features of the Annunciation Greek Orthodox church to tour guides of the Senior Greek Orthodox Youth Association. Left to right they are: Peter Petroll, jr, of Waukesha; Zoe Niklos; Mrs. Petroll; Kelly Lenardos, of 9020 West Grantosa drive, Wauwatosa, and Nick Koremenos, of 3656 West Menomonee River parkway, Wauwatosa. The church was designed by Frank Lloyd Wright. - Sentinel Photo." Stamped on clipping: "Aug 28 1965. Sentinel." Original 10 x 7.5 B&W photograph. Acquired from the archives of the Milwaukee Sentinel. 1628.56.0617 C 1965 Annunciation Greek Orthodox Church, Milwaukee, Wisconsin, Circa 1965 (1956 - S.399). Not Dated. Set of 26 - 35mm exterior and interior slides. View of the Annunciation Greek Orthodox Sculpture and Church from the Southwest. Designed by Frank Lloyd Wright in 1956. Text on sleeve: "Wright, F. L. - Annunciation Greek Orthodox Church. 4-18. Annunciation Greek Orthodox Church. Ext., Detail of sculpture. Wauwatosa, WI, USA, 1956. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.97.0920 (1-26) C 1965-75 Arizona Biltmore Lobby and Entrance Circa 1965-1975 (S.221 - 1927). Caption on face: "NYT Pictures /Tom Story. Phoenix: Top: Frank Lloyd Wright's gift for drama is exemplified in the Arizona Biltmore Hotel's immense but comfortable main lobby; below, facade of concrete blocks with textured geometric patterns. (Note: for dating, there is a 1965 Cadillac in the bottom left hand corner of the entrance.) Original 8.5 x 10.5 B&W Photograph. 1628.22.0811 C 1965 Dallas Theatre Center Circa 1965 (1955 -S.395). View of the Dallas Theatre Center from the East. The design for this theater was first conceived by Frank Lloyd Wright for the New Theatre for Woodstock, New York (1931 Project). In 1938 Wright designed the Pfeiffer Chapel (S.251) at the Florida Southern College and utilized the original Woodstock floor plan. In 1949 the "New Theatre" was revived again in Hartford, Connecticut, but was never executed. The concept for the "New Theatre for Woodstock" was finally executed in Dallas and the Dallas Theater Center opened with registration and classes on September 9, 1959 and its first production on December 27, 1959. Caption pasted to verso: "The late Frank Lloyd Wright was architect for the Dallas Theater Center - the only theater he ever designed. The Center is noted for both its unique design and the innovations brought to the theater by its student repertory company." Stamped on verso: "Dallas Chamber of Commerce. Dallas, Texas." Original 10 x 8 B&W photograph. 1628.67.0819 C 1965 Dallas Theatre Center, Dallas, TX, Entrance Facade Circa 1965 (1955 -S.395). Set of eighteen 35mm slides. View of the Entrance from the Northwest. Designed by Frank Lloyd Wright in 1955. Text on sleeve: "Wright, F. L. - Humphreys Th., 4-1. Kalita Humphreys Theater, Ext., entrance facade, foyer to the left. Dallas, TX, USA, 1955. Dallas Theater Center. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.80.0520 - 1628.93.0520 1965 Fallingwater 1965 (1938 - S.231). Set of 115 - 35mm Slides photographed between September 1964 through April 1966. Designed in 1938 by Frank Lloyd Wright, the main house was completed in 1938, and the guest house was completed the following year. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken the second year the public was given a glimpse of Fallingwater. 22-B3) View of Fallingwater, taken on the drive approaching Fallingwater from the Southwest. The Guest House is on the left, Fallingwater is to the right. Bear Run (stream) is on the far right. Stamped on face: "3 Jun 65R12." 35mm Kodachrome slide and 11.5 x 8 high res color digital photograph. 1628.59.0817 (1-17) 1965 Fallingwater 1965 (1938 - S.231). Set of 115 - 35mm Slides photographed between September 1964 through April 1966. Designed in 1938 by Frank Lloyd Wright, the main house was completed in 1938, and the guest house was completed the following year. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken the second year the public was given a glimpse of Fallingwater. 39-C2) View of Fallingwater, taken from across the stream. One of the tour guides discussing Fallingwater with visitors. Stamped on face: "2 Aug 65R7." 35mm Kodachrome slide and 11.5 x 8 high res color digital photograph. 1628.60.0817 (1-25) 1965 Fallingwater 1965 (1938 - S.231). Set of 115 - 35mm Slides photographed between September 1964 through April 1966... 64-D2) View of the Guest House Bedroom which looks out on the Terrace and Pool. The large painting above the bed, "Mexican Landscape: Jalapa, Mexico" by Jose Velasco Gomez, 1877, Oil on canvas. Purchased by the Kaufmanns in 1937, was displayed in Kaufmann's Department Store as part of their Below the Rio Grande exhibition, then in the family's Pittsburgh home until it was moved to Fallingwater's guest house bedroom in 1960. The Japanese print to the right is "Night Snow at Kambara" by Ando Hiroshige, 1834, Woodblock print on rice paper. Presented to the Kaufmanns by Frank Lloyd Wright in December, it was signed by Wright as a gift to his clients. Stamped on face: "2 Aug 65R7." 35mm Kodachrome slide and 11.5 x 8 high res color digital photograph. 1628.61.0817 (1-22) C 1965 Fallingwater C1965 (1938 - S.231). Set of 7 - 127 transparency slide (2" x 2"). Designed in 1938 by FLW, the main house was completed in 1938, and the guest house was completed the following year. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken approximately one year after the public was given a glimpse of Fallingwater, which sits within 1,500 acres. 1) Fallingwater C1965 (1938 - S.231). Set of 7 - 127 transparency slide (2" x 2"). View of Fallingwater, taken from across the stream. The bridge is to the right. The stonework of Fallingwater mimics the natural stonework on the property. Printed on verso of sleeve: "Ektachrome." 127 transparency slide and 10 x 10 high res color digital image. 1628.62.0918 (1-7) 1965 Fallingwater, Edgar J. Kaufmann Residence, Bear Run, Pennsylvania, Exterior and Interior 1965 (1938 - S.231). Set of 33 Slides, 29 - 126 Color Transparency Slides and 4 - 35mm Color Slides. Exterior and interior slides. Designed by Frank Lloyd Wright in 1938, the main house was completed in 1938, and the guest house was completed the 1939. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken the one year after the public was given a glimpse of Fallingwater, which sits within 1,500 acres. The stonework of Fallingwater mimics... Continue... 1628.105.1022 (1-33) 1965 Francis Apartments (1965). Francis Apartments, Chicago (1895 - S.032). Designed by Frank Lloyd Wright in 1895, for the Terre Haute Trust Company, Chicago. Demolished in 1971. Photographed from the Northeast by Harold Allen, June 17, 1965. HABS Ill,16-Chig,74-4. 8 x 10 B&W photograph. 1628.16.0711 1965 Francis Apartments Circa 1965 (1895 - S.032). Viewed from the East. The tan car on the left is a 1962 Dodge Dart. The red car in the center is a 1962 Olds Cutlet. The black car on the right is a 1965 Chrysler Newport. The Francis Apartments were on the Southwest corner of 43rd and Forestville Avenue, with the enhance on Forestville. Designed by Wright in 1895, for the Terre Haute Trust Company, Chicago, it was demolished in 1971. Large sign in first floor corner window, "Solid Foods & Liquor. Groceries. Liquors." Text on sleeve: "Wright, F. L. - Francis Apts.4-2. Francis Apartments, Ext. east facade. Chicago, IL., USA. 1895. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm slide, sandwiched between glass, plastic mount. 1628.72.0420 1965 Francis Apartments (1965). Francis Apartments, Chicago (1895 - S.032). Designed by Frank Lloyd Wright in 1895, for the Terre Haute Trust Company, Chicago. Demolished in 1971. Photographed from the East by Harold Allen, June 17, 1965. HABS Ill,16-Chig,74-5. 8 x 10 B&W photograph. 1628.17.0711 1965 Francis Apartments (1965). Francis Apartments, Chicago (1895 - S.032). Designed by Frank Lloyd Wright in 1895, for the Terre Haute Trust Company, Chicago. Demolished in 1971. Detail of iron grille and geometric patterned terra-cotta facing on the South side, looking Northeast. Photograph by Harold Allen, June 17, 1965. HABS Ill,16-Chig,74-1. 8 x 10 B&W photograph. 1628.18.0711 1965 Francis Apartments (1965). Francis Apartments, Chicago (1895 - S.032). Designed by Frank Lloyd Wright in 1895, for the Terre Haute Trust Company, Chicago. Demolished in 1971. Photograph of entryway on the Northwest corner of the courtyard by Harold Allen, June 17, 1965. HABS Ill,16-Chig,74-2. 8 x 10 B&W photograph. 1628.19.0711 1965 Francis Apartments (1965). Francis Apartments, Chicago (1895 - S.032). Designed by Frank Lloyd Wright in 1895, for the Terre Haute Trust Company, Chicago. Demolished in 1971. Detail of the geometric patterned terra-cotta facing. Photographed by Harold Allen, June 17, 1965. HABS Ill,16-Chig,74-3. 8 x 10 B&W photograph. 1628.20.0711 C 1965 Rollin Furbeck Residence, Oak Park, Illinois, Circa 1965 (1897 - S.044). Not dated. View of the Rollin Furbeck Residence from the East. Designed by Frank Lloyd Wright in 1897. Text on sleeve: "Wright, F. L. - Furbeck House, 4-1. Rollin Furbeck House. Ext., view of east street facade. Oak Park, IL, USA. 1898. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.96.0720 1965 Grady Gammage Memorial Auditorium 1965 (1959 - S.432). View of the Grady Gammage Memorial Auditorium from the East. Frank Lloyd Wright designed the Grady Gammage Auditorium in 1959. After Wright's death in April 1959, the Frank Lloyd Wrought Foundation, under the direction of William Wesley Peters, completed the project. Construction began on May 23, 1962. ASU celebrated its grand opening on September 18, 1964. It measures 300 by 250 feet by 80 feet high. The auditorium seats just over 3,000 people. Label pasted to verso: "Designed by the renowned Frank Lloyd Wright, the Grady Gammage Auditorium in Tempe, Ariz., is a focal point for numerous cultural events staged in the Valley of the Sun." Stamped on Verso: "Phoenix Chamber of Commerce." Note: we have a copy of this photograph stamped "Feb 12 1965" on the verso. Original 9 x 7 B&W photograph. 1846.37.0819 C 1965 1) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). View looking up from the North. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. The boulder is to the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-1. Greenberg House. Ext., distant view. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.73.0520 C 1965 2) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). View looking up from the West. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. The boulder is to the right. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-2. Greenberg House. Ext., distant view. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.74.0520 C 1965 3) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). View from the East looking toward the balcony. The Workshop is on the immediate left. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-3. Greenberg House. Ext., view of terrace. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.75.0520 C 1965 4) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). View from the East looking at the Northwest corner of the Living Room. The corner is a mitered glass window. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-4. Greenberg House. Ext., view of terrace. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.76.0520 C 1965 5) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). View from the Northeast. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-5. Greenberg House. Ext., detail of window. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.77.0520 C 1965 6) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior Circa 1965 (1954 - S.372). Detail of the perforated light screen, Southeast corner of the Workshop. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 4-6. Greenberg House. Ext., detail of carport. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.78.0520 C 1965 7) Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Living Room Circa 1965 (1954 - S.372). View of the Living Room and fireplace from the Southwest. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Designed by Frank Lloyd Wright in 1954. Text on sleeve: "Wright, F. L. - Greenberg House, 5-1. Greenberg House. Int., living room. Dousman, Wis, 1954. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.79.0520 1965 Guggenheim Museum, New York, New York, 1965 (1956 - S.400). Exterior view of the Solomon R Guggenheim Museum, designed by Frank Lloyd Wright. Photographed by Fred W. McDarrah on September 9, 1965. McDarrah (1926 - 2007) was a staff photographer for The Village Voice. He was known for documenting the New York art world and the world of Abstract expressionism in during the late 1950s. This photograph is printed in four color (CMYK) and has a dot pattern. Printed on card stock. Verso is blank. 9 x 6. 1628.104.0322 1965 Guggenheim Museum 1959-1982 (1956 - S.400). Set of fifteen 35mm slides of the interior and exterior of the Guggenheim Museum taken between 1959 and 1982 by the same photographer. The Guggenheim opened on October 21, 1959. 7) Guggenheim Museum 1965 (1956 - S.400). View of the interior of the Guggenheim Museum. Six sculptures are on display. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "23. Feb 65" Acquired from a private estate. 35mm color slide and high res digital scan. 1628.71.0420 -1 1965 8) Guggenheim Museum 1965 (1956 - S.400). View of the interior of the Guggenheim Museum. Possibly during a Calder exhibition. A mobile is on display. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "26. Feb 65" Acquired from a private estate. 35mm color slide and high res digital scan. 1628.71.0420 -2 1965 9) Guggenheim Museum 1965 (1956 - S.400). View of the interior of the Guggenheim Museum. Possibly during a Calder exhibition. Mobiles and artwork are on display. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "28. Feb 65" Acquired from a private estate. 35mm color slide and high res digital scan. 1628.71.0420 -3 1965 10) Guggenheim Museum 1965 (1956 - S.400). View of the interior of the Guggenheim Museum. Possibly during a Calder exhibition. Mobiles and artwork are on display. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "30. Feb 65" Acquired from a private estate. 35mm color slide and high res digital scan. 1628.71.0420 -4 1965 11) Guggenheim Museum 1965 (1956 - S.400). View of the interior of the Guggenheim Museum. Possibly during a Calder exhibition. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "32. Feb 65" Acquired from a private estate. 35mm color slide and high res digital scan. 1628.71.0420 -5 1965 Isidore Heller Residence, Chicago, view of third floor frieze, 1965 (1896 - S.038). Detail of the plaster frieze of the Southeast corner of the third floor. Viewed from the South. Under the copper gutters are decorative plaster soffits. Plaster panels include high relief winged maidens, set within a low relief Sullivanesque design. Relief is showing extreme deterioration. Corners are trimmed with a large based octagonal column. The Roman brick on the second and third floors alternates buff and gray bricks. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.25.0514 1965 Isidore Heller Residence, Chicago, detail of third floor frieze, 1965 (1896 - S.038). Detail of the plaster frieze of the Southeast corner of the third floor. Viewed from the South. Plaster panels include high relief winged maidens, set within a low relief Sullivanesque design. The design element between the maidens is similar to the art glass in the back entrance to the home, and elements in the title page for "The Eve of St. Agnes", designed by Wright and published in 1896, and "House Beautiful", designed by Wright and published in 1897. Relief is showing extreme deterioration. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.26.0514 1965 Isidore Heller Residence, Chicago, detail of third floor frieze, 1965 (1896 - S.038). Detail of the plaster frieze of the Southeast corner of the third floor. Viewed from the South. Plaster panels include high relief winged maidens, set within a low relief Sullivanesque design. The design element between the maidens is similar to the art glass in the back entrance to the home, and elements in the title page for "The Eve of St. Agnes", designed by Wright and published in 1896, and "House Beautiful", designed by Wright and published in 1897. Relief is showing extreme deterioration. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.27.0514 1965 Isidore Heller Residence, Chicago, detail of third floor frieze, 1965 (1896 - S.038). Detail of the plaster frieze of the Southeast corner of the third floor. Viewed from the South. Relief is showing extreme deterioration. Corners are trimmed with a large based octagonal column. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.28.0514 1965 Isidore Heller Residence Hall, Chicago, 1965 (1896 - S.038). Viewed from the West, looking toward the Living Room. The front door leads into the entry vestibule. It originally opened up into the reception hall, which has been blocked by a built-in bookcase. A set of doors open inward and lead to the main hall. Oak woodwork frames the ceiling and wall spaces. Walls are trimmed with large oak baseboards. The stairway on the left leads to the second level. The large square newel post is decorated at the top with a Sullivanesque filigree trim. Tightly packed spindles form screens, partially hiding the stairway. Opposite the stairway is the reception room. Octagonal oak columns set atop square oak pedestals, both decorated at the top with matching Sullivanesque filigree trim. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.34.0514 1965 Isidore Heller Residence Hall, Details of vestibule doors, Chicago, 1965 (1896 - S.038). The front door leads into the entry vestibule. A set of doors open inward and lead to the main hall. Oak woodwork frames the ceiling and wall spaces. Walls are trimmed with large oak baseboards. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.35.0514 1965 Isidore Heller Residence Hall, Detail of stairway, Chicago, 1965 (1896 - S.038). Oak woodwork frames the ceiling and wall spaces. Walls are trimmed with large oak baseboards. The stairway leads to the second level. The large square newel post is decorated at the top with a Sullivanesque filigree trim. Tightly packed spindles form screens, partially hiding the stairway. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.36.0514 1965 Isidore Heller Residence Hall, Detail of Reception Room entrance, Chicago, 1965 (1896 - S.038). The front door leads into the entry vestibule. It originally opened up into the reception hall, which has been blocked by a built-in bookcase. A set of doors open inward and lead to the main hall. Oak woodwork frames the ceiling and wall spaces. Walls are trimmed with large oak baseboards. Octagonal oak columns set atop square oak pedestals, both decorated at the top with matching Sullivanesque filigree trim. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.37.0514 1965 Isidore Heller Residence Hall, Detail of Reception Room entrance, Chicago, 1965 (1896 - S.038). The entry vestibule originally opened up into the reception hall, which has been blocked by a built-in bookcase. Octagonal oak columns set atop square oak pedestals, both decorated at the top with matching Sullivanesque filigree trim. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.38.0514 1965 Isidore Heller Residence Hall, Detail of Reception Room column, Chicago, 1965 (1896 - S.038). Octagonal oak columns set atop square oak pedestals, both decorated at the top with matching Sullivanesque filigree trim. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.39.0514 1965 Isidore Heller Residence Hall, Baseboard detail, Chicago, 1965 (1896 - S.038). Walls are trimmed with large oak baseboards. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.40.0514 1965 Isidore Heller Residence Living Room, Chicago, 1965 (1896 - S.038). Viewed from the Southwest. One of Wright's hallmark's was to vary ceiling heights. Raising it in some areas, lowering it in other areas in the same room. Creating a room within a room. This creates the illusion that the ceiling is higher than it actually is. Wright described the room in the June 1900 issue of Architectural Review, "Interior walls of rough sand finish. Trimmed in quartered and waxed white oak. Plaster saturated with pure color. Floor finish and furniture of one wood and color throughout. Lighting fixtures in main rooms wooden standards with globes worked in brass and opalescent glass. Interior color scheme bronze and dull green." The living room brick fireplace is framed in oak. Built-in bookcases balance each side of the fireplace area. The fireplace and bookcase ends are faced with delicate filigree panels. The Living Room's brass light standards were removed, but outlines of the standard's bases remain on the floor in the living room. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.29.0514 1965 Isidore Heller Residence Living Room, Detail of fireplace trim, Chicago, 1965 (1896 - S.038). Wright described the room in the June 1900 issue of Architectural Review, "Interior walls of rough sand finish. Trimmed in quartered and waxed white oak. Plaster saturated with pure color. Floor finish and furniture of one wood and color throughout. Lighting fixtures in main rooms wooden standards with globes worked in brass and opalescent glass. Interior color scheme bronze and dull green." The living room brick fireplace is framed in oak. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.30.0514 1965 Isidore Heller Residence Living Room, Detail of the filigree panels, Chicago, 1965 (1896 - S.038). The living room brick fireplace is framed in oak. Built-in bookcases balance each side of the fireplace area. The fireplace and bookcase ends are faced with delicate filigree panels. The filigree panel on the left is on the side of the bookcase, the filigree panel on the right is built into the fireplace trim. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.31.0514 1965 Isidore Heller Residence Living Room, Fireplace detail. Chicago, 1965 (1896 - S.038). The living room brick fireplace is framed in oak. The fireplace ends are faced with delicate filigree panels on the inside and front. At the base of the front panel is a short built-in octagonal column, repeating the shape of the column outside the entrance of the home. It is topped with a pointed octagonal capital. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.32.0514 1965 Isidore Heller Residence Living Room, Bookcase detail, Chicago, 1965 (1896 - S.038). The living room brick fireplace is framed in oak. Built-in bookcases balance each side of the fireplace area. The bookcase ends are faced with delicate filigree panels. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.33.0514 1965 Isidore Heller Residence Stairway, Chicago, 1965 (1896 - S.038). Viewed from the East, looking toward the Second level. Oak woodwork frames the stairway, ceiling and wall spaces. Although the newel post on the first floor was square, this newel post on the landing between the first and second floors is octagonal in shape and matches the upper column in the reception room, and is decorated at the top with the Sullivanesque filigree trim. Three upper posts are square and without the filigree trim. Tightly packed spindles form screens, partially hiding the stairway from the reception hall. Eleven art glass windows follow the stairs that lead to the second floor. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.41.0514 1965 Isidore Heller Residence Stairway detail, Chicago, 1965 (1896 - S.038). Oak woodwork frames the stairway. Although the newel post on the first floor was square, this newel post on the landing between the first and second floors is octagonal in shape and matches the upper column in the reception room, and is decorated at the top with the Sullivanesque filigree trim. Three upper posts are square and without the filigree trim. Tightly packed spindles form screens, partially hiding the stairway from the reception hall. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.42.0514 1965 Isidore Heller Residence Stairway detail, Chicago, 1965 (1896 - S.038). Oak woodwork frames the stairway. Although the newel post on the first floor was square, this newel post on the landing between the first and second floors is octagonal in shape and matches the upper column in the reception room, and is decorated at the top with the Sullivanesque filigree trim. Upper posts are square and without the filigree trim. Tightly packed spindles form screens, partially hiding the stairway from the reception hall. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 10 x 8 B&W photograph. See our Wright Study on the Heller Residence. 1628.43.0514 1965 Isidore Heller Residence Stairway detail, Chicago, 1965 (1896 - S.038). Tightly packed spindles form screens, partially hiding the stairway from the reception hall. Photographed by Richard Nickel in 1965. Courtesy of the Library of Congress. 8 x 10 B&W photograph. See our Wright Study on the Heller Residence. 1628.44.0514 C 1965-70  Isidore Heller Residence, Chicago, Illinois, Circa 1965-70 (1896 - S.038). Perspective view of the Heller Residence from the Southeast. The entrance is on the left. Designed by Frank Lloyd Wright in 1896. Text on sleeve: "Wright, F. L. - HellerHo. 4-5. Heller House. Ext., View from southeast of entry. Chicago, IL, USA, 1897. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.98.0920 (1-10) C 1965 1) Stephen Hunt Residence I, LaGrange, Illinois, Circa 1965 (1907 - S.138). Not Dated. View of the Hunt Residence from the Southwest. Designed by Frank Lloyd Wright in 1907. The Hunt Residence is the best example of "A Fireproof House for $5,000." Text on sleeve: "Wright, F. L. - Hunt House I, 4-1. Stephen Hunt House I. Ext., main facade. La Grange, IL., USA. 1907. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.94.0720 C 1965 2) Stephen Hunt Residence I, LaGrange, Illinois, Circa 1965 (1907 - S.138). Not Dated. View of the Hunt Residence from the Northwest. Designed by Frank Lloyd Wright in 1907. The Hunt Residence is the best example of "A Fireproof House for $5,000." The automobile in the garage is a 1964 Oldsmobile 98. Text on sleeve: "Wright, F. L. - Hunt House I, 4-2. Stephen Hunt House I. Ext., side elevation. La Grange, IL., USA. 1907. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.95.0720 1965 Marin County Civic Center Administration Building Terrace 1965 (S.416 - 1957). View looking down to the Terrace and Fountain. Designed by Frank Lloyd Wright in 1957, ground was broken on February 15, 1960. The Administration Building (phase one) was completed and dedicated October 13, 1962. Label pasted to verso: "The Wright Place (Third of Six). A spacious cafeteria and terrace help to make the lunch hour a most pleasant interlude for employes (sic) and visitors alike. 1/23/65 (JB)." Stamped on verso: "Feb 11 1965." Acquired from the archives of United Press International. Original 6.5 x 10 B&W photograph. 1628.69.0120 1965 Meyer S. May Residence 1965 (1908 - S.148). Viewed from the Southwest. Wright mixed wood, brick, glass and copper sheathing to form and extraordinary design. The Living Room is on the left, the Entrance is in the center, the original veranda is to the right. There are three large built in planters on the lower level. On the left, on the end of the Living Room, in the foreground on the end of the half-wall, and on the far right, on the end of the Veranda. The driveway runs alone the far side of the house, yet when Frank Lloyd Wright visited the home on May 24, 1949, the front yard was already partially covered in concrete. But between then and the taking of the photograph, the area to the left of the Terrace and Living Room were also covered in concrete. On the second floor, a bedroom cantilevers out to the left. By 1919 (The Meyer May House, Steelcase, 1987, p.3) the Balcony to the upper right had already been enclosed by glass. Photographed by Allen Stross in 1965. Original 4 x 5 B&W negative and 810 x 8 B&W photograph. 1628.57.0917 1965 Meyer S. May Residence 1965 (1908 - S.148). Viewed from the Southeast of the exterior Living Room window detail. Wright mixed wood, brick, glass and copper sheathing to form and extraordinary design. Meyer S. May was married to Sophie Amberg. She past away on December 10, 1917 at the age of 38. He was a prominent clothier in Grand Rapids with A. Meyer & Sons, becoming president in 1906 of the clothing store started by his father, Abraham Meyer. He was also President of the Michigan Retail Clothiers' Association, and involved in the National Association. He was also an original officer of the Pantlind Hotel in Grand Rapids, "one of the finest to be found in the Mid West". He was a Vice President of the Grand Rapids Anti-Tuberculosis Society. Meyer S. May past away on November 7, 1936 at the age of 65. Photographed by Allen Stross in 1965. Original 10 x 8 B&W photograph. Courtesy of the Library of Congress. 1628.23.0612 1965 Loren B. Pope Residence, Falls Church, Va. 1965 (1939 - S.268). Set of eight 35mm color slides. Distant view of the Pope Residence from the Southeast. Designed by Frank Lloyd Wright in 1939. Photographed just after the completion of the 1964-5 move. The move to Mt Vernon was begun in 1964, completed in June 1965. Porch has not yet been screened in. Text on sleeve: "Wright, F. L. - Pope-Leighey House , 4-1. Pope-Leighey House. Ext., distant view. Mount Vernon, VA, USA. 1939. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.99.0121 (1-8) 1965 1) Pope-Leighey House Exterior 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. Viewed from the Southwest. The Entrance is on the far left. The Sanctum (office) is on the left, The Work Space is in the center, the Living Room is on the right. This was photographed before the patio was leveled off and the Porch was screened in. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -1 1965 2) Pope-Leighey House Exterior 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. Viewed from the Southwest. The Entrance is to the far left. The Sanctum (office) is on the left, The Work Space is in the center, the Living Room is on the right. This was photographed before the patio was leveled off and the Porch was screened in. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -2 1965 3) Pope-Leighey House Living Room 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. Viewed from the dining area toward the Living Room. Built-in seating is on the far left, cushions have not yet been reinstalled. Built-in shelving is on the far wall. The table to the right was designed by Wright, and is built-in. The chair and stool in the center were designed by Wright, cushions have not yet been reinstalled. The doors on the right lead out to the screened in terrace, not yet completed. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -3 1965 4) Pope-Leighey House Living Room 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Living Room. Built-in seating is on the left, cushions have not yet been reinstalled. Built-in shelving is on the far wall and wraps around the outside corner. The chair and stool in the center were designed by Wright, cushions have not yet been reinstalled. Perforated Light Screens create patterns and add soft light to the interior of the Living Room. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -4 1965 5) Pope-Leighey House Living Room Fireplace 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Living Room Fireplace. The fireplace, hearth, stairs and some of the walls were constructed of red brick. A display of the wall construction can be seen to the left, and is still on display in the house today. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. ( 1628.70.0120 -5 1965 6) Pope-Leighey House Dining Room 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Dining Room. The fireplace, hearth, stairs and some of the walls were constructed of red brick. The fireplace is to the far left. The workspace is located behind the fireplace. The Entryway is up the stairs to the left of the dining room table. The ceiling drops to a height of 7 feet in the Dining Room. Shelves are cantilevered out from the brick wall secured by steel. Three smaller Wright designed, square, freestanding tables are combined to create the Dining Room Table. The Dining Room chairs were designed by Wright, and used in many of the Usonian homes. Cushions have not yet been reinstalled. The doors open outward to a terrace. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -6 1965 7) Pope-Leighey House Dining Room 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Dining Room. The fireplace, hearth, stairs and some of the walls were constructed of red brick. The fireplace is to the far left. The workspace is located behind the fireplace. The Entryway is up the stairs to the left of the dining room table. The ceiling drops to a height of 7 feet in the Dining Room. Shelves are cantilevered out from the brick wall secured by steel. Three smaller Wright designed, square, freestanding tables are combined to create the Dining Room Table. The Dining Room chairs were designed by Wright, and used in many of the Usonian homes. Cushions have not yet been reinstalled. The doors open outward to a terrace. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -7 1965 8) Pope-Leighey House Dining Room 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Dining Room. The fireplace, hearth, stairs and some of the walls were constructed of red brick. The ceiling drops to a height of 7 feet in the Dining Room. The square table in the center is one of the tree tables, when combined with the other two tables, creates a larger set of three table for the dining room. The two doors forming the corner, open outward, removing the corner. The Living Room is to the right. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -8 1965 9) Pope-Leighey House Master Bedroom 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Master Bedroom. The walls and ceiling are finished in Tidewater Red Cypress. A built-in desk is to the right, and the chair is Wright designed. The vase setting on the desk appeared in a photograph published in Historic Preservation, April-September, 1969, p.118. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -9 1965 10) Pope-Leighey House Bedroom 1965 (S.268 - 1939). Set of 10 B&W photographs of the Pope-Leighey House. Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was sold to Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She did not resumed residency of the home until July, 1969. Photographed just after the completion of the move, but before Mrs. Leighey moved back in. View of the Children's Bedroom. The walls and ceiling are finished in Tidewater Red Cypress. Perforated Light Screens are turned 90 degrees and open outward. Hand written on paper sleeve: "Wright House. Aug 65. TXS-D76. 5 "Da-Y." Original 4 x 5 B&W negative and 8 x 10 B&W photograph. 1628.70.0120 -10 1965 Pope-Leighey House 1965 (S.268 - 1939). Designed by Frank Lloyd Wright in 1939 for Loren B. Pope, it was completed in 1940. In 1946, the home was purchased by Mr. And Mrs. Robert A. Leighey. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home. Dismantling of the home began in the fall of 1964, reconstruction was completed in June 1965. She resumed residency of the home in July 1969. Photographed after the completion of the move, but before Mrs. Leighey moved back in. Most likely Mrs. Leighey in the photograph. Caption on verso: "Completed exterior as viewed from entrance road seems a natural outgrowth of surrounding countryside." Stamped on Verso: "Oct 3 1965." Original 10 x 8 B&W photograph. 1628.55.0517 1965 Robie House Dining Room 1965. Verso: "The Robie House at 5757 S. Woodlawn Ave. on the U of C campus. A campaign is underway to raise funds to restore the famed structure. Ira Bach, chairman of the Robie House Committee." Photographed by Luigi on February 18, 1965. Note: The Robie House Committee (later the Committee for the Preservation of Robie House), chaired by Ira J. Bach, Chicago City Planning Commissioner, was organized in late 1962 and included a long list of notable Chicagoans and influential international architects and academics such as: Sigfried Giedion, Bertrand Goldberg, Walter Gropius, Edgar Kaufmann, Jr., Lewis Mumford, Mies van der Rohe, and William Wurster. Original B&W photograph. 8 x 9.4. 1628.12.1209 1965 Robie House exterior 1965. View of the Drive from the East. The Playroom is on the left, Garage on the right. Looking at the second (main) floor, the Dining Room is on the left, the Servants rooms are on the right above the garage. Bedrooms are on the third floor. Leaded glass windows have been covered to preserve them. Label pasted to verso: Date: Feb 18, 1965. Photographer: Luigi. Caption: The Robie House at 5757 S. Woodlawn Ave. on the U of C campus. A campaign is underway to raise funds to restore the famed structure." Photographed by Luigi on February 18, 1965. Stamped on verso: "Mar 8 - 1965." Note: The Robie House Committee (later the Committee for the Preservation of Robie House), chaired by Ira J. Bach, Chicago City Planning Commissioner, was organized in late 1962 and included a long list of notable Chicagoans and influential international architects and academics such as: Sigfried Giedion, Bertrand Goldberg, Walter Gropius, Edgar Kaufmann, Jr., Lewis Mumford, Mies van der Rohe, and William Wurster. Acquired from the archives of the Chicago Tribune. Original 10 X 8.5 B&W photograph. 1628.47.0315 1965 Robie House Living Room Fireplace 1965. Viewed from the West. The hearth is lowered, the space above the fireplace is open. Label pasted to verso: Date: Feb 18, 1965. Photographer: Luigi. Caption: The Robie House at 5757 S. Woodlawn Ave. on the U of C campus. A campaign is underway to raise funds to restore the famed structure." Photographed by Luigi on February 18, 1965. Stamped on verso: "Mar 14 - 1965." Note: The Robie House Committee (later the Committee for the Preservation of Robie House), chaired by Ira J. Bach, Chicago City Planning Commissioner, was organized in late 1962 and included a long list of notable Chicagoans and influential international architects and academics such as: Sigfried Giedion, Bertrand Goldberg, Walter Gropius, Edgar Kaufmann, Jr., Lewis Mumford, Mies van der Rohe, and William Wurster. Acquired from the archives of the Chicago Tribune. Original 8.25 10 B&W photograph. 1628.48.0315 1965 Robie House Entrance (1906 S.127) 1965. Caption on verso: "Plan Restoration of Frank Lloyd Wright House. Chicago: Robie House, designed by architect Frank Lloyd Wright, and thought by many as one of the two outstanding housed of the century in this country is shown in this recent photo. The 57-year-old building has been given a new lease on life by the efforts of a citizens committee formed to raise money for the structure's restoration. Current plans call for the restored Robie House to be presented to the University of Chicago for display and conference purposes. Credit (UPI Photo). 4/17/65. (gwg)" Stamped on Verso: "Apr 1965. Field Enterprises, Inc." Original 9 x 7 silver gelatin photograph. Acquired from the archives of the Chicago Daily News. 1628.13.0310 1965 S.C. Johnson Golden Rondelle Theater 1965. The Golden Rondelle Theater was originally designed by Lippincott and Margulies as the SC Johnson Pavilion for the New York World's Fair in 1964-65. After the Worlds Fair the Golden Rondelle was dismantled and reassembled on the SC Johnson campus. It was then re-designed in 1967 by Taliesin Associated Architects as a permanent structure for the SC Johnson campus where it continues to function as a theater for both company and public events. Stamped on verso: "Johnson Wax Photo. Neg. #21272-86. S. C. Johnson & Son Inc., Racine, Wisconsin." Stamped on clipping pasted to verso: "Jan 14 1966." Hand Written on verso: "The Johnson Wax Golden Rondelle Theater, a landmark at the New York World Fair with its six 90 foot petal top columns will be reconstructed in Racine in the Spring minus the column. It will be flanked by auxiliary buildings designed by Taliesin Associates, Inc. to blend with administration and research center of the (S.C. Johnson & Son, Inc.), a block to the south, designed by the late Frank Lloyd Wright." Original 10 x 8 B&W photograph. 1628.58.1117 C 1965 Hillside Home School, Taliesin Fellowship Complex Circa 1965 (1932- - S.228). View from the Southwest. When FL Wright began the Taliesin Fellowship in 1932, he began restoring and remodeling the dilapidated Hillside Home School building. The building was constructed of light rose colored sandstone, heavy oak beams and red roof tiles. In the Spring of 1952, a fire devastated the Theater on the west end (left) of the facility and the two story section in the center of the complex. Wright took the opportunity to make changes. He completely changed the Theatre that was destroyed, retaining the masonry walls, but lowering the height of the roof. He lowered the center section, lowering it to a single story. He also extended the lower level of the assembly hall to the south. Courtesy of Library of Congress. 10 x 8 Color photograph. (See progression of the Hillside Home School / Taliesin Complex) 1628.46.0215 C 1965 Taliesin West, Scottsdale, AZ, Circa 1965 (1937 - S.241). Not dated. Set of two 35mm color slides. View of the Drafting Studio and Annex Office from the South. The Drafting Studio is on the left, the Annex Office is on the right. Text on sleeve: "Wright, F. L. - Taliesin West. 4-42. Taliesin West. Ext., View of terrace, Scottsdale, AZ, USA. 1937-59. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1628.100.0121 (1-2) 1965 Unity Temple, Oak Park 1965 (1904 - S.096). View of the interior from Northeast. Designed by Frank Lloyd Wright in 1904. Clipping pasted to verso: "December 12, 1965. 7D. Wright's Golden Years. An Early Church by Wright, the old Unity Temple of 1906 in Oak Park, Ill., was what he considered one of his crucial conceptions, realizing a new feeling for interior space..." Stamped on clipping: "Dec 12 1965." Original 9 x 6.5 B&W photograph. 1628.63.0918 1965 Olgivanna Lloyd Wright, 1965. Mrs. Wright appears to be seated outside at Taliesin, facing to the right, looking to the right of the camera. Hand written on verso: "Mrs. Frank Lloyd Wright, widow of architect." Stamped on verso: "Apr 3 1965. Sentinel." Possibly photographed in 1964 (See #1596.74) Acquired from the archives of the Milwaukee Sentinel. Original 8 x 10 B&W photograph. 1628.68.0819 1965 Olgivanna Wright, 1965. Smiling, looking at the camera. She is wearing a flowered blouse. Caption pasted to verso: "Music for the production was written by Mrs. Olgivanna Wright, widow of the architect." Stamped on clipping: "May 9 1965." Stamped on verso: "1965 Apr 30." Hand written on verso: "Photo by Michael Roberts." Original 8 x 10 B&W photograph. 1628.65.0619 1965 Olgivanna Wright, 1965. Smiling, looking to her left. Caption at bottom: "(Advance for use in PMS of Friday, June 25, with AP special report by Maggie Savoy) (NY9 - June 22) Heads Taliesin - Olgivanna Wright, widow of architect Frank Lloyd Wright, directs the Frank Lloyd Foundation since his death six years ago. It continues today much more comfortably both physically and financially and with the same spirit with which it began. (AP Wirephoto) (See AP Newsfeature Story) 65". Original 4 x 7.6 and 8 x 10 B&W Photograph. 1628.15.1110 1628.66.0619 1966 1966 Annunciation Greek Orthodox Church, Milwaukee, Wisconsin, Ceiling Damage 1966 (1956 - S.399). Set of 26 photographs documenting damage to the interior of the dome and walls. Thirteen views of the ceiling damage plus duplicates. In 1965 portions of the gold ceiling began to sage. On April 10, 1966, a large section fell, showering an area near the sanctuary with glitter and asbestos. These photographs document the damage to the walls and ceiling due to condensation. The problem, everyone agreed, was moisture. Some sections of the insulation allowed water vapor to pass through to the concrete dome, where it condensed and, in cold weather, froze, effectively breaking the seal. Hand written on verso: "1A." "N. W." " 3-27-66." See additional information about damage. Original 10 x 7.25 B&W photographs. 1680.02.0822 (1-26) 1966 E-86) Fallingwater 1966 (1938 - S.231). Set of 115 - 35mm Slides photographed between September 1964 through April 1966. Designed in 1938 by Frank Lloyd Wright, the main house was completed in 1938, and the guest house was completed the following year. In 1963, twenty five years after the home was built, and four years after Wright's death, Edgar Kaufmann Jr. donated the property to the Western Pennsylvania Conservancy. In 1964 Fallingwater was opened to the public through guided tours, These photographs were taken the second year the public was given a glimpse of Fallingwater. 86-E1) View of the Living Room looking Northeast. The Entrance is on the left. The hatchway in the center, opens to a suspended stairway that leads to the steam bed below. Glass corners are mitered. The doors on the right lead out to the Eastern Terrace... Stamped on face: "1 APR 66R5." 35mm Kodachrome slide and 11.5 x 8 high res color digital photograph. 1679.20.0817 (1-30) 1966 Ellis & Alice Feiman Residence 1966, Canton, Ohio (1954 - S.371). View of Alice Feiman in the Dining area and Kitchen (right) viewed from the North. The Feiman Residence is considered the first Usonian house built, based on Frank Lloyd Wright's design for the New York exhibition house. The second being the Trier Residence (1956 - S.398). While the New York exhibition house was based on the 3 foot square module, and utilized brick and oak plywood, the Feiman house is based on the four foot module and constructed of brick and Philippine mahogany. Wright also added a carport which is set at a 90 degree angle to the front of the house, and covers the entrance. Alice graduated from high school at age 16 and accepted a full four-year scholarship in piano performance at the Cleveland Institute of Music, receiving a Bachelors degrees in Music, '32 and Masters in '36... In 1937 she married Ellis A. Feiman whom she had known since childhood. Ellis was 62 years old when he past away on October 13, 1970. She continued to live in their Wright home until 1983 when she moved away from Canton. She past away on July 15, 2006 in Baltimore, Maryland. Hand written on verso: Mrs. Ellis A Feiman, 452 Santa Clara Dr. NW Canton. House designed by Frank Lloyd Wright." Stamped on... Continue... 1679.17.0817 1966 Ellis & Alice Feiman Residence 1966, Canton, Ohio (1954 - S.371). View of Terrace from the Dining Room. The Feiman Residence is considered the first Usonian house built, based on FL Wright's design for the New York exhibition house. The second being the Trier Residence (1956 - S.398). While the New York exhibition house was based on the 3 foot square module, and utilized brick and oak plywood, the Feiman house is based on the four foot module and constructed of brick and Philippine mahogany. Wright also added a carport which is set at a 90 degree angle to the front of the house, and covers the entrance. Alice graduated from high school at age 16 and accepted a full four-year scholarship in piano performance at the Cleveland Institute of Music, receiving a Bachelors degrees in Music, '32 and Masters in '36... In 1937 she married Ellis A. Feiman whom she had known since childhood. Ellis was 62 years old when he past away on October 13, 1970. She continued to live in their Wright home until 1983 when she moved away from Canton. She past away on July 15, 2006 in Baltimore, Maryland. Hand written on verso: "Home of Ellis A Feiman, 452 Santa Clara Dr. NW Canton. House designed by Frank Lloyd Wright." Stamped on verso: "Jan 18 1966. The Cleveland Plain Dealer. Photo... Continue... 1679.18.1117 1966 Guggenheim Museum, New York, New York, 1966 (1956 - S.400). Set of Four slides. View of the interior gallery of the Guggenheim Museum from the upper level looking upward. Designed by Frank Lloyd Wright in 1956. Alexander Calder's Red Lily Pads (1956) is on display. Photographer unknown. Stamped on sleeve: "19. Oct 66." Original 35mm Color slide. 1679.31.0123 (1-4) 1966 Hotel Geneva, Lake Geneva, Wisc. 1966 (1911 - S.171). View of the Hotel from the Southwest. Caption pasted to verso: "The Geneva Inn, a resort hotel at Lake Geneva designed by the lake Frank Lloyd Wright, reportedly is being purchased by Assemblyman George M. Borg (R - Delavan) at a price of more than $200,000. The two-story building, one of Wright's early examples of horizontal prairie architecture, was constructed in 1912 at a cost of $100,000. It has 70 guest rooms and extends along the lake shore. The Lake Geneva landmark has had several owners over the years. In 1939, it was sold to a Milwaukee firm at the sheriff's sale for $10,407 plus about $10,000 in unpaid taxes, and has changed hands several times since. Borg said his offer to purchase has been excepted by Hobart and Inar Hermanson, also owners of the Lake Como hotel, and that he hoped to take occupancy by Oct. 1. However he declined to comment on plans for the building or future use of the site. - Journal Photo." Stamped on clipping: "Sep 11 1966." Ownership continued to change over the years, the building deteriorated, it became vacant and in January 1970 after a fire, it was demolished. Note: name on the front of the building is now "Geneva Inn." Acquired from the archives of the Milwaukee Journal. Original 8 x 10 B&W photograph. 1679.22.0619 1966 Louis & Pauline Penfield Residence Living Room fireplace 1966 (1953 - S.365). View of the interior fireplace. A bust of Frank Lloyd Wright is to the left, possibly Pauline or their daughter Tisa Penfield is seated to the right. Hand written on verso: "Frank Lloyd Wright designed home, 2203 River Rd, Willoughby Hills. Home of Mr. & Mrs. Louis Penfield, 2203 River Rd, Willoughby Hills. At left is a portrait bust of Frank Lloyd Wright done by the artist in clay & painted. Note, Louis Penfield was an art teacher. Tisa Penfield." Stamped on verso: The Plain Dealer, Jan 26 1966." "Richard J. Misch. Staff Photogh. Cleveland Plain Dealer." Acquired from the archives of the Cleveland Plain Dealer. Original 7 x 9 B&W photograph. 1679.16.0717 1966 1) Robie House, Chicago, Illinois, Exterior view 1966 (1906 - S.127). View of the exterior of the Robie House from the Southwest. Designed by Frank Lloyd Wright in 1906. Text on sign: "H. B. Barnard Co., Builders. Chicago, Illinois." Stamped on sleeve: "24. Feb 66." Printed on sleeve, verso: "Color Transparency." 35mm Color slide. 1679.27.0320 1966 2) Robie House, Chicago, Illinois, Exterior view 1966 (1906 - S.127). View of the exterior of the Robie House from the Southwest. Designed by Frank Lloyd Wright in 1906. Stamped on sleeve: "28. Feb 66." Printed on sleeve, verso: "Color Transparency." 35mm Color slide. 1679.28.0320 1966 3) Robie House, Chicago, Illinois, Exterior view 1966 (1906 - S.127). View of the exterior of the Robie House from the West. Designed by Frank Lloyd Wright in 1906. Stamped on sleeve: "21. Feb 66." Printed on sleeve, verso: "Color Transparency." 35mm Color slide. 1679.29.0320 1966 Nathan Rubin Residence, Canton, Ohio, . Exterior 1966 (1951 - S.343). View of the Southeast corner of the Hexagon shaped living area. Three sets of floor to ceiling doors on both sides open outward. The horizontal siding is redwood. One of three Wright homes built in Canton Ohio, home of the Football Hall of Fame. A Usonian house constructed of brick and horizontal redwood siding. The design is laid out utilizing a 2 foot by 4 foot module. Stamped on verso: “Jan 18 1966; Photo by William A Wynne, Cleveland Plain Dealer.” Also: “The Plain Dealer Library, Jan 24 1966.” Hand written on verso: “View of rear of house of Dr. Nathan A Rubin. 518 44th St. N.W. , Canton, Ohio. Designed by Frank Lloyd Wright.” Photographed by William A Wynne. Acquired from the archives of the Plain Dealer. Original 9 x 7 B&W photograph. 1679.33.0724 1966 Nathan Rubin Residence Interior and Furniture 1966 (1951 - S.343). One of three Wright homes built in Canton Ohio, home of the Football Hall of Fame. A Usonian house constructed of brick and horizontal redwood siding. The design is laid out utilizing a 2 foot by 4 foot module. Origami Armchair: In 1946, Frank Lloyd Wright designed the Origami Armchair for Taliesin West. The Rubin armchair is a close adaptation with the addition if a carved design. Variations of this design can be found at the Sturges Residence (1939) later addition, Teater Studio (1952) added around 1987, Christian Residence "Samara" (1954) and the Stromquist Residence (1958) constructed by Geoffrey Fitzwilliam. Triangle side table: Two triangle side tables are very similar to the triangle tables Frank Lloyd Wright designed as part of the Heritage Henredon line of furniture, minus the decorative design carved along the edges and legs of the table. Stamped on verso: "Jan 18 1966; Photo by William A Wynne, Cleveland Plain Dealer; The Plain Dealer Library, Jan 24 1966." Hand written on verso: "Chairs & stool designed by Frank Lloyd Wright. Home of Dr. Nathan A. Rubin, 518 44th St. N.W. , Canton, Ohio." Photographed by William A Wynne. Acquired from the archives of the Plain Dealer. Original 9 x 7 B&W photograph. 1679.15.0717 1966 Staley Residence viewed from the Southeast 1966 (1950 - S.335). Designed by Frank Lloyd Wright in 1950. Constructed of stone, the home parallels the shore of Lake Erie. An in-line Usonian design. Stamped on verso: "Ray Matjasic, Chief Photographer, The Plain Dealer, Cleveland, Ohio." Hand-written on verso: "Home designed by Frank Lloyd Wright. 6363 N. Lake Road, North Madison, Ohio." Stamped on verso: "Jan 26 1966." Photographed by Ray Matjasic. Acquired from the archives of The Plain Dealer. Original 9 x 5.75 B&W photograph. 1679.14.0717 1966 S.C. Johnson Golden Rondelle Theater 1966. The Golden Rondelle Theater was originally designed by Lippincott and Margulies as the SC Johnson Pavilion for the New York World's Fair in 1964-65. After the Worlds Fair the Golden Rondelle was dismantled and reassembled on the SC Johnson campus. It was then re-designed in 1967 by Taliesin Associated Architects as a permanent structure for the SC Johnson campus where it continues to function as a theater for both company and public events. 7.5 x 6 B&W photograph. 1679.19.1117 1966 Taliesin West, Scottsdale, AZ, 1966 (1937 - S.241). Set of eight 35mm slides of Taliesin West. 1) Taliesin West Light Tower and Entrance Gate. View of the Light Tower and Entrance Gate from the South. Set of 8 color 35mm slides of Taliesin West. Text on slide: "11. May 66 A4." Text on verso: "Kodachrome Transparency. Processed by Kodak." Photographer unknown. Original 35mm color slide, and 8 x 5.5 high res digital image. 1679.32.1023 (1-8) 1966 Wright's Oak Park Studio (1897 S.004) 1966. Clipping on verso: " By Patricia Dalton. The Clyde W. Nookers of Oak Park are not going to fight it any more. For 20 years, the Nookers have lived in the house at 951 Chicago Av., Oak Park, that Frank Lloyd Wright built in 1895 for his own family. During that time, they say, the doorbell and telephone almost never have stopped ringing. People wanted to see the inside of the house where the master himself once lived.  Most of these requests were... ...saw what the former tenants had done to the house. There were layers of paint on the beautiful woods, the window frames in his former drafting room were painted a garish red, some of the walls had flowered wallpaper on them.  Wright said, 'I hope you'll keep the old place from falling apart.'  Mr. Nooker told him that she thought the house should be preserved.  'In Europe, it would be.' Wright replied." Stamped "Daily News, July 5, 1966." Caption under photo on clipping "The Frank Lloyd Wright house at 951 Chicago, Oak Park". Original 10.6 x 8.6 B&W Print. Acquired from the archives of the Chicago Daily News. 1679.04.0310 1966 Wright's Oak Park Home Playroom (1895 - S.003) 1966. Clipping on verso: "Frank Lloyd Wright added this two-story playroom for his children to his Oak Park home in 1895. The mural, painted by a commissioned artist following Wright's design, shows the genie and fisherman from a story 'Thousand and One Nights'. " Stamped on verso: "Aug 14 1966". Photographed before restoration. Shelves on either side of the fireplace are missing the original glass doors. Acquired from the archives of the Chicago Tribune. Original 10 x 8 B&W Print. 1679.05.0112 1966 Wright's Oak Park Home & Studio Fireplace (1895 - S.003) 1966. View of Living Room inglenook fireplace. Caption on verso: "Wright Fireplace - This fireplace greets visitors as they enter the first Frank Lloyd Wright home, built more than 70 years ago. The inscription reads, 'Truth is Life.' The brick arrangement was later used in the frontage of another Wright house." Clipping on verso: "Welcome - This fireplace greets visitors as they enter the first Frank Lloyd Wright home, built more than 70 years ago. The inscription reads, 'Truth is Life.' The pattern of the arrangement was later used in the frontage of another Wright home in Oak Park. Wright also designed the modernistic chair with its striking use of vertical lines. These lines contract with the horizontal woodwork design on the wall, and similar linear contrast are used thruout the home." Stamped on verso: "Aug 14 1966". Acquired from the archives of the Chicago Tribune. Original 10 x 8 B&W Print. 1679.06.0512 1966  United States Post Office Publicity Photograph #1280 - 2c Frank Lloyd Wright stamp. "This photograph may be reproduced for philatelic, educational, historical and newsworthy purposes, in black and white, in any size. It may not be used for advertising purposes, except philatelic advertising."ť  Glossy 3 x 4. (Two copies) 1280.155.0701 1280.156.0406 1966 Olgivanna Lloyd Wright, 1966. Mrs. Frank Lloyd Wright at the issuing ceremony of the 2-cent stamp honoring he husband, Frank Lloyd Wright. Mrs. Wright, stands next to an enlarged image of the 2-cent stamp honoring Wright. Text on face: "6/8/66 - Spring Green, Wis: Mrs. Olgivanna Lloyd Wright, widow of architect Frank Lloyd Wright, smiles at ceremonies marking the issuing of a two-cent postage stamp honoring her late famous husband. The stamp issuance came on what would have been the architect's 97th birthday." Clipping pasted to verso: "Mrs. Olgivanna Lloyd Wright, widow of architect Frank Lloyd Wright, smiled Wednesday during ceremonies marking the issuing of the 2c postage stamp honoring her husband. The program was held in Spring Green." Stamped on clipping: "Th Jun 9 1966. Sentinel." Acquired from the archives of the Milwaukee Sentinel. Original 9 x 7 B&W photograph. 1679.23.0819 1967 1967 Albert Adelman Residence, Fox Point, Wisconsin, 1967 (1948 - S.308). Designed by Frank Lloyd Wright in 1948. Frank Lloyd Wright modified his first design (Scheme 1), straightening out the "L", and removing the Library/Balcony and Sun Deck above the Living Room. Constructed of concrete block, cypress and cedar shakes. This was the first completed Wright design for the Adelman family. Frank Lloyd Wright designed a number of different projects for the Adelman family. Adelman Laundry Building (Project 1945), Albert Adelman House, Scheme #1 (Project 1946), Benjamin Adelman House (Project 1948), Albert Adelman Residence, Fox Point, Wisconsin (1948 - S.308). Benjamin Adelman House, Phoenix, AZ (1951 - S.344), Benjamin Adelman House, Whitefish Bay, Wisconsin. (Project 1954). Text handwritten on verso: "Adelman / Fox Pt." "1967." Also handwritten: "(Frank Lloyd Wright - Homes Designed By Him.)" Acquired from the archives of the Milwaukee Journal. Original 8 x 5 B&W photograph. 1720.74.0821 1967 American System-Built Homes, Arthur L. Richards Duplex Apartments and Small House, 1967 (1915-1916 - S.201-202). Viewed from the Southeast. The Arthur L. Richards Small House (1915 - S.202) is in the foreground, the four Duplex Apartments (1916 - S.201) are in the background. The original front porch of the small house in the foreground, located at 2714 W. Burnham Street, has been enclosed, and the roof extended forward. It has since been restored, removing the windows and the roof extension. Arthur Richards built four duplex in a row on this block. 2720-2734 W. Burnham Street, Milwaukee, Wisconsin. Stamped on verso: "Dec 19 1967." Hand Written on verso: "2714-32 Burnham, Milw. Burnham Clock. (Frank Lloyd Wright - Homes Designed by Him.)" Acquired from the archives of the Milwaukee Journal. Original 8 x 5 B&W photograph. 1720.69.0421 1967 American System-Built Homes, Arthur L. Richards Duplex Apartments and Small House, 1967 (1915-1916 - S.201-202). Viewed from the Northwest. Most likely 2732-2734, the duplex on the Northeast corner of 28th and Burnham Streets. View of the rear (left) and West side (right) of the Arthur L. Richards Duplex Apartments. It appears that the upper open porch has been enclosed. It has since been restored to an open porch. Arthur Richards built four duplex in a row on this block. 2720-2734 W. Burnham Street, Milwaukee, Wisconsin. Stamped on verso: "Dec 19 1967." Hand Written on verso: "(Frank Lloyd Wright - Homes Designed by Him.) 2714-32 W. Burnham St., Milw." Acquired from the archives of the Milwaukee Journal. Original 8 x 5 B&W photograph. 1720.71.0621 1967 Annunciation Greek Orthodox Church, Milwaukee, Wisconsin, 1967 (1956 - S.399). View of the entrance from the west. Designed by Frank Lloyd Wright in 1956. Clipping pasted to verso: "The Greek Orthodox Church of the Annunciation in Wauwatosa is a familiar landmark..." Stamped on clipping: "Su Jan 22 1967." Hand written on verso: "Annunciation Greek Orthodox Church." Original 4 x 2 B&W photograph. Acquired from the archives of the Milwaukee Sentinel. 1720.80.1021 1967  Annunciation Greek Orthodox Church, Milwaukee, Wisconsin, 1967 (1956 - S.399). View of the Chancel, Alter and Sanctuary from the balcony. Designed by Frank Lloyd Wright in 1956. Clipping pasted to verso: "Under the Orthodox dome, worshipers gather close to the altar (right) amid furnishings that give a Middle Eastern flavor. Wright died on Apr. 9, 1959, before the church was completed. William Wesley Peters, his son-in-law, now heads the architectural staff and continues to work Wright began." Stamped on clipping: "Su Dec 10 1967." Hand written on verso: "Annunciation Greek Orthodox Church." Acquired from the archives of the Milwaukee Sentinel. Original 6.5 x 10 B&W photograph. 1720.85.1121 1967 E. Clark Arnold Residence, Columbus, Wisc. 1967 (1954 - S.374). Viewed from the carport toward the front entrance. Designed by Frank Lloyd Wright in 1954. About 20 miles Northwest of Madison Wisconsin, the Arnold Residence is constructed of native Wisconsin limestone, redwood board and batten, and glass. Designed using a diamond shaped equilateral parallelogram module, it is formed with 60-120 degree angles. The four sides of the diamond module are four feet long. The original design had two wings, the bedroom wing and the living/dining wing, set at 120 degrees. In 1959, John Howe (TAA) designed an additional wing, creating a footprint forming a "Y". Mounted to gray board. Hand written on verso: "Clark Arnold House. Frank Lloyd Wright. Milwaukee Journal. Dec. 10 1967." Acquired from the archives of the Milwaukee Journal Sentinel. Original 3.5 x 1.5 B&W photograph. 1720.87.1221 1967 Emil Bach Residence, Chicago (1915 - S.193) 1967. Viewed from the street. Stamped on verso: "Photo by Edmund Jarecki", and "Apr 4 1967." Acquired from the archives of the Chicago Sun-Times. Original 10 x 8 B&W print. 1720.12.0311 1967 Frederick C. Bogk Residence, Milwaukee, Wisconsin 1967 (1916 - S.196). View of the Bogk Residence from the street, the Northwest elevation. The driveway and entrance to the house is on the left side. The three sets of doors from the living room on the lower level open outward to the walled terrace. Bogk was a businessman and politician in Milwaukee, Wisconsin. He commissioned and Wright designed his home in 1916, which was completed in 1917. It is constructed of buff brick with cast concrete ornaments. Clipping pasted to verso: "Journal Photo by George Koshollek." Stamped on clipping: "Su Dec 10 1967." Hand written on verso: "Frank Lloyd Wright. F. C. Bogk House." Stamped on verso: "Dec 19 1967. Photographed by George Koshollek. Acquired from the archives of the Milwaukee Journal. Original 7 x 4 B&W photograph. 1720.88.0122 1967 Frederick C. Bogk Residence 1967 (1916 - S.196). Detailed view of the cast concrete ornamental designs on the front elevation. Designed by Frank Lloyd Wright in 1916. It is constructed of buff brick with cast concrete. This design is repeated four times, just under the roof overhang. Hand written on verso: "Bogk / Elsner, Milwaukee. (Frank Lloyd Wright - Homes Designed By Him)." Stamped on verso: "Dec 19 1967. Original 7.75 x 5 B&W photograph. 1720.62.0820 1967 Frederick C. Bogk Residence, Milwaukee, Wisconsin 1967 (1916 - S.196). Window detail. These windows are on the front of the house, upper level. Frank Lloyd Wright designed the Bogk Residence in 1916. It is constructed of buff brick with cast concrete ornaments. The horizontal joints are racked, while the vertical joints are flush. Hand written on verso: "Bogk / Elsner, Milwaukee. (Frank Lloyd Wright - Homes Designed By Him)." Stamped on verso: "Dec 19 1967. Acquired from the archives of the Milwaukee Journal. Original 7.75 x 5 B&W photograph. 1720.73.0721 1967 Frederick C. Bogk Residence 1967 (1916 - S.196). View of the Southwest elevation, the right side of the house, from the Southwest. The Front of the house, facing the street is on the left. The entrance is on the opposite side of the house. The Living Room is on the left, the Dining Room is to the right, the Garage is on the far right. Frank Lloyd Wright designed the Bogk Residence in 1916. Hand written on verso: "Bogk / Elsner, Milwaukee. (Frank Lloyd Wright - Homes Designed By Him)." Stamped on verso: "Dec 19 1967. Original 7.75 x 5 B&W photograph. 1720.61.0820 1967 Frederick C. Bogk Residence, Milwaukee, Wisconsin Exterior 1967 (1916 - S.196). View of the Southwest elevation, the right side of the house, from the Southwest. The Front of the house, facing the street is to the left. The entrance is on the opposite side of the house. The Living Room is in the foreground, the Dining Room is in the background. Frank Lloyd Wright designed the Bogk Residence in 1916. Hand written on verso: "Bogk / Elsner, Milwaukee. (Frank Lloyd Wright - Homes Designed By Him)." Stamped on verso: "Dec 19 1967. Acquired from the archives of the Milwaukee Journal. Original 4.5 x 7.75 B&W photograph. 1720.75.0821 1967 Hotel Geneva, Lake Geneva, Wisc. 1967 (1911 - S.171). Part of a set of six photographs by Richard Nickel. Viewed from the Southeast. Designed by Frank Lloyd Wright in 1911. Strong horizontal lines, low-pitched roof, broad overhanging eaves, horizontal rows upon rows of leaded glass windows. The Lobby is on the far left. The roof line of the first floor is extend to the right covering a large porch. There was an open covered galley, or walkway, that ran the full length of the South or front elevation of the first floor. It was lit by outdoor light fixtures. There is one to the left of the entrance on the far right, and two between each set of windows. They are also visible on the open balcony that sets over the lobby. Photographed by Richard Nickel in 1967. Courtesy of the Library of Congress. 10 x 8 B&W photograph. 1720.77.1121 1967 Hotel Geneva 1967. Photograph published in the Milwaukee Journal, Sunday Picture Journal, December 10, 1967, page 20. "Later owners have added such un-Wrightian touches as Polynesian decorations inside an a swimming pool at the entrance. Like Wright's Imperial Hotel in Tokyo, built a few years later, it may be doomed. The present owner, former State Sen. George Borg, is considering whether to tear it down or to remodel it. Wright students hope to save it." Note: Name has been changed to "Geneva Inn". Photograph by Donald Nusbaum. 9 x 3 B&W Print, High Res image. (Additional information about the Hotel Geneva.) 1720.08.0410 1967 Hotel Geneva, Lake Geneva, Wisc. 1967 (1911 - S.171). View of the Hotel Geneva Art Glass window from the Lobby looking out toward the pool. Lake Geneva can be seen in the background. Designed by Fdrank Lloyd Wright in 1911. Hand written on verso: "Camera looks thru window of bar to swim pool." Stamped on verso: "George E. Kosholler." "1967, Jul 13." Hand written on verso: "(Frank Lloyd Wright - Bldgs designed by him.) Lake Geneva Inn." Acquired from the archives of the Milwaukee Journal. Original 5 x 7 B&W photograph. 1720.76.0921 1967 A. D. German Warehouse, Richland Center, Wisconsin, 1967 (1915 - S.183). Viewed from the Southeast. Designed by Frank Lloyd Wright in 1915. Constructed of brick and concrete, it is capped by a pattered block on the fourth floor. Albert Delvino German was a successful commodity wholesaler. But as costs escalated, construction was halted in 1921. German lost the building in 1932 due to unpaid taxes and bankruptcy, purchased it back in 1935, but lost it again in 1937. Banner reads: "This Frank Lloyd Wright Designed Building under new ownership and management." Small sign on the door to the left: "Pine River Gun Club." Clipping pasted to verso: "At Richland Center, the A. D. German warehouse blends Japanese scale, Mayan ornament and Wright's principles." Stamped on clipping: "Su Dec 10 1967." Original 4 x 3.5 B&W photograph. 1720.58.0520 1967 Dr. Maurice & Margaret Greenberg Residence, Dousman, Wisc., Exterior 1967 (1954 - S.372). View from the East looking toward the balcony. Designed by Frank Lloyd Wright in 1954. Constructed of brick, concrete and wood. A concrete balcony is cantilevered on three sides. Clipping pasted to verso: "New angles are also apparent in Dr. Maurice Greenberg's home neat Dousman. Cantilevered near the top of a hill, the house was designed when Wright was 88 but still very prolific. 'I just shake designs out of my sleeve,' he told the Greenbergs." Hand written on verso: "Dec. 1 1967. Milwaukee Journal. Maurice Greenberg House. Frank Lloyd Wright." Acquired from the archives of the Milwaukee Journal Sentinel. Original 6 x 4.5 B&W photograph. 1720.86.1221 1967 Guggenheim Museum 1959-1982 (1956 - S.400). Set of fifteen 35mm slides of the interior and exterior of the Guggenheim Museum taken between 1959 and 1982 by the same photographer. The Guggenheim opened on October 21, 1959. 12) Guggenheim Museum 1967 (1956 - S.400). View of the interior of the Guggenheim Museum. Alexander Calder's Red Lily Pads (1956) is on display. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "27. Sep 67" Acquired from a private estate. 35mm color slide and high res digital scan. 1720.57.0420 1967  Imperial Hotel (1915 - S.194) 1967. Typed on face: "Advance for AMS Friday, 6 March 1970. To go with UPI dispatch by Leon Daniel. On 3/10 the new Imperial Hotel will be opened officially here. It stands on the site of the former Imperial Hotel (shown in this '67 photo) - which survived the great earthquake of 1928 and World War II - designed by the late Frank Lloyd Wright." The doors to the Frank Lloyd Wright designed Imperial Hotel were closed on November 15, 1967. Demolition began shortly thereafter. Original 10 x 8.5 B&W photograph. 1720.23.1012 1967  Imperial Hotel (1915 - S.194) 1967. The doors to the Frank Lloyd Wright designed Imperial Hotel were closed on November 15, 1967. Demolition began shortly thereafter. Label pasted to verso: "Demolition of Old Imperial Hotel. (Keystone Tokyo) The demolition of the Imperial Hotel's old building, designed by the late American architect, Frank Lloyd Wright, began in peeling the bronze roof tiles off the south wing of the building. The old Imperial was built in 1922 and one of the few buildings to survive the Great Earthquake in 1923. Management plans to complete the demolition before January 15 and to build a new 17-story hotel building in time for Expo '70. As a result of the 'Save the Imperial' campaign, at least the main lobby section may be moved to a new location for reconstruction. Photo Shows: The front gate of the Imperial Hotel's old building." Stamped on verso: "Keystone Tokyo". "Keystone Press, New York". Original 8.5 x 5.75 B&W photograph. 1720.25.0413 1967  Imperial Hotel, Tokyo, Japan, Circa 1967 (1915 - S.194). Frank Lloyd Wright was commissioned and began designs in 1915. Early preliminary drawings are dated 1913. Construction began in 1917 and on July 4, 1922 the first section of Wright„˘s Imperial Hotel opened. In August 1923 the hotel was complete. On September 1, 1923 a major earthquake destroyed Tokyo. The Imperial Hotel stood. A Tribute to Wright. On November 15, 1967 the doors were closed. Demolition began shortly thereafter and Wright's Imperial Hotel was demolished. Text of face: “3/10/70 - Tokyo: This is the Frank Lloyd Wright-designed Imperial Hotel which survived tremendous earthquake of 1928 (sic), but fell beneath the wheels of progress and modernity. The new, 17-story Imperial Hotel, built on the same site, opens officially here 3/10.ť Stamped on verso: :Mar 11 1970.ť This photograph taken around the same time period as S#1720.23 and 1720.25. Original 10 x 8 B&W photograph. 1720.98.0923 1967 Imperial Hotel (1915 - S.194) 1967. View of main entrance. Stamped on verso: "Tokyo, Japan: Imperial Hotel. 377-247." "Nov 5 1967." Clipping pasted to verso: "A view of the entrance of Tokyo's famed and now to old Imperial Hotel." Acquired from the archives of the Baltimore Sun. Original 7 x 5 7 B&W photograph. 1720.28.0913 1967 Imperial Hotel (1915 - S.194) 1967. View of Main Lobby. Entrance Lobby is to the left (out of picture), Dining Room is to the right past the curtain. Label taped to verso: "Demolition of Old Imperial Hotel: The demolition of the Imperial Hotel's old building, designed by the late American architect, Frank Lloyd Wright, began in peeling the bronze roof tiles off the south wing of the building. The old Imperial was built in 1922 and one of the few buildings to survive in 1922 and one of the few buildings to survive the Great Earthquake in 1923. Management plans to complete the demolition before January 15 and to build a new 17-story hotel building in time for Expo '70. As a result of the "Save the Imperial" campaign, at least the main lobby section may be moved to a new location for reconstruction. Photo shows: The main lobby which will almost certainly be moved to Meiji Village in Nagoya where the historical building from the Meiji era are being relocated and preserved." Stamped on verso: "Keystone Tokyo". "Keystone Press, New York". Original 8.5 x 5.75 B&W photograph. 1720.27.1013 1967 Imperial Hotel (1915 - S.194) 1967. Olgivanna Lloyd Wright in front of the entrance to the Imperial Hotel, October 22, 1967. Reflecting pool is to her right. Text on face: "10/22/67 - Tokyo: The widow of architect Frank Lloyd Wright looks over Tokyo's Imperial Hotel, designed by her husband, after she arrived in Tokyo 10/22 in an effort to save the 44-year-old structure from demolition. The owners plan to start razing the hotel this year to make way for a modern skyscraper hotel. Although she had never seen the hotel before, she was familiar with it through drawings and old photographs and immediately noticed that 'there are some parts missing.' " Original 9.75 x 8.25 B&W photograph. 1720.31.0414 1967  Imperial Hotel 1967 (1915 - S.194). Demolition of Frank Lloyd Wright Imperial Hotel. View of the Imperial Hotel Entrance from across the pool. Text on face. (Advance for Wednesday PMS, Dec, 13, with Imperial Hotel Story by Bob Poos.) (NY3-Dec.9) - less than Imperial Hotel - Main building and central garden of the old Imperial Hotel in Tokyo, under demolition to make way for new building, now looks less than imperial. The old landmark, completed in 1923 and designed by Frank Lloyd Wright, is coming down in spite of attempts to save it by architects, politicians and people who loved it. 1967." Stamped on verso: "Dec 13 1967," and :States-Item." Original 8 x 10 B&W photograph. 1720.56.1119 1967  Imperial Hotel Demolition (1915 - S.194) 1967. The doors to the Frank Lloyd Wright designed Imperial Hotel were closed on November 15, 1967. Demolition began shortly thereafter. Label pasted to verso: "Demolition on Imperial Hotel. (Keystone Tokyo) After they began their demolition on the Imperial Hotel's old building, an American architect, Frank Lloyd Wright's controversial masterpiece, on December 1st, the works are all going well. Only the main lobby section is still kept untouched for the further replacement to the other place for preservation. Photo shows: The Imperial Hotel's old building now under the demolition." Stamped on verso: "Keystone Tokyo". "Keystone Press, New York". Original 8.5 x 5.75 B&W photograph. 1720.26.0313 1967  Imperial Hotel Demolition (1915 - S.194) 1967. The doors to the Frank Lloyd Wright designed Imperial Hotel were closed on November 15, 1967. Demolition began shortly thereafter. Label pasted to verso: "Demolition on Imperial Hotel. (Keystone Tokyo) After they began their demolition on the Imperial Hotel's old building, and American architect, Frank Lloyd Wright's controversial masterpiece, on December 1st, the works are all going well. Only the main lobby section is still kept untouched for the further replacement to the other place for preservation. Photo shows: The Imperial Hotel's old building now under the demolition." Stamped on verso: "Keystone Tokyo". "Keystone Press, New York". Original 5.75 x 8.25 B&W photograph. 1720.22.1212 1967 Imperial Hotel Demolition (1915 - S.194) 1967. View during the demolition of the Imperial Hotel. Label taped to verso: "Hotel Demolished. Tokyo: The famed Imperial Hotel, the 45-year-old landmark designed by the late Frank Lloyd Wright, is 70 per cent demolished in this Dec. 27 photo. Demolition began Dec 22 and is expected to be completed by mid-January. 12/27/67." Original 10 x 8 B&W photograph. 1720.29.0214 1967 Arnold & Lora Jackson Residence, Madison, Wisconsin, 1967 (1957 - S.407.1) (Marshall Erdman Prefab #1) Frank Lloyd Wright created three prefabricated home designs for Marshall Erdman. Of the three designs, two were constructed. Nine Prefab #1 homes were completed: Van Tamelen (1956 - S.406); Jackson (1957 - S.407.1); Duncan (1957 - S.407.2); Iber (1957 - S.408); Post (1957 - S.409.1); Cass (1959 - S.409.2); Zaferiou (1961 - S.410); Molloca (1958 - S.411.1); LaFond (1960 - S.411.2). Hand written on verso: "Jackson / Madison - prefab." Stamped on verso: Dec 19 1967." Hand written on verso: "Frank Lloyd Wright - Homes designed by him." This house was moved in February 1985, 54 miles from Madison to Beaver Dam, Wisconsin. Original 8 x 5 B&W photograph. 1720.66.0321 1967 Arnold & Lora Jackson Residence 1967, Madison/Beaver Dam, Wisconsin (1957 - S.407.1) (Marshall Erdman Prefab #1). Frank Lloyd Wright created three prefabricated home designs for Marshall Erdman. Of the three designs, two were constructed. Nine Prefab #1 homes were completed: Van Tamelen (1956 - S.406); Jackson (1957 - S.407.1); Duncan (1957 - S.407.2); Iber (1957 - S.408); Post (1957 - S.409.1); Cass (1959 - S.409.2); Zaferiou (1961 - S.410); Molloca (1958 - S.411.1); LaFond (1960 - S.411.2). Hand written on verso: "Jackson Madison - prefab." Stamped on verso: Dec 19 1967." Hand written on verso: "Frank Lloyd Wright - Homes designed by him." Clipping taped to verso: "Christopher Fecht and Paul Drennan bought Frank Lloyd Wright's Skyview house for one silver dollar." Stamped on clipping: "Su Jan 13 1985." With threats of demolition in 1985, the Jackson House was sold to Christopher Fecht and his grandfather Paul Drennan for $1, on the condition that it be moved. It was moved 54 miles from Madison to Beaver Dam, Wisconsin. Original 8 x 5 B&W photograph. 1720.53.0819 1967 Herbert & Katherine Jacobs I Residence, Madison, Wisconsin 1967 (1936 - S.234). View of the Jacobs I Residence from the Southeast. Designed by Frank Lloyd Wright in 1936. Herbert and Katherine Jacobs First House, commonly referred to as Jacobs I, is the first Usonian home designed by Frank Lloyd Wright and was constructed in 1937. Clipping pasted to verso: "The first (Jacobs) was built near Madison for newspaperman Herbert Jacobs. It cost $5500, including Wright's $450 fee, in 1937 and was bought 12 years ago by the present owner, Leonard Sweet, for $18,500." Stamped on clipping "Dec 10, 1967." Hand written on verso: "Frank Lloyd Wright." Acquired from the archives of the Milwaukee Journal. Original 7 x 4 B&W photograph. 1720.84.1121 1967 Herbert & Katherine Jacobs I Residence, Madison, Wisconsin 1967 (1936 - S.234). View of the Jacobs Residence and Living Room from the Southwest, view from the sidewalk. The Carport is to the left. Designed in 1936, this was the first home Frank Lloyd Wright designed for the Jacobs Family, and is considered Wright's first Usonian House. Other than a row of horizontal windows that runs just below the roof line, there are no windows with a view of the street. However, light floods the interior of the home with floor to ceiling windows and doors which open to the back yard. Stamped on verso: "Filed Dec 19 1967." Hand written on verso: "Frank Lloyd Wright - Homes designed by him. Jacobs I, Madison. Looking... toward car port." Original 10 x 8 B&W photograph. 1720.45.0219 1967 Herbert & Katherine Jacobs II Residence, Middleton, Wisc 1967 (1944 - S.283). View of the Jacobs II Residence from the Southwest. Designed by Frank Lloyd Wright in 1944. Text accompanying the photograph: "Eleven years after he built the modest home for Herbert Jacobs, Wright designed a second house for the newsman. They are invariably called Jacobs I and Jacobs II. Jacobs II, now onwed by William Taylor, is vastly different from the earlier house. On a hill near Middleton, it is in the form of a semicircle. The lower floor is one big room, 17 feet wide and 100 feet along the curve of the back wall. Wright called it a 'solar house' and during the winter the 48 foot long concave window wall lets the sun heat the living room and bedrooms hung over it. Summers, the roof projection keeps the house cool." Also: "The Milwaukee Journal, Sunday, December 10, 1967." Hand written on verso: "(Frank Lloyd Wright - Homes Designed by Him." Stamped on verso: "Su Dec 10 1967." Acquired from the archives of the Milwaukee Journal. Original 5 x 3 B&W photograph. 1720.79.1021 1967 Margaret and Patrick Kinney Residence, Lancaster, Wisconsin 1967 (1951 - S.342). View of the interior of the hexagon shaped living room. Designed in 1951, Patrick Kinney coordinated the construction of the home. The main living portion of the house is a hexagon with a bedroom wing on the south side. Constructed of limestone on the interior and exterior that Kinney quarried himself. When Margaret was in college she worked for Wright's sister, Jane Porter (1907 - S.134). Margaret's uncle was Robert Moses. In 1942, Moses was appointed to the New York City Planning Commission. When Frank Lloyd Wright was commissioned to design the Guggenheim Museum, he was also tasked with finding the location. Wright sought the help of his second cousin, Robert Moses. "Public Works" Moses, 1970. Hand written on verso: "Triangular. Kinney/Lancaster. (Frank Lloyd Wright - Homes Designed by Him.) Stamped on verso: "Dec 19 1967." Original 10 x 8 B&W photograph. 1720.49.0619 1967 Margaret and Patrick Kinney Residence, Lancaster, Wisconsin 1967 (1951 - S.342). View from the Entryway toward the hexagon shaped living room. Designed in 1951, Patrick Kinney coordinated the construction of the home. The main living portion of the house is a hexagon with a bedroom wing on the south side, to the left. Constructed of limestone on the interior and exterior that Kinney quarried himself. When Margaret was in college she worked for Wright's sister, Jane Porter (1907 - S.134). Margaret's uncle was Robert Moses. In 1942, Moses was appointed to the New York City Planning Commission. When Frank Lloyd Wright was commissioned to design the Guggenheim Museum, he was also tasked with finding the location. Wright sought the help of his second cousin, Robert Moses. "Public Works" Moses, 1970. Hand written on verso: "Kinney/Lancaster. (Frank Lloyd Wright - Homes Designed by Him.) Stamped on verso: "Dec 19 1967." Original 10 x 8 B&W photograph. 1720.52.0619 1967 Margaret and Patrick Kinney Residence, Lancaster, Wisconsin 1967 (1951 - S.342). View of a perforated light screen on the East elevation bedroom window. Designed in 1951, Patrick Kinney coordinated the construction of the home. Constructed of limestone on the interior and exterior that Kinney quarried himself. When Margaret was in college she worked for Wright's sister, Jane Porter (1907 - S.134). Margaret's uncle was Robert Moses. In 1942, Moses was appointed to the New York City Planning Commission. When Frank Lloyd Wright was commissioned to design the Guggenheim Museum, he was also tasked with finding the location. Wright sought the help of his second cousin, Robert Moses. "Public Works" Moses, 1970. Hand written on verso: "Kinney/Lancaster. (Frank Lloyd Wright - Homes Designed by Him.) Stamped on verso: "Dec 19 1967." Original 10 x 8 B&W photograph. 1720.54.1019 1967  William Everett Martin Residence (1902 - S.061), 1967, viewed from East Avenue. William Everett Martin was born in Bouckville, New York in 1863. He moved to Chicago in 1882 and formed Martin & Barton with his brother-in-law George F. Barton (1903 - S.103) which manufactured stove polish. He eventually established a partnership with his brother Darwin D. and formed the Martin & Martin, Inc. They manufactured polish under the brand E-Z polish for both stoves and shoes. William Martin first met Frank Lloyd Wright in late 1902 when he was searching for an architect to build his home in Oak Park, Illinois. Darwin D. Martin was so impressed with Wright and his brother's home that he commissioned Wright to the design the Larkin Company Administration Building (1903 - S.093) and his own home (1904 - S.100). William Martin would commission Wright again in 1909 to design a Pergola. Clipping pasted to verso: "This tree-shaded home at 636 N. East Av. Is one of 25 buildings in the village designed by famed architect Frank Lloyd Wright, who lived and worked there for many years." Stamped on verso: "Daily News, May 4 1967". Acquired from the archives of the Chicago Daily News. Original 10.75 x 8.25 B&W photograph. 1720.24.0113 1967 Joseph Mollica Residence, Bayside, Wisconsin, 1967 (1958 - S.411.1) (Marshall Erdman Prefab #1) Frank Lloyd Wright created three prefabricated home designs for Marshall Erdman. Of the three designs, two were constructed. Nine Prefab #1 homes were completed: Van Tamelen (1956 - S.406); Jackson (1957 - S.407.1); Duncan (1957 - S.407.2); Iber (1957 - S.408); Post (1957 - S.409.1); Cass (1959 - S.409.2); Zaferiou (1961 - S.410); Mollica (1958 - S.411.1); LaFond (1960 - S.411.2). Stamped on verso: "Dec 19 1967." Hand written on verso: "(Frank Lloyd Wright - Homes designed by him.) 1001 W. Jonathan Ln., Bayside." Acquired from the archives of the Milwaukee Journal. Original 7.5 x 4.55 B&W photograph. 1720.67.0321 1967 Joseph Mollica Residence, Bayside, Wisconsin, 1967 (1958 - S.411.1) (Marshall Erdman Prefab #1). View of the Mollica Residence from the North. The garage is on the right. Frank Lloyd Wright created three prefabricated home designs for Marshall Erdman. Of the three designs, two were constructed. Nine Prefab #1 homes were completed: Van Tamelen (1956 - S.406); Jackson (1957 - S.407.1); Duncan (1957 - S.407.2); Iber (1957 - S.408); Post (1957 - S.409.1); Cass (1959 - S.409.2); Zaferiou (1961 - S.410); Mollica (1958 - S.411.1); LaFond (1960 - S.411.2). Stamped on verso: "Dec 19 1967." Hand written on verso: "(Frank Lloyd Wright - Homes designed by him.) 1001 W. Jonathan Ln., Bayside." Acquired from the archives of the Milwaukee Journal. Original 8 x 5 B&W photograph. 1720.70.0621 1967 Nathan G. Moore Residence Stairway and balcony (1895/1923 - S.034) 1967. Originally designed in 1895, the home was destroyed by fire in 1922. It was redesigned by Wright in 1923. View of stairway and balcony. Clipping pasted to verso: "A 3-Story-High stairwell rises from what Wright called the 'great hall' of the house. An open mezzanine library and a third-floor balcony overlook the cathedral-like structure." Stamped on clipping: "Apr 9, 1967". See Monogram 4, pages 248-256, for additional views. Original 8.75 x 11.25 B&W photograph. 1720.13.0811 1967 Nathan G. Moore Residence Fireplace (1895/1923 - S.034) 1967. Originally designed in 1895, the home was destroyed by fire in 1922. It was redesigned by Frank Lloyd Wright in 1923. View of stairway and balcony. Clipping pasted to verso: "Frank Lloyd Wright's distinctive architectural signature is apparent in the design of the fireplace in the front living room. There are 8 fireplaces in the 22-room house, ranging in design from early American to English gothic.." Stamped on clipping: "Apr 9, 1967". See Monogram 4, pages 248-256, for additional views. Acquired from the archives of the Chicago Tribune. Original 10.25 x 8.5 B&W photograph. 1720.19.0312 1967 John Clarence Pew Residence, Shorewood Hills, Wisc., 1967 (1938 - S.273). View of the Pew Residence from the South. Designed by Frank Lloyd Wright in 1938. The house is perched above the shore of Lake Mendota near Madison, Wisconsin and is constructed of cypress and limestone. Stamped on verso: "Dec 19 1967." Hand written on verso: "Pew / Madison. (Frank Lloyd Wright - Homes Designed by Him.)" Acquired from the archives of the Milwaukee Journal. Original 5 x 7 B&W photograph. 1720.65.1020 1967 John Clarence Pew Residence, Shorewood Hills, Wisc., 1967 (1938 - S.273). View of the Pew Residence from the Southwest. Designed by Frank Lloyd Wright in 1938. The house is perched above the shore of Lake Mendota near Madison, Wisconsin and is constructed of cypress and limestone. The carport is at the bottom right. The entrance is to the lower center. Stamped on verso: "Dec 19 1967." Hand written on verso: "Pew / Madison. (Frank Lloyd Wright - Homes Designed by Him.)" Acquired from the archives of the Milwaukee Journal. Original 5 x 7 B&W photograph. 1720.78.1021 1967 John Clarence Pew Residence, Shorewood Hills, Wisc., 1967 (1938 - S.273). View of the Pew Residence from the North looking up. Designed by Frank Lloyd Wright in 1938. The house is perched above the shore of Lake Mendota near Madison, Wisconsin and is constructed of cypress and limestone. Stamped on verso: "Dec 19 1967." Hand written on verso: "Pew / Madison. (Frank Lloyd Wright - Homes Designed by Him.)" Original 5 x 7 B&W photograph. 1720.64.0820 1967 John Clarence Pew Residence, Shorewood Hills, Wisc., 1967 (1938 - S.273). View of the Pew Residence Dining Room from the Living Room looking South. The Living Rom is behind the camera, the fireplace is to the right. Designed by Frank Lloyd Wright in 1938. The house is perched above the shore of Lake Mendota near Madison, Wisconsin and is constructed of cypress and limestone. Stamped on verso: "Dec 19 1967." Hand written on verso: "Pew / Madison. (Frank Lloyd Wright - Homes Designed by Him.)" Acquired from the archives of the Milwaukee Journal. Original 5 x 7 B&W photograph. See additional Wright furniture. 1720.72.0721 1967 Andrew Porter Residence Tanyderi 1967 (1907 - S.134). Designed by Frank Lloyd Wright in 1907 for his sister and brother-in-law Jane and Andrew T. Porter. They moved to Taliesin when he became headmaster of Hillside Home School. Wright called it Tanyderi, meaning "Under the Oaks" in Welch. Stamped on verso: "Filed Dec 19 1967." Hand written on verso: "Frank Lloyd Wright - Homes Designed By Him.) Tany-Deri House. Porter House 1907 Taliesin." Original 10 x 8 B&W Photograph. 1720.46.0319 1967 Riverview Terrace Restaurant 1967 (1953 - S.367). Six sided gift shop under construction. The Riverview Terrace Restaurant was the only restaurant (not including those in the Imperial Hotel, Midway gardens, etc.) designed by Frank Lloyd Wright. Originally designed in 1943, modified in 1953, construction began in 1957, but was halted upon Mr. Wright's death. It was resurrected again in 1967 as part of The Spring Green Resort complex, modified and completed by the Taliesin Associated Architects, headed by William Wesley Peters. Plans even included resurrecting the original Nakoma Clubhouse, which never came to fruition. Attached, but raised above the main level is this hexagonal room, which was used as a gift shop for the restaurant. Clipping taped to verso: "The restaurant gift shop will be installed in this six sided sheltered terrace, a part of the restaurant building." Stamped on clipping: "Sentinel." Stamped on verso: "John W. Ahlhauser" and "1967 Sep 6." The restaurant opened in October 1967. Photographed by John W. Ahlhauser. Acquired from the archives of the Milwaukee Sentinel. Original 8 x 10 B&W photograph. 1720.48.0619 C 1967 Riverview Terrace Restaurant Circa 1967 (1953 - S.367). The Riverview Terrace Restaurant was the only restaurant (not including those in the Imperial Hotel, Midway gardens, etc.) designed by Frank Lloyd Wright. Originally designed in 1943, modified in 1953, construction began in 1957, but was halted upon Mr. Wright's death. It was resurrected again in 1967 as part of The Spring Green Resort complex, Modified and completed by the Taliesin Associated Architects, headed by William Wesley Peters. Plans even included resurrecting the original Nakoma Clubhouse, which never came to fruition. To support the restaurant's 300 foot length, steel trusses were salvaged from the flight deck of the Ranger aircraft carrier training ship which was used on the Great Lakes during WWII. The restaurant opened in October 1967. Published in Frank Lloyd Wright Monograph 1951-1959. Courtesy of The Frank Lloyd Wright Foundation. Copy 10 x 8 B&W photograph. 1720.37.0617 1967 Robie House, designed by Frank Lloyd Wright (1906 S.127) 1967. Stamped on Verso: "Oct 1967. Field Enterprises, Inc." Original 10 x 7.75 B&W photograph. Acquired from the archives of the Chicago Daily News. 1720.06.0310 C 1967 Robie House, circa 1967 (1906 - S.127). Viewed from the Southeast. Restoration of the Robie House took place between 1965 and 1967. A new tile roof, heating system, electrical wiring, painting, and exterior window frames. Windows have been restored and uncovered. Similar view on the cover of "The Prairie School Review," 4th Quarter, 1967. Hand written on verso: "View of South side of house." Original 11 x 8.5 B&W photograph. 1720.33.0216 C 1967 Robie House, circa 1967 (1906 - S.127). Viewed of the Entrance Court from the Northwest. Restoration of the Robie House took place between 1965 and 1967. A new tile roof, heating system, electrical wiring, painting, and exterior window frames. Windows have been restored and uncovered. Hand written on verso: "View of North main Entrance - showing guest bedroom balcony and flower urn." Original 11 x 8.5 B&W photograph. 1720.34.0216 C 1967 Robie House, Living Room circa 1967 (1906 - S.127). Viewed from the West, looking toward the fireplace. Restoration of the Robie House took place between 1965 and 1967. A new tile roof, heating system, electrical wiring, painting, and exterior window frames. Windows have been restored and uncovered. (See similar view S#1757.09). Hand written on verso: "View of main living room - view towards fireplace from Prow." Original 11 x 8.5 B&W photograph. 1720.35.0216 1967 Rookery Building Interior Stair Tower 1967 (1905 - S.113). The Rookery building was designed by Burnham and Root in 1888. Edward C. Waller, a client of Wright's, managed the Rookery Building in 1905 and retained Wright in 1905 to remodel the Entryway and Lobby. Wright's offices were located in the building from 1898-1899. Photographed in the Summer, 1967 by Philip Turner. Courtesy of the Library of Congress. Original 8 x 10 B&W photograph. 1720.42.0219 1967 Bernard Schwartz Residence, Two Rivers, Wisconsin 1967 (1939 - S.271). View of the Schwartz Residence from the Southeast. Life Magazine published Frank Lloyd Wrights design "For a Family of $5000-$6000 Income" in the September 26, 1938 issue. "We call the style Usonian meaning 'of these United States'. If the house seems a little open for your Northwest, that openness has been taken care of by building the house upon a paved concrete mat itself heated by steam pipes laid under it in the gravel filling beneath. This insures comfort no matter how cold outside and there are no radiators in sight. What looks like them in the drawings are really the folding screens between the several paces opening into the central or general space -- a kind of enclosed patio..." Frank Lloyd Wright, Life Magazine, p.60-61. One year later, the home was built for Bernard Schwartz . Wright designed a Dining Room and Workspace (kitchen), but named the Living Room the "Recreation Room." Hand written on face: "Schwarz / Two Rivers." Hand Written on verso: "Frank Lloyd Wright - homes Designed By Him." Stamped on verso: "Dec 19 1967." Original 10 x 8 B&W photograph. 1720.51.0619 1967 Herbert F. Johnson Residence, Wingspread, Wind Point, Wisc., 1967 (1937 - S.239). View of the home from the South. The swimming pool is in the foreground, the center of the home with the tower is in the background. Designed by Frank Lloyd Wright in 1937. H.F. Johnson commissioned Frank Lloyd Wright to design his home in Wind Point, Wisconsin. Hand written on verso: "Dec 10 1967. Milwaukee Journal. Wingspread. Frank Lloyd Wright." Acquired from the archives of the Milwaukee Journal. Original 5 x 4.5 B&W photograph. 1720.83.1221 1967 Herbert F. Johnson Residence, Wingspread, Wind Point, Wisc., 1967 (1937 - S.239). View of the cantilevered master bedroom frm the Northeast. Designed by Frank Lloyd Wright in 1937. H.F. Johnson commissioned Frank Lloyd Wright to design his home in Wind Point, Wisconsin. "At the center of four zones forming a cross, a spacious wigwam of a Living Room stands. A tall central brick chimney stack with five fireplaces on four sides divides this large vertical central living space into four areas for the various domestic functions: Entrance, Family Living, Library and Dining Room. Extending from this great, dignified central wigwam are the four wings. This extended zoned-wing-plan lies, very much at home, quiet and integral with the prairie landscape which is, through it, made more significant and beautiful." Frank Lloyd Wright, An Autobiography, 1943, p.476. Clipping pasted to verso: A bedroom wing at Wingspread ends in a cantilevered porch." Stamped on clipping: "Dec 10 1967." Acquired from the archives of the Milwaukee Journal. Original 4 x 3.5 B&W photograph. 1720.82.1121 1967 Herbert F. Johnson Residence, Wingspread, Wind Point, Wisc., 1967 (1937 - S.239). View of the interior Dining Room fireplace and stairway. Designed by Frank Lloyd Wright in 1937. The circular tower stairway is on the right. Clerestory windows allow indirect light to fill the Living and Dining Rooms. Hand written on verso: "Wingspread LR (?) W/stairway to tower. Wingspread stairway to tower. (Frank Lloyd Wright - Homes Designed By Him.)" Stamped on verso: "Dec 19 1967.) Acquired from the archives of the Milwaukee Journal. Original 4.75 x 7.75 B&W photograph. 1720.68.0421 1967 S.C. Johnson Golden Rondelle Theater 1967. Viewed from the North, the Research Tower is in the background. The Golden Rondelle Theater was originally designed by Lippincott and Margulies as the SC Johnson Pavilion for the New York World's Fair in 1964-65. After the Worlds Fair the Golden Rondelle was dismantled and reassembled on the SC Johnson campus. It was then re-designed in 1967 by Taliesin Associated Architects as a permanent structure for the SC Johnson campus where it continues to function as a theater for both company and public events. Clipping pasted to verso: "The new Johnson Wax Golden Rondelle theater at Racine will be dedicated Thursday. Stamped on clipping: "Jul 22 1967." Original 10 x 6.5 B&W photograph. 1720.41.1117 1967 S.C. Johnson & Son Administration Building 1967 (1944 - S.238). View of the West side of the Administration Building 1939 from the Northeast. Exterior of the great workroom. Designed in 1936, the official opening of the SC Johnson Administration Building spanned three days, April 22-24, 1939. It has been called the greatest contribution to business housing since the design of the skyscraper. Stamped on verso: "Neg 3838." "Dec 19 1967." Original 8 x 10 B&W photograph. 1720.40.0917 1967 S.C. Johnson & Son Administration Greenhouse, Exhibition Dwelling and Advertising Department 1967 (1944 - S.238). On the second floor, the Greenhouse is on the left, the Exhibition Dwelling is to the right. In the foreground, out of view is the Formal garden over the Research Tower carport. Caption, "Frank Lloyd Wright and the Johnson Wax Buildings," Lipman, 1986, page 172, figure 150: "Wright designed this small formal garden with a stone surface and a shallow pool. A greenhouse is at the left and the advertising department is located above the exhibition dwelling." The Advertising department is on the third floor. The ornate dome of glass tubing is above the reception area. Stamped on verso: "Dec 19 1967." Original 8 x 10 B&W photograph. 1720.39.0917 1967 S.C. Johnson & Son Administration Pilot Laboratory 1967 (1944 - S.238). The Research Tower and the addition surrounding it was designed by Frank Lloyd Wright in 1944, construction began in 1947 and the opening ceremony was held on November 17, 1950. The Pilot Laboratory is in the Southwest corner of the ground floor of the new section. Additional view is published in Frank Lloyd Wright and the Johnson Wax Buildings, Lipman, 1986, p.168. Stamped on verso: "Dec 19 1967." Original 8 x 10 B&W photograph. 1720.38.0717 1967 Richard and Berenice Smith House, Jefferson, Wisconsin, 1967 (1950 - S.337). View of the Southwest corner of the Living Room. Possibly Berenice Smith working at the desk. Designed by Frank Lloyd Wright in 1950. Constructed of Limestone, cypress, plaster and cedar shingles. Hand written on verso: "Jefferson, Wisconsin. Richard Smith House. Frank Lloyd Wright." Stamped on verso: "Su Dec 10 1967." Acquired from the archives of the Milwaukee Journal. Original 5.25 x 4.25 B&W photograph. 1720.60.0720 1967 Taliesin, Spring Green, Midway Barns 1967 (1938 - S.246). Exterior view of the Midway Barns from the Southwest. Designed by Frank Lloyd Wright in 1938. Caption taped to verso: "A Blend with Nature. Spring Green, Wisc: No farm on earth looks like the farmstead designed by Frank Lloyd Wright, who believed in wedding architecture to its surroundings. This artistic result can be seen at the late famed architect's longtime home 'Taliesin' located near Spring Green, Wisconsin. 2/3/67." Original 10 x 6.25 B&W photograph. 1720.32.0723 1967 Taliesin, Spring Green, Romeo and Juliet Windmill, Taliesin, Spring Green 1967 (1896/1938 - S.037). Designed in 1896 for Wright's two aunts Ellen and Jane Lloyd-Jones and the Hillside Home School, it was completed in 1897. "...The reservoir finished, the Aunts intended to erect a windmill over it. This was decided upon by a family gathering which the clan usually held to make such decisions concerning the school or important affairs of their own. Said Aunt Nell, managerial mind of the school: "Why not a pretty windmill tower in keeping with our school building instead of an ugly steel tower or, for that matter, the timber ones I have seen? I am going to ask Frank for a design." An Autobiography, Wright, 1932, page 130. Wright's 60 foot tall structure functioned as a windmill and a belvedere. The design combined a diamond-shaped column wedged into an octagonal structure, symbolizing the embrace of Shakespeare's lovers. The original windmill was covered in shingles, and in 1938 it was resurfaced in board and batten siding. Clipping pasted to verso: "The Romeo and Juliet Windmill Survives its Builders. - Ray Barth Photo." Hand written on clipping: "Spring Green, Wis." Stamped on clipping: "Tu Apr 4 1967. Sentinel." Hand written on verso: "(Frank Lloyd Wright - Buildings designed... Continue... 1720.55.1119 1967 Taliesin, Spring Green 1967 (Taliesin III 1925 - S.218). View of the Garden Room and pool from the Northwest. Stamped on verso: "Dec 19 1967." Clipping pasted to verso: "Taliesin, Which Frank Lloyd Wright designed for himself, will be open to visitors this season." Stamped on clipping: "Su May 3 - 1992." Clipping pasted to verso: "A special compound: This is a courtyard view of Taliesin taken in 1967. The home of architect Frank Lloyd Wright is to be named one of America's most endangered historic places." Stamped on clipping: "We Jun 15 1994." Acquired from the archives of the Milwaukee Sentinel. Original 10 x 8 B&W photograph. 1720.50.0619 1967 Taliesin West, Scottsdale, AZ, 1967 (1937 - S.241). Set of nine - 110 slides of Taliesin West, taken in 1967. View of the Pergola from the Northwest. The walkway on the Northeast side of the Drafting Room is covered by a wooden Pergola. Text on slide: “Apr 67. 10.” Text on verso: “Kodachrome Transparency. Processed by Kodak.” Photographer unknown. Original 110 color transparency and high res 10 x 10 digital image. 1720.100.0224 (1-9) 1967 Unity Temple (1904 - S.096), Oak Park 1967. Viewed from Southwest, Unity Temple is on the left, Unity House is on the right, the Entrance is not visible in this image. Photographed in June 1967 by Philip Turner. Courtesy of The Library of Congress. Original 8 x10 B&W photograph. 1720.14.0112 1967 Unity Temple (1904 - S.096), Oak Park 1967. Viewed from West, Unity Temple is on the left, Unity House is on the right, the Entrance is in the center. Lake Street is on the left, North Kenilworth Avenue in the foreground. Photographed in June 1967 by Philip Turner. Courtesy of The Library of Congress. Original 8 x10 B&W photograph. 1720.15.0112 1967 Unity Temple (1904 - S.096), Oak Park 1967. Viewed from North, the exterior of Unity Temple's main sanctuary. Lake Street is in he foreground, North Kenilworth Avenue is on the right. Reader board reads: "Unitarian Universalist Church. Sunday Service June 18, Sermon, Man's vision of Nature and Himself. Robert M. Rice, Minister." Photographed in June 1967 by Philip Turner. Courtesy of The Library of Congress. Original 8 x10 B&W photograph. 1720.16.0112 1967 Unity Temple (1904 - S.096), Oak Park 1967. View of the interior of Unity Temple's sanctuary. Both Unity Temple and Unity House are lit mainly from the top through large skylights, filtered through art glass. A band of horizontal windows, just beneath the ceiling adds additional light to the Temple. The lower portion of the Temple is unbroken by doors and windows. The walls are poured concrete, Wright's first use of the material. Photographed in June 1967 by Philip Turner. Courtesy of The Library of Congress. Original 10 x 8 B&W photograph. 1720.17.0112 1967 Unity Temple (1904 - S.096), Oak Park 1967. View of the interior of Unity House. Unity House consisted of meeting and class rooms. Both Unity Temple and Unity House are lit mainly from the top through large skylights, filtered through art glass. The walls are poured concrete, Wright's first use of the material. Of note are the six chairs in this photograph. Four matching chairs in the center, two matching chairs on the left and right. Variations of the slant back chair appeared in buildings during this time period. Unity Temple, the Larkin Building, 1903 (Quinan, p83), Wright's Home (Circa 1904, Hanks, p38), and Robie House in 1916 (Hoffman p81). The two matching chairs, left and right, originated with the Browne's Bookstore. Designed by Wright for Browne's Bookstore in 1907, they moved from the seventh floor to the first floor in September 1911, and were donated to Unity Temple shortly after that. Photographed in June 1967 by Philip Turner. Courtesy of The Library of Congress. Original 10 x 8 B&W photograph. 1720.18.0112 1967 Design for the Vigo Sundt House (Project 1941). Caption on verso: "Frank Lloyd Wright used the Hexagon in his design of the Vigo Sundt House in Madison, Wis. This utilization of geometry in 1941 was because Wright believed 60-degree angles were 'more suited' to humans." Stamped n Verso: "Sep 24 1967." The first home Wright designed and built utilizing the hexagonal "honeycomb" design was the Hanna Residence (S.235 1936). This was a year after Fallingwater, the same year Wright designed the Herbert Jacobs Residence, his first Usonian home, and the S.C. Johnson & Son Administration Building. Other homes utilizing the hexagon design included the Sidney Bazett Residence (S.259 1939), the Stevens Residence (Auldbrass, S.256 1940), and the Stuart Richardson Residence (S.282 1940). Others were designed, but were never completed. This home is very similar to the Richardson Residence. Obtained from the archives of the Chicago Sun-Times. Original B&W 8 x 10 print. 1720.09.0510 1967 Duey Wright Residence, Wausau, Wisconsin 1967 (1956 - S.420). View of the Duey Wright Residence from the Southeast. Designed by Frank Lloyd Wright in 1956. Duey Wright owned Wright's Music Store in Wausau. The circular Living Room is on the left, and could comfortably seat over 100 people. Duey Wright was not related to Frank Lloyd Wright. Clipping pasted to verso: "The Duey Wright home, shaped like a music note." Stamped on verso: "Dec 10 1967." Original 4.25 x 2 B&W photograph. 1720.63.0820 1967  1) Frank Lloyd Wright Home and Studio, Oak Park, 1967 (1889/1897 - S.002, 003, 004). Set of seven photographs of the Frank Lloyd Wright Home and Studio. View of Frank Lloyd Wright Home and Studio from the North. Wright designed the Home in 1889, the Playroom in 1895 and the Studio in 1897. The Studio is on the left, the entrance is in the center and the Library is on the right. The Home can be seen in the background on the right. One of seven photographs taken in May, 1967 by Philip Turner for the Historic American Building Survey. Courtesy of The Library of Congress. Original 8 x 12 B&W photograph. 1720.90.1222 - 1720.96.1222 1967 Wyoming Valley Grammar School, Wyoming Valley, Wisc. 1967 (1956 - S.401). View of the Wyoming Valley Grammar School from the South. Designed by Frank Lloyd Wright in 1956. The Wyoming School District was formed to consolidate six one-room schoolhouses in the Spring Green area. The school board members approach Mr. Wright about designing a school building to serve the students of the Spring Green area. This two room school also included an assembly room that doubled as a cafeteria. It was built to Wright's design without any alterations. When he was told they couldn't afford his fee, he donated his time. When he was told they couldn't afford the building, he made a donation in his Mother's name. It is the only elementary school built from a Wright design. Clipping taped to verso: "...plans, among them the long delayed auditorium for Madison. Concerts are held in the theater. Wright designed and helped pay for the Wyoming Valley grade school near Dodgeville in 1957 because, he said, he wanted to do something for the county." Stamped on clipping" Su Dec 10, 1967." Acquired from the archives of The Milwaukee Journal. Original 5.25 x 5.75 B&W Photograph. 1720.81.1021 1968 C 1968 1) Benjamin Adelman Residence viewed from the North, circa 1968 (1951 - S.344). Benjamin Adelman Residence viewed from the North, circa 1968. The landscaping is very mature, 17 years old. The large trees on the left are overtaking the Living Room. The Living Room is on the far left. The Dining area is to the left and behind the bush next to the small pool. The tall Workspace is seen in the center background. The covered walkway runs from the Dining area glass doors on the left, to the Guest House on the right. The Walkway has not yet been enclosed. The perforated block wall on the right side of the walkway is left unglazed with glass. The Master Bath that was enlarged in the 1957 remodel can be seen threw the perforated blocks as can the carport to its right. The Terrace, which used to end at the middle of the small pool (Parker 1953 #6), has been enlarged to the North approximately 20 feet. A sculpture on a pedestal has been added. The Guest Wing is on the right. The perforated blocks of the Gallery are glazed. The sitting room, which was used as a bedroom is on the far right. Two planter boxes on the left side of the covered walkway are still there. Photographed by William Storrer, Courtesy of the Oak Park Public Library. 10 x 6 B&W photograph. For more information on the Adelman Residence see our Wright study. 1757.14-0415 1 C 1968 2) Benjamin Adelman Residence Fireplace and Dining Area, circa 1968 (1951 - S.344). Benjamin Adelman Residence Fireplace and Dining area, circa 1968. The Living Room fireplace was designed by Eugene Masselink. The original coffered block ceiling, with 1 foot x 2 foot embedded blocks, has been covered with mahogany plywood. The trim follows a two foot square pattern. The Dining table appears to be designed by Frank Lloyd Wright. The chair seats and backs are a red vinyl. A note written on the plans for the 1957 remodel read: "Note: Cover all inside faces of all exterior walls and ceilings with 3/8" waterproof finish plywood, veneered on exposed face with ribbor-striped Philippine mahogany..." Storrer indicated that furniture and the Wright designed chandelier was sold in the late 1980s. Photographed by William Storrer, Courtesy of the Oak Park Public Library. 10 x 6 B&W photograph. For more information on the Adelman Residence see our Wright study. 1757.14-0415 2 C 1968 3) Benjamin Adelman Residence Workspace, circa 1968 (1951 - S.344). View of the Workspace, from the South, circa 1968. Lower mahogany cabinets appear to be recovered with a laminate. Upper cabinets have been added. Glazed perforated blocks offer an abundance of light to the workspace. The dining Room and Terrace are through the doorway in the background on the right. Photographed by William Storrer, Courtesy of the Oak Park Public Library. 10 x 6 B&W photograph. For more information on the Adelman Residence see our Wright study. 1757.14-0415 3 C 1968 City National Bank and Park Inn Hotel, Mason City, Iowa, Perspective Circa 1968 (1909 - S.155). Set of 10 - 35mm slides. 1) View of the Park Inn Hotel from the Northeast. Designed by Frank Lloyd Wright in 1909. Text on sleeve: "Wright, F. L. - City National Bank, 4-1. City National Bank Building and Hotel. Ext., hotel facade. Mason City, IA, USA, 1909. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1757.27.0520 - 1757.36.0520 C 1968 Florida Southern College Aerial view circa 1968. Viewed from the West. Frank Lloyd Wright buildings include the: Annie Pfeiffer Chapel (1938 - S.251); E. T. Roux Library (1941 - S.252); Seminars Buildings (3): Cora Carter, Isabel Walbridge, Charles W. Hawkins (1941 - S.253.1 -.3); Ordway Industrial Arts Building (1950 - S.254); Administration Buildings (1946 - S.255): Emile E. Watson, Benjamin Fine; Edgar Wall Water Dome; Polk County Science Building (1953 - S.256) (Cosmography Building & Planetarium); The Esplanades (1946 - S.257), various completion times; William H. Danforth Minor Chapel (1954 - S.258). Also included is the new Roux Library Building, far left. Original 10 x 8 B&W photograph. 1757.13.0514 1968 Guggenheim Museum 1959-1982 (1956 - S.400). Set of fifteen 35mm slides of the interior and exterior of the Guggenheim Museum taken between 1959 and 1982 by the same photographer. The Guggenheim opened on October 21, 1959. 13) Guggenheim Museum 1968 (1956 - S.400). View of the interior of the Guggenheim Museum. Abstract exhibition. Printed on sleeve: "Kodachrome Transparency." Stamped on sleeve: "22. May 68" Acquired from a private estate. 35mm color slide and high res digital scan. 1757.26.0420 C 1968 1) Hillside Home School, Taliesin Fellowship Complex, Spring Green Wisconsin, Circa 1968 (1932 - S.228). Not Dated. View of the Taliesin Fellowship Complex from the Southwest. Originally designed by Frank Lloyd Wright in 1902. When Wright began the Taliesin Fellowship in 1932, he began restoring and remodeling the dilapidated Hillside Home School building. In the Spring of 1952, a fire devastated the Theater on the west end (left) of the facility and the two story section in the center of the complex. Wright completely changed the Theatre that was destroyed, retaining the masonry walls, but lowering the height of the roof. He lowered the center section, lowering it to a single story. Text on sleeve: "Wright, F. L. - Hillside Home School II, 4-3. Hillside Home School II. Ext., general view. Spring Green, WI, USA. 1903. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm B&W slide, sandwiched between glass, plastic mount. 1757.37.0720 C 1968 2) Hillside Home School, Taliesin Fellowship Complex, Spring Green Wisconsin, Circa 1968 (1932 - S.228). Not Dated. View of the Taliesin Fellowship Complex from the South. Originally designed by Frank Lloyd Wright in 1902. When Wright began the Taliesin Fellowship in 1932, he began restoring and remodeling the dilapidated Hillside Home School building. In the Spring of 1952, a fire devastated the Theater on the west end (left) of the facility and the two story section in the center of the complex. Wright completely changed the Theatre that was destroyed, retaining the masonry walls, but lowering the height of the roof. He lowered the center section, lowering it to a single story. Text on sleeve: "Wright, F. L. - Hillside Home School II, 4-4. Hillside Home School II. Ext., general view. Spring Green, WI, USA. 1903. Wright, Frank Lloyd. U of Virginia FAIC." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1757.38.0720 1968 Imperial Hotel Demolition 1968 (1915 - S.194). View during the demolition of the Imperial Hotel. Label taped to verso: "End of a Landmark. Tokyo: A huge derrick goes to work on the famed Imperial Hotel which is more than 70 per cent demolished. The 45-year-old landmark designed by the late Frank Lloyd Wright, is being razed to make room for a new 17-story hotel building. 1/5/68." Wrecking ball is being swung into building. Original 8 x 10 B&W photograph. 1720.30.0214 1968 Imperial Hotel, Tokyo Japan, 1968 (1915 - S.194). View during the demolition of the Imperial Hotel. Label taped to verso: "End of a Landmark. Tokyo: Workmen begin to demolish the famed Imperial Hotel, the 45-year-old landmark designed by the late Frank Lloyd Wright. The work is expected to be completed by mid-January. It will done in such a way that the main lobby section of the building will be kept untouched for as long as possible in view of possibilities it may be moved t some other place for preservation. 1/5/68." Original 10 x 8 B&W photograph. 1757.52.0522 1968 Imperial Hotel 1968 (1915 - S.194). View of the Imperial Hotel during demolition. Frank Lloyd Wright designed the Imperial Hotel in 1915. Portions of the Imperial Hotel were salvaged and reconstructed at the Meiji Mura Architecture Museum in Nagoya. Text stamped on sleeve: "Feb 68." Original 35mm Ektachrome slide transparency and high res 5" x 8" digital color image. 1757.23.0319 C 1968 Aime and Norman Lykes Residence Garden Court and Terrace, Circa 1968 (1959 - S.433). Lykes Residence Garden Court and Terrace viewed from the North from the exterior side of the Garden Court wall. The fountain is on the left, the Living Room is in the center, the Workspace is on the right. The Terrace is in the foreground. Photographed by William Storrer. 10 x 6.75 Color photograph. Courtesy of the Oak Park Public Library. 1757.15.0715 C 1968 Aime and Norman Lykes Residence Living Room, Circa 1968 (1959 - S.433). Lykes Residence Living Room viewed from the South. John Rattenbury worked with Wright on the initial plans for the home. According to Rattenbury, a few days before his death, Wright sketched out the plans for the home, set them aside, but never was able to returned to them, due to his death. Rattenbury completed the working drawings and specifications in 1966. Construction took place on the home for the next two years. He designed the furniture and built-ins, adapted from the original plans created by Wright before his death. The bi-fold doors on the left leads to the workspace which is located behind the fireplace. The doors on the right leads to the Garden Court. The table and hassock/chairs are on the right. Appears to be taken before curtains were installed in the Living Room, visible in the 1970 image. Photographed by William Storrer. 10 x 6.75 B&W photograph. Courtesy of the Oak Park Public Library. 1757.16.0715 C 1968 Aime and Norman Lykes Residence Workspace (Kitchen), Circa 1968 (1959 - S.433). Lykes Residence Workspace. John Rattenbury worked with Wright on the initial plans for the home. According to Rattenbury, a few days before his death, Wright sketched out the plans for the home, set them aside, but never was able to returned to them, due to his death. Rattenbury completed the working drawings and specifications in 1966. Construction took place on the home for the next two years. He designed the built-ins, adapted from the original plans created by Wright before his death. Cabinets are constructed of Philippine mahogany. Photographed by William Storrer. 10 x 6.75 B&W photograph. Courtesy of the Oak Park Public Library. 1757.17.0715 C 1968 Aime and Norman Lykes Residence Master Bath, Circa 1968 (1959 - S.433). Lykes Residence Master Bath. John Rattenbury worked with Wright on the initial plans for the home. According to Rattenbury, a few days before his death, Wright sketched out the plans for the home, set them aside, but never was able to returned to them, due to his death. Rattenbury completed the working drawings and specifications in 1966. Construction took place on the home for the next two years. He designed the built-ins, adapted from the original plans created by Wright before his death. Walls are covered with, and the cabinets are constructed of, Philippine mahogany. Photographed by William Storrer. 10 x 6.75 B&W photograph. Courtesy of the Oak Park Public Library. 1757.18.0715 C 1968 Price Tower, Bartlesville, Oklahoma, Circa 1968 (1952 - S.355). Not dated. Set of 12 - 35mm slides. View of the Price Tower from the East. Designed by Frank Lloyd Wright in 1952. Text on sleeve: "Mod: Arch: Am: Wright, F. L.: Bartlesville, OK: Bus: Price Tower: Ext: General View: 1953. Universal SQ 160620.504A/02. 087870. Holy Cross." Acquired from the archives of the University of Virginia. 35mm Color slide, sandwiched between glass, plastic mount. 1757.39.0720 - 1757.50.0720 1968 Robie House Living Room 1968. Verso: "Living room of the Robie House provides a handsome background for dinner." Black tie event held in the Robie House living room. Photographed by Bill Kelly, January 9, 1968. This photograph used and published on January 10, 1968. Original B&W photograph, 10 x 8. 1757.09.1209 1968 Taliesin, Spring Green 1968 (Taliesin III 1925 - S.218). View from the East of the garage on the Northeast side of Taliesin. One of two Chinese Foo Dogs is seen on the right. Stamped on verso: "May 16 1968." Hand written on verso: "Frank Lloyd Wright Bldgs. Taliesin." Original 10 x 8 B&W photograph. 1757.21.0918 1969 1969 Cheney Residence 1969 (1903 - S.104). Viewed from the sidewalk, looking Northeast. The walled Terrace is in the foreground on the left. The sidewalk on the right leads past the Terrace and gardens to the Entrance on the South side of the house. Label pasted to verso: "Chicago Tribune. Date: 6/18/69. Subject: Frank Lloyd Wright Homes. Photographer: Jim Mayo. General Caption: Muskox. Story on Frank Lloyd Wright Homes by S. Wolfe. This Home, 520 N. East Ave., Oak Park." Stamped on verso: "Jun 23 1969." Photographed by Jim Mayo. Acquired from the archives of the Chicago Tribune. Original 10 x 6.75 B&W photograph. 1803.21.1116 1969 Mrs. Thomas Gale Residence (1904 S.098) 1969. Stamped on verso: "Daily News, Jun 12 1969. Article on verso: "By Susan Root. Living in a Frank Lloyd Wright house these days requires a little suffering for the sake of art. But many feel the experience is worth it.  Among them is Chicago architect Howard A. Rosenwinkel, who lives with his wife and four children in a home at 6 Elizabeth Court, Oak Park, that has been called "Wright's solution to the small house." ¶ Some of the sacrifices they are making to maintain architectural "purity" include living with sloping floors and settled window panels of lovely leaded glass that leave a quarter-inch opening for winter winds to whistle through.  Then there are the radiators hidden behind grates that look attractive but five little heat in the living room, a single bathroom for a family of six and total lack of insulation.  What makes it worth it is the architect's pleasure in living in a house of such prefect scale and proportions.  "The flow of space and the detailing in this house are unique." explains Mrs. Rosenwinkel. Acquired from the archives of the Chicago Daily News. Original 10 x 8 B&W print. 1803.05.0310 1969 Walter H. Gale Residence, Oak Park (1893 - S.020) 1969. Label on verso: "Date: June 17, 1969. Location: 1031 Chicago Avenue - Oak Park. Photographer: J. Mayo. Caption: Frank Lloyd Wright home in Oak Park." Stamped on verso: "June 23 1969". Clipping pasted to Verso: "Frank's places. Has the weather given you spring fever in January? If it holds out for the weekend, take advantage of it. Soak up some architecture too. Sunday at 2, there's a walking tour of 20 Frank Lloyd Wright homes in Oak Park. Meet at Unity Church, Lake and Kenilworth Avenues. Tour 2 ˝ hours. $2." Stamped on clipping: "Jan 19 1973". Acquired from the archives of the Chicago Tribune. Original 7.5 x 10 B&W Photograph. 1803.09.0112 1969 Marin County Civic Center Hall of Justice Circa 1969 (S.417 - 1957). Viewed from the North. Designed by Frank Lloyd Wright in 1957, ground was broken on May 25, 1966. The Hall of Justice (phase two) was completed December 9, 1969. Work appears to be complete, but fresh dirt is still evident on the far right end of the building. The water feature can be seen at the far end of the lagoon. Stamped on verso: "Dandelet Photographs" Original 10 x 8 B&W photograph. 1803.22.0217 1969 Marin County Civic Center Hall of Justice Circa 1969 (S.417 - 1957). Viewed from the North. Designed by Frank Lloyd Wright in 1957, ground was broken on May 25, 1966. The Hall of Justice (phase two) was completed December 9, 1969. The water feature is in the foreground, the Marin County Hall of Justice can be seen in the background. Stamped on verso: "Dandelet Photographs" Original 10 x 8 B&W photograph. 1803.23.0217 1969 Pope-Leighey House, 1969. Set of twelve photographs of the Pope-Leighey House. Frank Lloyd Wright designed this house, which was built in 1940 for Loren B. Pope. Mr. And Mrs. Robert A. Leighey purchased the home in 1946. In December 1963 Mrs. Leighey was notified that her home was in danger of demolition for a highway right-of-way in Falls Church, Fairfax County. In July 1964, she signed an agreement with the National Trust to save the home...  For more information see our Wright Study on the Pope-Leighey House. 1803.15.0715 (1-12) 1969 Scoville Park Fountain, Oak Park (1903 S.094) 1969. Originally constructed in 1909. In 1969 the badly deteriorated original fountain was reconstructed and the replica placed in the southeast corner of Scoville Park at the corner of Oak Park Drive and Lake Street in Oak Park. Caption reads "World Horizons - Advance for AMS Sunday, 8/17/69. To go with UPI Dispatch by Barney Seibert. 8/16/69 - Oak Park, ILL.: This is the reconditioned horse trough made into a fountain and dedicated on 6/8 in honor of architect Frank Lloyd Wright on what folks in the old home own thought was the 100th anniversary of his birth. The long-delayed tribute also happened to coincide with the year of Oak Park's centennial. But the date of his birth is subject to argument. He might have shaved two years from his age around 1920. UPI Telephoto -hgr-. 7 x 9.5 Print. High res digital image. 1803.06.0310 1969 Taliesin, Spring Green 1969 (Taliesin III 1925 - S.218). View of Mr. Wright's Bedroom Study from the Southwest. Built-in planters are on either exterior corner of the room. The left planter is visible. The stairs lead down to a small pool on the far left hidden by the bush on the left. Hand written on verso: "Filed 69 - 12/10. Residence of Mrs. Frank Lloyd Wright. (Frank Lloyd Wright - Homes of Taliesin.)" Original 8 x 10 B&W photograph. 1803.28.0619 1969 Taliesin, Spring Green (Taliesin III 1925 - S.218) August 1969. View of the south corner of the Dining room at Taliesin. Three captions pasted to verso. 1) "Home of architect Frank Lloyd Wright at Spring Green, Wisconsin." 2) Stamped Aug 24 1969. "Taliesen (sp) East, Frank Lloyd Wright's home in Spring Green, Wis., integrates masses of stone and wood with the natural landscape without precedent from a previous style of architecture." 3) Stamped Apr 22 1978. "Frank Lloyd Wright's home in Spring Green Wis., sometimes referred to as Taliesen (sp) East." Original 9 x 7 B&W photograph. 1803.07.0111 1969 Taliesin West 1969 (1937 - S.241). Set of 25 color 35mm slides of Taliesin West. 1) Sign directing visitors to Taliesin West. Frank Lloyd Wright incorporated the symbol found carved into one of the rocks found in the desert at Taliesin West. Text on slide: "6. Sep 69 HII." Text on verso: "Ektachrome Transparency. Processed by Kodak." Original 35mm color slide, and 8 x 5.5 high res digital image. 1803.26.0418 (1-25) 1969 Wright Home and Studio, Oak Park (1897 - S.004), 1969. Photographed from across the street on Chicago Ave close to the corner of Forest Ave. Exterior view of the drafting room is on the far left, the Reception Hall in the center, the Library is on the right and the Home is in the background on the right. Label pasted on verso: "Date: June 3, 1969. Photographer: Mayo. Caption: Frank Lloyd Wright home, Oak Park at 951 Chicago Ave." Acquired from the archives of the Chicago Tribune. Original 10 x 7 B&W photograph. 1803.10.0212 1969 William H. Winslow House (1894 - S.024) Exterior 1969. Stamped on verso: "Hedrich-Blessing, Chicago" and "Daily News, Jun 21 1969". Caption pasted on verso: "The Winslow home designed by Frank Lloyd Wright, will be open to the public for the first time tomorrow on a walking tour of the architect's work in Oak Park and River Forest." Acquired from the archives of the Chicago Daily News. Original 10 x 8 B&W print. 1803.08.0311       1950-1959     BACK TO TOP    1970-1979

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